Mind Museum – One Blood

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The potent ascent of UK alternative rock band Mind Museum continues unabated as they release their riveting new encounter, the One Blood EP. Since unleashing their attention grabbing debut EP Rat Race in 2011, the Bristol trio has continued to impress and outweigh other emerging bands with their weave of heart bred passion, riveting sounds, and gripping enterprise. Each release the band unveils takes their presence and reputation up another level and One Blood is no exception, the maturity in songwriting, sound, and simply presence mouthwatering.

Formed in 2010 from the ashes of several bands including most notably I AM THE DOOR and Full Scream Ahead, Mind Museum has persistently presented a proposition impossible to ignore or not find a deep rooted attraction for. Since forming the band has made as big an impact live as they have with their releases, sharing stages with the likes of Young Guns, Twin Atlantic, The King Blues, and The Royal Republic as well as lighting up their own headlining shows. Taking inspiration from bands such as Biffy Clyro, Coheed and Cambria, The Cure, and Placebo, the trio of vocalist/bassist Justin E Percival, guitarist Will Slater, and drummer Chas Bacon have honed a sound which holds a vague familiarity which makes it instantly accessible before taking the imagination and emotions on an incendiary ride of raw angst dripping vocals, rich sonic colour, and melodic passion. Their 2011 Rat Race EP made a potent entrance for the band, one just as powerfully backed up by The Power Of Three EP the following year but the George Lever produced new exploit immediately shows a big leap the band has taken from those earlier releases, confirming and expanding the promise and adventure hinted at by the 2012 single Lie To Me.

The release opens with The Get Go and immediately has a resonating bass note and a tart guitar wash soaking the ears whilst the already OneBlood-EP_ScreenResemotion drenched squalls of Percival wail in the back ground. As expected from the band on past experiences, it is a dramatic entrance but one which regroups into a restrained and melody kissed persuasion which still retains its raw edge but seduces rather than demands attention. It is a riveting enticement, the dark throat of the bass almost prowling the senses, though without menace, whilst guitars and rhythms keep imagination and appetite busy. Intensity and energy all the time are building their intent though, biding their time until the fiery chorus where everything is ablaze with passion and emotive colour. It is a thrilling encounter which finds a band never short on invention anyway, exploring and interlocking stronger varied textures and washes of sound than ever before. The song is thoroughly infectious and evocatively poetical, Percival’s vocals providing potent and at times emotionally desperate feeling hues to further light up the whole narrative.

The title track strides in next, bass and drums again casting a sinew built frame for the guitar and vocals to drape their emotive designs upon. The punchy touch of Bacon transfixes throughout, commanding the course of song and thoughts whilst the heavier rock bred veining from Percival sparks another level of greed for the extensive tapestry of the song. With its predecessor the song shows the full scope of the band, the first a more heads down rock attack and the second a pungent and intense emotional incitement; both soaked in a provocative passion and dramatic intimacy which inflames the thoughts and emotions of the listener.

   Wake Up steps up next, throwing a towering heavy rock weight upon the senses before again flirting with reining in its assault. This is short lived though as the song erupts into an exhausting and scintillating fire of energy and sonic provocation, rhythms and riffs sculpting a tempest of blistering voracity and aggressive entanglement within, whilst all is flushed with the passion and emotive flames which marks out Mind Museum from the pack as much as their sound. It is an exhilarating song setting senses on edge for the next up Lie To Me to sooth and then inflame further. The song smoulders and nestles closely whilst digging in masterful sonic claws from Slater and rhythmic barbs from Bacon, and once entrenched exploding in a climactic fire. The song is one of those which lingers and returns long after it has made its last sear on the ears, a masterful puppeteer of memory and passions, much like most of songs to be fair.

Both Answers and All The Kings Men keep the temptations and impressiveness of the release foaming at the mouth, the first an initially mellow song but one which soon has its nostrils flaring as it aggressively croons and uncages another furnace of emotional and impacting sonic flames aligned to inciting vocals, and its successor a bewitching weave of choppy riffs and anxiety soaked vocals honed and fused to a virulently contagious blaze of imaginative and skilfully explored melodic causticity. It is a sensational conclusion to what is easily the most emotionally imposing and creatively explosive thing from Mind Museum, and the finest.

