Tigers Of Junction Street – Self Titled

tigers3

The self-titled debut EP from UK band Tigers Of Junction Street is a release which does not realise its potential as successfully as it should but still leaves an impressive and lingering presence in the imagination and appetite. Consisting of five tracks which blend and at times merely flirt with essences from technical, melodic, and alternative rock, the band’s EP is a striking entrance by the London Town quintet. It has flaws and sometimes is unconvincing yet breeds an enjoyment and anticipation for the band ahead which cannot be dismissed as coincidence.

Formed in 2010, Tigers Of Junction Street saw the union of five friends with the want to challenge themselves musically, which their debut more than hints at as it equally tests the listener, in the right way. Drawing on inspirations from the likes of Coheed And Cambria, Protest The Hero, TesseracT, Yes, and King Crimson, the band set about recording their first release last year with George Lever at G1 Productions, Somerset. What emerged is an encounter which makes an intriguing introduction to the band and sets thoughts in motion that UK rock might have a rather potent prospect on its hands.

The High Wycombe five-piece sets EP and senses off in fine style with Incarnation, the strong and enticing vocals of Josh Elliott beckoning instant attention before being surrounded by heavily striding rhythms and fiery riffs. It is a Ep coverdramatic and gripping mix which is soon veined by a rich and skilled enterprise as guitarists James Wrigley and Ash Whitelock set to work raging over and seducing the imagination. Their craft is openly potent yet unimposing within the drive of the song, though their invention certainly breaks up its urgency whilst enriching its evocative hues. The driving beats of drummer James Burton flow between intimidating and coaxing as the song evolves its narrative. At times things do not always smoothly fit, the vocals left stranded by a sudden twist within the sounds but it only adds to the unpredictability and intrigue which endears the song to thoughts.

In full flow the song is a treat matched by The Deception, though its opening Nintendo-esque tease feels wrong. The track is soon alight with the melody seeping from that intro and vocals uniting around the thick stride of rhythms as the throaty tones of Tom Newey’s bass providing enthralling shadows. That first electro sound appears occasionally and now to great effect within the tempestuous body of the song whilst the unexpected detours and switches in the track which at times even seems to catch the band out, only add to the compelling nature of its lure and adventure.

There is a darker texture and expression to third track Cold Winter, its heavier lyrical presence matched by the more intensive if still melodically fuelled sounds. As its predecessors, band and song is unafraid to turn on its heels and venture into contrasting and melodramatic scenes, most flowing purposefully and easily yet a few moments provide a stumble in the flight of the song. Vocally there are a few issues, suggesting Elliott is more at home giving full rein to his fiery attack than slowing down his expression whilst arguably at times the band pushes things in their bold imagination too far on the song which does not help the vocals either. Nevertheless the track still hits the right note with emotions for the main, those issues something you can only see being ironed out with experience and maturity.

Next comes a short instrumental, called simply Interlude which is more an extended intro into closing track Closed Doors which reminds of the band Dead Til Friday initially. This is a track which seems to have got more criticism than most on the EP yet it is the most captivating slice of invention upon it too. Certainly at times the twists are over drawn and its striking textures clash against each other but in the case of the latter it only adds to the great turbulent enticement as the track offers the most promising and potentially loaded moment on the encounter.

The EP from Tigers Of Junction Street is undeniably flawed but even more so brings an engrossing creative emprise which courts the imagination whilst suggesting this band has a very healthily and for us exciting future ahead.

The Tigers Of Junction Street EP is available in CD and Digital formats through Hoffen Records and @ http://tigersofjunctionstreet.bandcamp.com/

https://www.facebook.com/tigersofjunctionstreet

7.5/10

RingMaster 28/07/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

 

ZOLTAR SPEAKS UNVEIL NEW VIDEO SINGLE!‏

Zoltar Speaks Online Promo Shot

ZOLTAR SPEAKS lift new video single from their debut album.

 

Rising female-fronted Brit metal crew ‘Zoltar Speaks’ have just released their explosive debut album ‘Save As I Save’ and now the melodic metallers set loose their new video single ‘Nothing In The World’ on Monday 12th May.

Pulling from everyone from the likes of Avenged Sevenfold and Iron Maiden to Coheed and Cambria, Zoltar Speaks are here to shake your world with a sound that merges both fiery and majestic vocals with hearty riffs and elephantine choruses.