Actually it is not quite the finish of the EP as the band treat us to very engaging acoustic versions of Wake Up and Lie To Me, and a couple of remixes of The Get Go and One Blood by Icon Roller which are decent enough. Whether the four tracks are something you would return to time and again like the main body of the release commands is debatable but they make an enjoyable extra all the same.

As declared One Blood is Mind Museum at its most powerful and inventive yet plus their most insatiably imaginative, and you still feel there is so much more to come.

The One Blood EP is available via Secret Chord Records now!

http://www.mindmuseum.co.uk/

9/10

RingMaster 17/04/2014

Copyright RingMaster: MyFreeCopyright

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ZOLTAR SPEAKS bring ‘Save As I Save’, to the 14th April‏

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 STUNNING DEBUT ZOLTAR SPEAKS ALBUM AND TOURING CONFIRMED…
Rising female-fronted Brit metallers ‘Zoltar Speaks’ are geared for a reboot of their explosive debut album ‘Save As I Save’ on Monday 14th April, to coincide with widespread UK touring.
Pulling from everyone from the likes of Avenged Sevenfold and Iron Maiden to Coheed and Cambria, Zoltar Speaks are here to shake your world with a sound that merges both fiery and majestic vocals with hearty riffs and elephantine choruses.
Formed in 2009 and bursting out of the rural plains of Somerset, Zoltar Speaks are fronted by enigmatic vocalist Louise Body, with Ben Dean hammering at the drums, Simon Roocroft providing the backbone on bass, and Daniel Pratt and Jason Coles shredding it up on the guitars. The unstoppable five-piece have built up an army of dedicated followers fuelled by extensive touring throughout Southern England and Wales where they notched up supports with Idiom and Malefice. The release of the band’s debut EP ‘Treatment’ further increased their national profile, and now with the launch of their new full length album ‘Save As I Save’, the ascending metal crew are set to soar.
The south west melodic metal crew’s debut album ‘Save As I Save’ features twelve stunning slabs of cutting metal and alluring rock. From the opening piano delicates of ‘A’ and the beautifully enchanting ‘Braver’, through to the aggressive onslaught of ‘See You In Another Life’ and anthemic vigour of ‘Take It Away’, the band have delivered an absolute gem of a record. Their previous singles ‘Treatment’ and ‘Last Man Standing’ also stand out from the pack, truly lifting the album to heady heights. Now with touring in the works for the Spring and a national reboot of the album, the band’s reach is infinite.
=ZOLTAR SPEAKS RELEASE ‘SAVE AS I SAVE’ ON 14th APRIL THROUGH ALL DIGITAL STORES=
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UK rockers Circle Of Reason announce new UK tour

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CIRCLE OF REASON – Announce ‘Whatever’s Clever’ March UK Tour

Having stormed into 2014 with the release of their video single Themes Amongst Thieves, Southampton’s alternative rock sculpters Circle Of Reason announce live dates for their forthcoming Whatever’s Clever Tour.

With further UK tours and festival appearances still to be announced for this summer, Circle Of Reason will be bringing their rock show to northern England and Scotland this March. Frequently compared to musical giants such as QOTSA, Biffy Clyro, The Smashing Pumpkins, Coheed and Cambria and Deftones, Circle Of Reason’s prog-tinged hard rock riffs, intricate song dynamics and melodic vocals are gaining the band loyal followers world-wide. Building upon their reputation as one of Britain’s most exciting emerging new rock acts, Circle Of Reason have garnered early support from the likes of Kerrang! TV, Scuzz TV, Power Play & Big Cheese Magazine. With numerous UK Festivals and tours already under their belt, the South West UK quartet have previously earned their place on stage supporting the likes of InMe, Feed The Rhino, Landscapes, Neck Deep and many more

Catch them live at … Mon March 17th – Mink Rocks, Middlesbrough Tues March 18th – South Sea Live, Sheffield Thurs 20th March – Grand Central, Manchester Fri 21st March – The Black Bull, Castleford Sat 22nd March – Vintage Rock Bar, Doncaster Sun 23rd March – The Towler, Bury Wed 26th March – Bannerman’s, Edinburgh Fri 28th March – Monty’s Bar, Dunfermline Sat 29th March – The Box, Glasgow

Taken from the 2013 EP release ‘These Hands & This Mind’- check out their video single for ‘Themes Amongst Thieves’ http://www.youtube.com/watch?v=KX82tM24wDE

Connect with Circle Of Reason at www.facebook.com/circleofreason and www.twitter.com/circleofreason

These Hands & This Mind EP available to buy at https://itunes.apple.com/gb/album/these-hands-and-this-mind-ep/id669577645

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Akb’al – …Of Darkness and Light

Akbal Online promo shot

    …Of Darkness and Light is one of those encounters which makes a striking initial impression but over time and subsequent journeys unveils and expands into a constantly rewarding and riveting adventure. The creation of Welsh progressive metallers Akb’al, the seven track album soon shows it is much more than that tag suggests, the band exploring and employing resources across a multitude of styles to produce one thoroughly absorbing and provocative experience. The release is not without minor issues, and they are minor but with craft and hunger to seduce and savage across its formidable presence, the band’s debut is an impressive adventure to grow from.

     The seeds of the band began back in 2006 with Michael Young-Temple (vocals, bass, tablas, djembe, didgeridoo and the kaossilator!) who coming to the end of travelling around the world began fusing his experiences and world percussion instrumentation into a more stoner/prog rock and metal bred songwriting. Linking up with Thoby Davis (vocals, guitar, violins) and Rob Miles (guitar, backing vocals, synths), the trio began evolving and expanding Young-Temple’s early ideas. The band was eventually completed with drummer Michael Hourihan, also of Onslaught, and from 2010 set about building a live presence. The Cardiff quartet took little time in making a mark locally and with shows alongside bands such as Ten Cent Toy, Thorun, Chaos Trigger, and Fell on Black Days was soon an established and eagerly followed proposition around their region. Next came a venture into the studio to set about working on…Of Darkness and Light; the result a tempest of imagination and invention and one of the more exciting and compelling entrances so far this year.

     The band bring influences from the likes of Tool, The Doors, and Porcupine Tree through to Kyuss, NIN, Alice in Chains, and Akbal Cover ArtworkCoheed And Cambria into their sound though again certainly they are spices heard but only a slight flavour of what …Of Darkness and Light feeds the senses within. The title track opens up an imaginative and intimidating flight, the track a venture through the dark side of the release’s theme, an exploration of the darkness and light in human reality and state of the mind. Opening female torment within a cloud of pestilential breath coaxes in a shadow drenched bass and guitar incitement, the former heavy and respectfully imposing and the latter a melodic tender heat wrapped in spoken whispers. It is an intriguing and imagination probing invitation which flows into an aggressive and tempestuous oppression of noise and intensity. Merging mellower caresses with menacing sonic rapaciousness the song weaves and entrances the senses with a blend of progressive, nu, and psyche metal for a potent and riveting start.

     The Ride takes over with the same fluidity and mix of dark and light evocations, voracious and magnetic textures easily lying in each other’s arms as the song develops a melodic metal temptation. Again nothing settles into a singular persuasion or attack, bursts of primal agitation vocally and rhythmically punctuating the transfixing melodic wash of the song and great clean vocals. Sonically the track equally ebbs and flows with intimidation and temptation, both fuel to the open invention and craft consuming the ears.

    From the very strong start the album switches up another creative and impacting gear with Totally Recalled and the following Equilibrium.  A muscular rock essence which at times flirts with a Metallica like tempting guides the heavyweight stoner persuasion of the first song, an exhaustive metallic predation united with an infection clad groove just as irresistible and virulent in its ignition of the passions. As with many of the tracks there is a slight familiarity to certain moments but never anything to deter thoughts and emotions from falling greedily into the scintillating feast of sound and enterprise on offer. The track’s successor and new video single from the band is pure magnetism, simply nine minutes of smouldering wanton seduction from its opening melodic notes. Thumping rhythms and a bass snarl is soon stalking the senses whilst another strong and impressive swarm of clean vocal harmonies soak the ears with the equally pleasing lyrical narrative. The song is an unbridled addiction, unveiling a mouthwatering range of grooves and hooks within a flowing evocative soundscape which never relinquishes its hold and immense stature across its epic expanse. Like a mix of KingBathmat and Tricore with a healthy touch of Mishkin to its ingenuity at times, the song is a masterful triumph and the obvious doorway into Akb’al.