Formed in 2009 and bursting out of the rural plains of Somerset, Zoltar Speaks are fronted by enigmatic vocalist Louise Body, with Ben Dean hammering at the drums, Simon Roocroft providing the backbone on bass, and Daniel Pratt and Jason Coles shredding it up on the guitars. The unstoppable five-piece have built up an army of dedicated followers fuelled by extensive touring throughout Southern England and Wales where they notched up supports with Idiom and Malefice. The release of the band’s debut EP ‘Treatment’ further increased their national profile, and now with the launch of their new full length album ‘Save As I Save’, the ascending metal crew are set to soar.

The south west melodic metal crew’s debut album ‘Save As I Save’ features twelve stunning slabs of cutting metal and has already racked up critical acclaim from Big Cheese, Metal Hammer, Rocksound and Powerplay. Metal Hammer in particular have been very supportive of the band by placing a track from the record on their cover CD. The band now surge forward with the release of the video single ‘Nothing In The World’, out this May and the cut is destined to grace TV screens.

 

CHECK OUT THE ZOLTAR SPEAKS’ ‘NOTHING IN THE WORLD’  VIDEO  HERE

https://www.youtube.com/watch?v=XKuimZxl5gk ++

 

www.facebook.com/zoltarspeaks

Mind Museum – One Blood

MM_SHOOT-1

The potent ascent of UK alternative rock band Mind Museum continues unabated as they release their riveting new encounter, the One Blood EP. Since unleashing their attention grabbing debut EP Rat Race in 2011, the Bristol trio has continued to impress and outweigh other emerging bands with their weave of heart bred passion, riveting sounds, and gripping enterprise. Each release the band unveils takes their presence and reputation up another level and One Blood is no exception, the maturity in songwriting, sound, and simply presence mouthwatering.

Formed in 2010 from the ashes of several bands including most notably I AM THE DOOR and Full Scream Ahead, Mind Museum has persistently presented a proposition impossible to ignore or not find a deep rooted attraction for. Since forming the band has made as big an impact live as they have with their releases, sharing stages with the likes of Young Guns, Twin Atlantic, The King Blues, and The Royal Republic as well as lighting up their own headlining shows. Taking inspiration from bands such as Biffy Clyro, Coheed and Cambria, The Cure, and Placebo, the trio of vocalist/bassist Justin E Percival, guitarist Will Slater, and drummer Chas Bacon have honed a sound which holds a vague familiarity which makes it instantly accessible before taking the imagination and emotions on an incendiary ride of raw angst dripping vocals, rich sonic colour, and melodic passion. Their 2011 Rat Race EP made a potent entrance for the band, one just as powerfully backed up by The Power Of Three EP the following year but the George Lever produced new exploit immediately shows a big leap the band has taken from those earlier releases, confirming and expanding the promise and adventure hinted at by the 2012 single Lie To Me.

The release opens with The Get Go and immediately has a resonating bass note and a tart guitar wash soaking the ears whilst the already OneBlood-EP_ScreenResemotion drenched squalls of Percival wail in the back ground. As expected from the band on past experiences, it is a dramatic entrance but one which regroups into a restrained and melody kissed persuasion which still retains its raw edge but seduces rather than demands attention. It is a riveting enticement, the dark throat of the bass almost prowling the senses, though without menace, whilst guitars and rhythms keep imagination and appetite busy. Intensity and energy all the time are building their intent though, biding their time until the fiery chorus where everything is ablaze with passion and emotive colour. It is a thrilling encounter which finds a band never short on invention anyway, exploring and interlocking stronger varied textures and washes of sound than ever before. The song is thoroughly infectious and evocatively poetical, Percival’s vocals providing potent and at times emotionally desperate feeling hues to further light up the whole narrative.

The title track strides in next, bass and drums again casting a sinew built frame for the guitar and vocals to drape their emotive designs upon. The punchy touch of Bacon transfixes throughout, commanding the course of song and thoughts whilst the heavier rock bred veining from Percival sparks another level of greed for the extensive tapestry of the song. With its predecessor the song shows the full scope of the band, the first a more heads down rock attack and the second a pungent and intense emotional incitement; both soaked in a provocative passion and dramatic intimacy which inflames the thoughts and emotions of the listener.