     Restless And Waiting is bred from the same bloom of ideas and inventive sculpting as it predecessor but returning the ears to the scavenging causticity of coarse vocals and sonic predation within the melody rich adventure. The song provides a subtler though no less captivating addictiveness with its squalling charms. It imposingly completes a trio of major peaks in the range of lofty highs with the sultry suasion of Pacha Mama stepping up next to take its share of the imagination. A gentler and progressively crafted soar through melody enriched and expression cast sky, the song is a mesmeric and evocative exploration bringing diversity and further acclaim upon the release.

    …Of Darkness and Light closes on the extensive instrumental Light, a lingering invention driven travelogue of emotional reflection and expressive scenery taking in twelve minutes of tantalising continent travelling endeavour. Admittedly like a couple of songs it is a little too long to keep attention as enraptured as it deserves but as mentioned earlier the issue is a minor quibble against the pleasure and enthrallment surrounding the senses. It completes an outstanding encounter from a band in Akb’al, who you can be sure we will hear much more of and in even greater circumstances ahead.

http://www.akbalband.com/

www.facebook.com/Akbalband

9/10

RingMaster 10/02/2014

Copyright RingMaster: MyFreeCopyright

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The new AKB’AL album,’…Of Darkness and Light’, uncaged on 10th February

Akbal Online promo shot
PROGRESSIVE NOISE CHIEFS AKBAL RELEASE EXCITING ALBUM!
With an extensive cluster of intriguing influences spanning from Tool, The Doors and Porcupine tree, to Kyuss, NIN, Alice in Chains and Coheed And Cambria, Akb’al have served up a genuinely exhilarating piece of progressive rock that tips its hat to experimental metal in passing. Akb’al release “…Of Darkness And Light…” on Monday 10th February 2014 through all national outlets.
Akb’al began as a concept back in 2006 when Michael Young-Temple (Vocals, Bass, Tablas, Djembe, Didgeridoo and the Kaossilator!) was coming to the end of a long spell travelling around the world. Initially, his songwriting focussed on the key elements of stoner/prog rock and metal; however due to his experiences from his extensive exploration, he soon introduced world percussion instrumentation into the equation. Michael took these songs to his musical contemporaries, Thoby Davis (Vocals, Guitar, Violins) and Rob Miles (Guitar, Backing Vocals, Synths), and together the trio further sculptured and elaborated on Michael’s early ideas. The band soon recruited long-time friend and current Onslaught tub-thumper Michael Hourihan to play drums, who added extra power and depth to the band’s already established sound.
After further tweaking their sound Akb’al hit the stage in 2010, and since then, the wide-reaching four-piece have extensively played throughout Wales, racking up shows with Ten Cent Toy, Thorun, Chaos Trigger and Fell on Black Days along the way. After firmly establishing themselves regionally, the band headed into the studio to work on their debut album “…Of Darkness and Light…”. The quartet came out of the studio armed with a killer album. Packing seven stunning cuts, the record showcases experimental ambient texturing and engaging soundscapes underpinned by cutting hard rock and thoughtful metal undertones, all bonded together to take you on a progressive journey that will truly inspire and ignite. The album is set loose this February; look for the new video single ‘Equilibrium’ out soon. Also, head on over to the band’s Facebook page for show updates.
- AKB’AL RELEASE ‘OF DARKNESS AND LIGHT’ ON MONDAY 10th FEBRUARY 2014 –
Akbal Cover Artwork

Walkways – Safe in Sound

Photo by Avihai Levy Photography | AvihaiPhoto.com

Photo by Avihai Levy Photography | AvihaiPhoto.com

There is no better pleasure than when a band and release you are only vaguely aware of, if at all, comes out of peripheral vision to slap the senses and passions into a state of lustful awareness. That is exactly what Safe in Sound, the debut album from Israeli metallers Walkways did. It is a glorious blend of alternative and nu metal plus more, addiction forming grooves and a hungry snarl setting it apart from most as it brings a refreshing inventive presence to eagerly feast upon.

Formed in 2007, Walkways are relatively unknown outside of their homeland, though a trio of previous singles (including a cover of Adele’s Skyfall) certainly scratched the surface of attention wider afield. With Safe In Sound though you can only sense and hope that the previous state of affairs will be addressed for the quintet of vocalist Ran Yerushalmi, guitarists Bar Caspi and Yoni Menner, bassist Avihai Levy, and drummer Priel Horesh. It certainly has all the invention, imagination, and sheer infectiousness to brand the band on the map of modern metal. Mixed by Jens Bogren (Opeth, Soilwork, Katatonia), the record is a masterful and unpredictable blend of potent flavours and styles which stir the imagination and heart; quite simply it is one of the best albums to grace the year.

From the sinister intro, band and album instantly entwine the listener in deliciously enticing grooves and sonic temptation with Blood 1044369_329815420485756_1779077289_nInto Water, Caspi and Menner simultaneously carving deep furrows in the senses with carnivorous craft or soothing them with melodic weaves. The striking start drops into drifting atmospheric warmth to welcome the excellent vocals of Yerushalmi, a man who across the album proves a fine and inventive vocalist, whilst the rhythms temper their initial provocation to drive this scintillating melodic turn deeper. As it continues to twist the song enslaves a needy hunger for its unpredictable and enthralling offering, seamlessly blending snarling intimidation and glowing smouldering seduction with ease. Sound wise the song comes over like a thrilling mix of Absolace with Coheed and Cambria with the richest bite and invention of Korn and unpredictability of fellow Israelis Onama, the latter pair more pronounced the further the album is explored.

For all of the comparison which will be inspired by the release there is a uniqueness and individuality about Walkways which leaves thoughts and ears excited, especially when tracks like the following All Lies bounds the emotions in a wrap of rapacious imagination and energy. Again a track which fidgets and sizzles with twists of thought and adventure, it takes on a more Korn like presence the further it teases, the vocals evolving into a strong Jonathan Davis resembling stance though again retaining a distinction of their own. It is a continuation of the impressive start strongly continued by Endless I with its slightly schizophrenic sonic dance and flowing wash of melodic grandeur. There is a Deftones whisper or maybe a more Palms like one to its immersive persuasion that only enhances the rich emotive call of the song and leaves a bright blush of pleasure in its wake.

The next two songs are arguably the pinnacle of the album, though favourites shift with each eager listen. Firstly Towards the Light charges up its batteries for an excitable rampage across the ear with a wholly contagious beckoning spawned by a dazzling mix of technical/progressive metal and heavy rock. There is a touch of Nonpoint to the encounter but also Meshuggah glimpses as well as in deceitful quirkiness Scars On Broadway. There is an instant friendship struck up by the track, a familiarity to its lure which without obvious comparisons makes the fun all the more intensive but it is still only an appetiser for its successor. The start of Thoughts is not comfortable, the electro effected vocals suggesting something…well cringe worthy…but to doubt this band is mad as the track soon erupts into a thumping predacious slab of rock ‘n’ roll driven with a Mishkin like creative rabidity and magnetic invention. The latest single from the band it encapsulates everything about Walkways in an irresistible and explosive suasion.

Through the enchanting yet menacing Luminary Kid with spoken vocals adding narrative to what is primarily an instrumental, and Sweet Medicine which is as wonderfully niggling as it is plaintively evocative, the album boils up further before the excellent Out stands with sinews loaded before the ear. It might be a relatively muscular excursion at times but the song takes no time in soothing its passage with some enticing heart bred reflection and colour rich melodic flame of varying degrees of heat through the creative guitars and concentrated expressive vocals, backed by pressing basslines and forceful rhythms. It is a fire of inventive resources which builds into a climatic and dramatic provocation. Korn meets Tricore/An Entire Legion, the song is another lofty highpoint of a towering release.