   Wake Up steps up next, throwing a towering heavy rock weight upon the senses before again flirting with reining in its assault. This is short lived though as the song erupts into an exhausting and scintillating fire of energy and sonic provocation, rhythms and riffs sculpting a tempest of blistering voracity and aggressive entanglement within, whilst all is flushed with the passion and emotive flames which marks out Mind Museum from the pack as much as their sound. It is an exhilarating song setting senses on edge for the next up Lie To Me to sooth and then inflame further. The song smoulders and nestles closely whilst digging in masterful sonic claws from Slater and rhythmic barbs from Bacon, and once entrenched exploding in a climactic fire. The song is one of those which lingers and returns long after it has made its last sear on the ears, a masterful puppeteer of memory and passions, much like most of songs to be fair.

Both Answers and All The Kings Men keep the temptations and impressiveness of the release foaming at the mouth, the first an initially mellow song but one which soon has its nostrils flaring as it aggressively croons and uncages another furnace of emotional and impacting sonic flames aligned to inciting vocals, and its successor a bewitching weave of choppy riffs and anxiety soaked vocals honed and fused to a virulently contagious blaze of imaginative and skilfully explored melodic causticity. It is a sensational conclusion to what is easily the most emotionally imposing and creatively explosive thing from Mind Museum, and the finest.

Actually it is not quite the finish of the EP as the band treat us to very engaging acoustic versions of Wake Up and Lie To Me, and a couple of remixes of The Get Go and One Blood by Icon Roller which are decent enough. Whether the four tracks are something you would return to time and again like the main body of the release commands is debatable but they make an enjoyable extra all the same.

As declared One Blood is Mind Museum at its most powerful and inventive yet plus their most insatiably imaginative, and you still feel there is so much more to come.

The One Blood EP is available via Secret Chord Records now!

http://www.mindmuseum.co.uk/

9/10

RingMaster 17/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

ZOLTAR SPEAKS bring ‘Save As I Save’, to the 14th April‏

ZOLTARSPEAKS_5008
 
 STUNNING DEBUT ZOLTAR SPEAKS ALBUM AND TOURING CONFIRMED…
Rising female-fronted Brit metallers ‘Zoltar Speaks’ are geared for a reboot of their explosive debut album ‘Save As I Save’ on Monday 14th April, to coincide with widespread UK touring.
Pulling from everyone from the likes of Avenged Sevenfold and Iron Maiden to Coheed and Cambria, Zoltar Speaks are here to shake your world with a sound that merges both fiery and majestic vocals with hearty riffs and elephantine choruses.
Formed in 2009 and bursting out of the rural plains of Somerset, Zoltar Speaks are fronted by enigmatic vocalist Louise Body, with Ben Dean hammering at the drums, Simon Roocroft providing the backbone on bass, and Daniel Pratt and Jason Coles shredding it up on the guitars. The unstoppable five-piece have built up an army of dedicated followers fuelled by extensive touring throughout Southern England and Wales where they notched up supports with Idiom and Malefice. The release of the band’s debut EP ‘Treatment’ further increased their national profile, and now with the launch of their new full length album ‘Save As I Save’, the ascending metal crew are set to soar.
The south west melodic metal crew’s debut album ‘Save As I Save’ features twelve stunning slabs of cutting metal and alluring rock. From the opening piano delicates of ‘A’ and the beautifully enchanting ‘Braver’, through to the aggressive onslaught of ‘See You In Another Life’ and anthemic vigour of ‘Take It Away’, the band have delivered an absolute gem of a record. Their previous singles ‘Treatment’ and ‘Last Man Standing’ also stand out from the pack, truly lifting the album to heady heights. Now with touring in the works for the Spring and a national reboot of the album, the band’s reach is infinite.
=ZOLTAR SPEAKS RELEASE ‘SAVE AS I SAVE’ ON 14th APRIL THROUGH ALL DIGITAL STORES=
 ZS-cover01f

UK rockers Circle Of Reason announce new UK tour

circle of reason

CIRCLE OF REASON – Announce ‘Whatever’s Clever’ March UK Tour

Having stormed into 2014 with the release of their video single Themes Amongst Thieves, Southampton’s alternative rock sculpters Circle Of Reason announce live dates for their forthcoming Whatever’s Clever Tour.