After the decent enough melancholic instrumental Pause, agitation takes on another depth of imagination with the metallic bedlam of Actions, a track which sees Walkways turn Dog Fashion Disco on our asses with again a sturdy Korn spite to its rhythmic and sonic venom, whilst Skin Deep takes flight over the sores with a melodic wind of passion soaked resonance. To all extents the closure of the album with the brief instrumental Staring Through Closed Blinds adding its epilogue, the track finishes a stunning album. Safe in Sound is an inciting and infectious introduction of Walkways to the world but more than that it is a strikingly creative and thrilling take on modern metal; it has stolen our lust.

https://www.facebook.com/Walkways

9.5/10

RingMaster 26/07/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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Circle Of Reason – These Hands And This Mind EP

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If like us you were excited by the debut A Favour For A Stranger EP from UK alternative rock band Circle Of Reason, you are going to be grinning from ear to ear with their new release, the These Hands And This Mind EP. The five track EP realises all the promise of its predecessor and more. It is a release which aligns itself with thoughts and emotions with reflective and evocative potency whilst coaxing the passions further with sounds which caress, rumble through, and energise the ear with a maturer imagination capturing craft. Hopes of greater things from the band in the wake of their previous EP were inevitable and rich but the Southampton quartet now makes it feel like we short changed their potential with the outstanding release.

Since forming the foursome of vocalist/guitarist Simon Osman, guitarist Gary Slade, bassist Sam Cogher, and drummer Andy Milwain, have earned a strong reputation through their live performances alone which has seen them play with the likes of Feed The Rhino, Marmozets, Girlschool, Lafaro, Fighting With Wire, The Smoking Hearts, Landscapes, Inme, Zico Chain, Attention Thieves, and more. Their video singles and the A Favour For A Stranger EP equally built up their stance, garnering acclaim and widespread national coverage from the underground media to the likes of Big Cheese Magazine, Scuzz TV, Kerrang TV, and Lava. Already having earned comparisons to the likes of Coheed and Cambria, Soundgarden, and The Smashing Pumpkins, Circle of Reason are now ready to step onto higher levels and with These Hands And This Mind they have made an impressive first step.

Released Monday 29th July, the EP steps forward first with the single from the release Don’t Be Still. It is an instantly appealing cover_240mix of punchy rhythms and fiery guitar caresses around the ear, the air soon heated and thick from the sonic and passionate endeavour. As the again impressive tones of Osman stand astride the creative sounds with rich expression and emotive potency aided with the equally notable backing vocals of Cogher, the song wraps its sinewy intensity and melodic flames tightly around thoughts and passions. With only the disjointed break midway a minor niggle the song leaves a starting to stir ardour smouldering in its wash though it takes the following pair of songs to truly ignite its hunger.

Next up Home is a slowly burning triumph; its initial vocal and guitar welcome a glorious tender lure which only suggests you should share its company, though this persuasion is soon heightened as the bass of Cogher offers darker shadows and the beats of Milwain frame it all with rhythmic concentration.  It is when the track erupts and expels its fullest sinews of energy and passion though, subsequently merging both aspects into a scintillating progressive adventure, that the song rips full submission from the heart. It is a mountain of a piece which alone shows how far the band has come and evolved in sound and songwriting whilst still offering a promise of much more. As with the first EP, there is a strong feel of eighties band The Mighty Lemon Drops to Circle of Reason, vocally and emotionally which is most apparent in the equally stunning Themes Amongst Thieves. Riffs and rhythms carve out a terrific flight of metallic excellence which leaves lungs breathless whilst vocally once more Osman swoops across the rugged landscape with a grace hand in hand with the melodic elegance that permeates every breath the song takes. The two songs easily steal top honours on the EP and do not be surprised if they, and especially the second of the pair, turn up as the next single.

The following Novel also has a vigorous presence to its structure with guitars coarse flames across the cage of rhythmic demands but equally it explores its heart and emotive depths with a melodic and progressive adventure which is mesmeric and passion driven. Like all songs and the EP as a whole, the track just gets better and better with each dramatic engagement and leaves the appetite for the band verging on feverish.

The closing Sleep is a slow croon which captivates musically and vocally. It does not quite spark the passions as powerfully as other tracks but still leaves the richest flavour on the appetite and provides further evidence of the evolution of the band already and ahead.

These Hands And This Mind has marked Circle Of Reason as one of the most thrilling emerging bands in UK rock and with you feel so much more to come. Really it is hard not to be excited about this band.

www.facebook.com/circleofreason

9/10

RingMaster 21/07/2013

Copyright RingMaster: MyFreeCopyright

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Circle Of Reason – Don’t Be Still – Official HD Music Video

THIS DEVASTATED FAN set to reveal some ‘Plot And Debauchery’, on 12th August.

This Devastated Fan Promo shot

UK ALT-CREW THIS DEVASTATED FAN REBOOT NEW ALBUM THIS SUMMER!

Taking the artistry of Manchester Orchestra, the emotive drive of Alexisonfire, and the glowing diversity of Coheed and Cambria, This Devastated Fan showcase a sound that pitches impressive dynamic variation with earnest song-writing. The band are now set to plough their way to the upper echelons of the UK music scene with the re-release of their new album ‘Plot And Debauchery’, out Monday 12th August.
Hailing from the North West, alternative foursome This Devastated Fan were originally formed back in 2006, but the current and now permanently stable line-up consists of blood brothers Robbie and Jamie Cavanagh on Vocals/Guitar and Drums, respectively, Will Rogers on Guitar and Steve Alday completing the band on bass. Based at their very own rehearsal space and office in Wigan, endearingly titled ‘TDF HQ’, the band work diligently to perfect their craft and it’s started to reap its rewards. The diligent quartet are making new friends and pathways, and for the past 18 months have launched a savage attack on the UK and Europe, playing shows from the North to the South and chalking up supports with ‘Public Image Limited’ and ‘The Birthday Suit’ along the way.
This Devastated Fan also have a steady recording output and are now poised to reboot their latest album. Recorded at TDFHQ studios, the band’s third release, ‘Plot and Debauchery, encompasses TDF’s live energy whilst maintaining a superior quality complete with a polished sound. From the chugging rhythms and dynamic flavourings of ‘Shoulder The War’ through to the animated angular rock of ‘Bambi Woods’, and to the ambient beauty of ‘Heathen Rage’, the rising alternative crew have put together a record that packs thirteen killer cuts. The band are now braced for nationwide recognition as they tour for the remainder of this year and beyond!
This Devastated Fan Cover Artwork
== THIS DEVASTATED FAN RE-RELEASE ‘PLOT AND DEBAUCHERY’ ON MONDAY 12th AUGUST ==

‘These Hands And This Mind’, from CIRCLE OF REASON out 29th July‏

Circle Of Reason Online Promo Shot

RISING ALTERNATIVE ROCKERS CIRCLE OF REASON RELEASE NEW EP & VIDEO!

Bursting out of the South West of England, Circle of Reason cunningly weave together their own brand of Prog-infused Alternative rock that is unmistakably unique and individual. Intensely merging considerate, visceral guitar parts, ear-shattering drums, and warm, alluring vocals, they create something sweepingly fast-paced and melodic that is at once compelling and supremely appealing. Their highly engaging sound is very much their own, though they have received affectionate comparisons to the likes of ‘Coheed and Cambria’, ‘Soundgarden’ and ‘The Smashing Pumpkins’.
   Circle of Reason have a genuine affinity for touring and performing live, and have already played alongside bands such as: Feed The Rhino,  Marmozets, Girlschool, Lafaro, Fighting With Wire, The Smoking Hearts, Landscapes, Inme, Attention Thieves and Steak Number Eight. Besides a hefty touring schedule, the four-piece are also amassing a solid release output. Last year, the rising quartet’s debut EP ‘A Favour For A Stranger’ racked up impressive underground acclaim and national magazine coverage, with Big Cheese Magazine praising the band: “This is truly hard hitting material for a debut EP”. The EP also spawned a series of music videos which all garnered TV coverage from the likes of Scuzz TV, Kerrang TV and Lava.
   The band stride forward once more with the release of their killer new EP ‘These Hands And This Mind’, out this July. The EP is loaded to the maximum with diverse guitar riffs and glowing vocal lines that truly soar, from the pounding riffery and stomping groove of their forthcoming single ‘Themes Amongst Thieves’, to the anthemic guile and craft of their current single ‘Don’t Be Still’. The foursome’s indisputable talent prominently shines throughout the whole of the EP, with each track dispatching its own unique feel, drive and vigour.

    Before then check out their brand new video for the track Don’t Be Still below.

- CIRCLE OF REASON RELEASE ‘THESE HANDS AND THIS MIND’ ON MONDAY 29th JULY THROUGH ALL DIGITAL OUTLETS -
Circle Of Reason Cover artwork
TRACKLISTING: 1. Don’t Be Still; 2. Home; 3. Themes Amongst Thieves; 4. Novel; 5. Sleep.
BAND MEMBERS: Gary – Guitar; Simon – Singer/Guitar; Sam – Bass/Backing vocals; Andy – Drums.
FOR FANS OF: Smashing Pumpkins, Coheed and Cambria, Soundgarden.