With further UK tours and festival appearances still to be announced for this summer, Circle Of Reason will be bringing their rock show to northern England and Scotland this March. Frequently compared to musical giants such as QOTSA, Biffy Clyro, The Smashing Pumpkins, Coheed and Cambria and Deftones, Circle Of Reason’s prog-tinged hard rock riffs, intricate song dynamics and melodic vocals are gaining the band loyal followers world-wide. Building upon their reputation as one of Britain’s most exciting emerging new rock acts, Circle Of Reason have garnered early support from the likes of Kerrang! TV, Scuzz TV, Power Play & Big Cheese Magazine. With numerous UK Festivals and tours already under their belt, the South West UK quartet have previously earned their place on stage supporting the likes of InMe, Feed The Rhino, Landscapes, Neck Deep and many more

Catch them live at … Mon March 17th – Mink Rocks, Middlesbrough Tues March 18th – South Sea Live, Sheffield Thurs 20th March – Grand Central, Manchester Fri 21st March – The Black Bull, Castleford Sat 22nd March – Vintage Rock Bar, Doncaster Sun 23rd March – The Towler, Bury Wed 26th March – Bannerman’s, Edinburgh Fri 28th March – Monty’s Bar, Dunfermline Sat 29th March – The Box, Glasgow

Taken from the 2013 EP release ‘These Hands & This Mind’- check out their video single for ‘Themes Amongst Thieves’ http://www.youtube.com/watch?v=KX82tM24wDE

Connect with Circle Of Reason at www.facebook.com/circleofreason and www.twitter.com/circleofreason

These Hands & This Mind EP available to buy at https://itunes.apple.com/gb/album/these-hands-and-this-mind-ep/id669577645

1624658_474917612614292_1339022378_n

Akb’al – …Of Darkness and Light

Akbal Online promo shot

    …Of Darkness and Light is one of those encounters which makes a striking initial impression but over time and subsequent journeys unveils and expands into a constantly rewarding and riveting adventure. The creation of Welsh progressive metallers Akb’al, the seven track album soon shows it is much more than that tag suggests, the band exploring and employing resources across a multitude of styles to produce one thoroughly absorbing and provocative experience. The release is not without minor issues, and they are minor but with craft and hunger to seduce and savage across its formidable presence, the band’s debut is an impressive adventure to grow from.

     The seeds of the band began back in 2006 with Michael Young-Temple (vocals, bass, tablas, djembe, didgeridoo and the kaossilator!) who coming to the end of travelling around the world began fusing his experiences and world percussion instrumentation into a more stoner/prog rock and metal bred songwriting. Linking up with Thoby Davis (vocals, guitar, violins) and Rob Miles (guitar, backing vocals, synths), the trio began evolving and expanding Young-Temple’s early ideas. The band was eventually completed with drummer Michael Hourihan, also of Onslaught, and from 2010 set about building a live presence. The Cardiff quartet took little time in making a mark locally and with shows alongside bands such as Ten Cent Toy, Thorun, Chaos Trigger, and Fell on Black Days was soon an established and eagerly followed proposition around their region. Next came a venture into the studio to set about working on…Of Darkness and Light; the result a tempest of imagination and invention and one of the more exciting and compelling entrances so far this year.

     The band bring influences from the likes of Tool, The Doors, and Porcupine Tree through to Kyuss, NIN, Alice in Chains, and Akbal Cover ArtworkCoheed And Cambria into their sound though again certainly they are spices heard but only a slight flavour of what …Of Darkness and Light feeds the senses within. The title track opens up an imaginative and intimidating flight, the track a venture through the dark side of the release’s theme, an exploration of the darkness and light in human reality and state of the mind. Opening female torment within a cloud of pestilential breath coaxes in a shadow drenched bass and guitar incitement, the former heavy and respectfully imposing and the latter a melodic tender heat wrapped in spoken whispers. It is an intriguing and imagination probing invitation which flows into an aggressive and tempestuous oppression of noise and intensity. Merging mellower caresses with menacing sonic rapaciousness the song weaves and entrances the senses with a blend of progressive, nu, and psyche metal for a potent and riveting start.

     The Ride takes over with the same fluidity and mix of dark and light evocations, voracious and magnetic textures easily lying in each other’s arms as the song develops a melodic metal temptation. Again nothing settles into a singular persuasion or attack, bursts of primal agitation vocally and rhythmically punctuating the transfixing melodic wash of the song and great clean vocals. Sonically the track equally ebbs and flows with intimidation and temptation, both fuel to the open invention and craft consuming the ears.

    From the very strong start the album switches up another creative and impacting gear with Totally Recalled and the following Equilibrium.  A muscular rock essence which at times flirts with a Metallica like tempting guides the heavyweight stoner persuasion of the first song, an exhaustive metallic predation united with an infection clad groove just as irresistible and virulent in its ignition of the passions. As with many of the tracks there is a slight familiarity to certain moments but never anything to deter thoughts and emotions from falling greedily into the scintillating feast of sound and enterprise on offer. The track’s successor and new video single from the band is pure magnetism, simply nine minutes of smouldering wanton seduction from its opening melodic notes. Thumping rhythms and a bass snarl is soon stalking the senses whilst another strong and impressive swarm of clean vocal harmonies soak the ears with the equally pleasing lyrical narrative. The song is an unbridled addiction, unveiling a mouthwatering range of grooves and hooks within a flowing evocative soundscape which never relinquishes its hold and immense stature across its epic expanse. Like a mix of KingBathmat and Tricore with a healthy touch of Mishkin to its ingenuity at times, the song is a masterful triumph and the obvious doorway into Akb’al.

     Restless And Waiting is bred from the same bloom of ideas and inventive sculpting as it predecessor but returning the ears to the scavenging causticity of coarse vocals and sonic predation within the melody rich adventure. The song provides a subtler though no less captivating addictiveness with its squalling charms. It imposingly completes a trio of major peaks in the range of lofty highs with the sultry suasion of Pacha Mama stepping up next to take its share of the imagination. A gentler and progressively crafted soar through melody enriched and expression cast sky, the song is a mesmeric and evocative exploration bringing diversity and further acclaim upon the release.

    …Of Darkness and Light closes on the extensive instrumental Light, a lingering invention driven travelogue of emotional reflection and expressive scenery taking in twelve minutes of tantalising continent travelling endeavour. Admittedly like a couple of songs it is a little too long to keep attention as enraptured as it deserves but as mentioned earlier the issue is a minor quibble against the pleasure and enthrallment surrounding the senses. It completes an outstanding encounter from a band in Akb’al, who you can be sure we will hear much more of and in even greater circumstances ahead.

http://www.akbalband.com/

www.facebook.com/Akbalband

9/10

RingMaster 10/02/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

The new AKB’AL album,’…Of Darkness and Light’, uncaged on 10th February

Akbal Online promo shot
PROGRESSIVE NOISE CHIEFS AKBAL RELEASE EXCITING ALBUM!
With an extensive cluster of intriguing influences spanning from Tool, The Doors and Porcupine tree, to Kyuss, NIN, Alice in Chains and Coheed And Cambria, Akb’al have served up a genuinely exhilarating piece of progressive rock that tips its hat to experimental metal in passing. Akb’al release “…Of Darkness And Light…” on Monday 10th February 2014 through all national outlets.
Akb’al began as a concept back in 2006 when Michael Young-Temple (Vocals, Bass, Tablas, Djembe, Didgeridoo and the Kaossilator!) was coming to the end of a long spell travelling around the world. Initially, his songwriting focussed on the key elements of stoner/prog rock and metal; however due to his experiences from his extensive exploration, he soon introduced world percussion instrumentation into the equation. Michael took these songs to his musical contemporaries, Thoby Davis (Vocals, Guitar, Violins) and Rob Miles (Guitar, Backing Vocals, Synths), and together the trio further sculptured and elaborated on Michael’s early ideas. The band soon recruited long-time friend and current Onslaught tub-thumper Michael Hourihan to play drums, who added extra power and depth to the band’s already established sound.
After further tweaking their sound Akb’al hit the stage in 2010, and since then, the wide-reaching four-piece have extensively played throughout Wales, racking up shows with Ten Cent Toy, Thorun, Chaos Trigger and Fell on Black Days along the way. After firmly establishing themselves regionally, the band headed into the studio to work on their debut album “…Of Darkness and Light…”. The quartet came out of the studio armed with a killer album. Packing seven stunning cuts, the record showcases experimental ambient texturing and engaging soundscapes underpinned by cutting hard rock and thoughtful metal undertones, all bonded together to take you on a progressive journey that will truly inspire and ignite. The album is set loose this February; look for the new video single ‘Equilibrium’ out soon. Also, head on over to the band’s Facebook page for show updates.
- AKB’AL RELEASE ‘OF DARKNESS AND LIGHT’ ON MONDAY 10th FEBRUARY 2014 –
Akbal Cover Artwork