The Omega Experiment – Self Titled

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    Initially a self-released album of last year, the self-titled album of US progressive rock band The Omega Experiment now has its re-release via Listenable Records and the chance to deservedly reach a much wider waiting audience. The album is a striking piece of work, an imaginative and inventive cyclone of progressive sound and metallic fire honed into a melodic wash of pop enterprise and heavy steeled ingenuity. Though the release does fluctuate in the strength of fire and impressed satisfaction it ignites within personal tastes it is impossible not to offer a full recommendation for its intensely creative and passionate craft.

Hailing from Muskegon, Michigan, the duo of Dan Wieten and Ryan Aldridge show an instinctive and intricate skill in blending soaring euphoric synths, hungry and intrusive yet intriguing guitar exploits, and lush magnetic vocals into songs which either squall with tempest energy or seduce with the warm siren charms of the sun, at times merging both for the fullest invigorating examination of experimental invention. Their debut EP Karma found rich praise with Devin Townsend as well as a great many and it is hard to see their debut failing to bloom the same and stronger responses this time around.

If the aforementioned artist and the likes of Journey, Yes, Porcupine Tree, and Coheed And Cambria inspire great anticipation than The Omega Experiment will easily satisfy but with plenty of ideas and ingenuity which you will not have envisaged. Of course if the genre they impressively frequent is not of your taste buds than the album will not change your mind but still offers plenty to inspire further attention as they progress, certainly for us here. There is nothing about the album you can pull apart and criticise, only acclaim its craft and imagination but if something does not exactly light your fire then that is something generally beyond persuasion though with this album it is ironically very enjoyable to try and change that instinctive stance.

Opening track Gift instantly sends a blaze of hot guitar beauty across the senses, its heated atmosphere tightly wrapping around the sonic splendour coaxing the ear. Into its stride three things strike home the most and remain that way throughout the release, the precise sculpting of the guitars to carve evocative shapes within the second potent thing, the expansive and rich depth of the keys which equally evoke emotions and thoughts to go along with the lyrical narrative. The third is the impressive vocals, either singularly or in harmonic union, a mutual conspirator to the contagious beauty raised elsewhere.  The song ripples and pulsates with ideas, never standing on one footing but shifting its weight and guise continually to intrigue and magnetise thoughts and senses. Arguably there may be too much going on to absorb but there is little to throw barbed faults upon the immensely strong starter.

Tracks like Stimulus and Tranquility continue the prog rock dream which fans of the genre with drool over for sure. Both songs as examples, splice the air with a devious striking skill of musicianship, the bewitching craft of the pair dazzling the view of songs whilst enhancing their overall breath. Though neither track truly sparks up a furnace of passion they undoubtedly increased the lure of the album with the second of the two gently mesmerising as it leads into the heart and strongest part of the album. The entrancing track seamlessly swaps places with the destructive might and antagonism of Furor, a muscular rampage with as much metalcore like venom as it has progressive seduction.  It is a bear of a track which chews on the senses with crushing rhythms and will bending riffs whilst the glorious clean vocals bring an angelic rapture to the primal intensity. Easily the best track on the album and one which feeds our preferences much more than any other. The album has the armoury to feed all desires but the depth of your rewards depends on what aspect breeds your musical heart the most.

The following Bliss, a brief fusion of agitated ambience and probing invention, continues the inciting pinnacle sparked by its predecessor and as the album heads towards its finale it offers an even more potent and enriching presence. Both Karma and Terminus raise the temperature, the first especially another triumph on the album, its Opeth/Dream Theater strength and melodic incursion into the soul of the song irresistible, whilst closing track Paramount leaves a lasting stroll of sun soaked melodic elegance with pop rock infectiousness.

Produced by Acle Kahney of Tesseract, The Omega Experiment is simply a dynamic and vibrant slice of progressive rock which fans of the genre will devour greedily whilst for those less sure there is plenty also to find pleasure from though more with the muscular rampages of a Furor. All in all though an impressive debut from one promising band.

www.facebook.com/theomegaexperiment

8/10

RingMaster 10/04/2013

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