Arcania – Dreams Are Dead

Arcania pic

It is hard to know how much of a secret or renowned French band Arcania is in their homeland but outside their borders it is probably fair to say that the quartet is still an undiscovered treat. But that could and should be about to change with the release of their striking second album Dreams Are Dead. A stirring and thrilling brew of multi-flavoured thrash with just as rich essences of progressive metal aligned to darker extreme tendencies, the twelve track creative riot has the potential and weaponry to thrust the band into a far brighter and wider focus. It is a proposition which offers enjoyable familiarity but also inspiring and refreshing invention to make it stand out from the crowd. It is an album which though not flawless also gets more addictive and anthemic with each and every encounter giving evidence to Arcania being one of the really exciting emerging propositions.

The band began in 1999, formed by vocalist/guitarist Cyril Peglion, bassist Guillaume Rossard, and drummer Gabriel Georgelin. A couple of demos followed as the band grew in presence but it was dealt a devastating blow with the tragic death of Georgelin. The trio regrouped and decided to carry on, their debut self-titled EP being released in 2004 to great responses. Numerous line-up changes occurred over the years before in 2008 guitarist Nicolas Alberny joined the band which was followed by the recording and release of first album Sweet Angel Dust a year later. Again the release was well-received and led to the band sharing stages with the likes of Gorod, Kronos, Trepalium, Ultra Vomit, Black Bomb, and Born From Pain as well as playing festivals such as Hellfest 2012, ), Motocultor, Hell’Oween Fest, and Les Metallurgicalles. The departure in 2012 of Alberny to join Gorod saw the entry of Niko Beleg into the band, the line-up which entered the studio last year to record Dreams Are Dead.

The album’s Intro is as so many other bands seem to open up their albums with, an orchestrated epically rising portentous piece of music and very appetising; a start which despite its lack of originality brings a twinge of excitement and anticipation to an already awoken appetite. Its chilling haunted close is instantly swamped by the fiery start of Watch us dying, guitars and rhythms launching themselves at ears with urgent voracity. The track immediately has attention enslaved and senses under-siege before settling into a more ordered sonic and rhythmic tirade driven by the excellent vocals of Peglion, his great tones almost sand like in texture and invasiveness. The energy and attack of the encounter never relents in force and hunger yet embraces inventive guitar enterprise and a great almost schizophrenic design from the drums of Olivier. Arguably there is nothing new on offer but boy is the track gripping as it sets up the listener for the brilliance of next up Rise and never fall and the album as a whole.

The third track also has no intentions on making a gentle coaxing, every element of the band and sound cascading down upon the senses Arcania-Dreams-Are-Dead1-e1398358060555like an avalanche. Virulently seductive grooves wind from within the invigorating tempest alongside wiry hooks and shorter lures from the guitars. It is a rigorously magnetic enticement beneath an exacting tsunami of rhythms which as the vocals unveil their narrative, ignites the imagination like a mix of Slayer and Bloodsimple. Peglion mixes up his delivery throughout though saving the best of his lures for the roaring chorus which is led into by a great guttural expelling of malevolence. Musically the track matches his delivery in crescendos and potency but adds compelling flames of sonic invention and more of those deviously addictive grooves. It is a glorious track and no surprise that it is the one leading most into band and album right now through its video.

The following Face in the Mirror has a darker breath and face to its initial provocation but one which is tempered by restrained but certainly predatory riffs and melodic intrigue. The chorus as with its predecessor’s, provides an anthemic contagion whilst the twisting landscape of the track enthrals and sparks thoughts as a new wave of hunger hits passions already lit by the album. Its reinforcing of the strengths of band and album already impressively paraded is matched by Dreams are dead, whose arguably stronger progressive intent and adventure brings further rich hues to the release. Though not always given as much clarity as in this track, the technical aspect of the sound across the album is as riveting as all the other inciting colours and here forges an almost mesmeric temptation within the storm of the forcibly evocative song.

Another pinnacle is sculpted with next up Inside the crowd, a blistering suasion which from its fiery and earthy start suddenly whips out impossibly infectious and addictive strains of guitar forged toxins. They are honed into delicious short grooves courted by climactic riffs which in turn are aligned to ridiculously catchy and anthemic vocals from Peglion and the band. The track continues to pull out twists and turns across its scintillating creative body, each move unpredictable but seamlessly masterful and soaked in contagion whether marching with almost military precision over the senses or unveiling an atmospheric elegance and emotive expression. There are moments the track brings thoughts of October File to mind but it is a wholly unique track which takes best song honours

The breath-taking instrumental Dreams end all days floats in next to show another impressive element to the band and its songwriting. Nearing eleven minutes the piece is a mouthwatering adventure giving the imagination and emotions a wealth of melodic colours to paint their own evocative canvases with, to which the guitars add their poetically skilful and inspiring hints. For personal tastes the song is too long for where it is upon the album as before its finale you are locked in an urge to investigate the next track. It would have made a sensational closer for the album but with another instrumental waiting there, it is where it is.

Both Suffering for an answer and Scar in our mind keep things burning brightly for Dreams Are Dead though neither matches what comes before them. The first of the two carries a slight Testament feel to its more melodic classic metal air, within which vocals and the whole design of the track from rampaging rhythms and throaty bass enticing to the constantly developing weave of guitar emprise captivates. It lacks the same unpredictable element though which pushed earlier songs into something startling but despite its really annoying fade-out the song is a richly pleasing encounter. Its successor rides a thunderous tirade of beats before the guitars unleash ear smothering flames of caustically melodic rapacity, a proposition which again deeply satisfies without lighting fires.

The closing Days ends all dreams is a sultry smouldering finale to the release, again impressive in its craft and expression but easily second best to Dreams end all days. Personally putting it aside for another release, though it makes a good book end to the intro, and closing with the first instrumental would have been more successful. Nevertheless it makes no difference to the success and immense pleasure unleashed by Dreams Are Dead, the album a powerful wake-up call to the world to the presence and might of Arcania.

Dreams are dead is available via Great Dane Records now!

https://www.facebook.com/pages/ARCANIA/214904209725

8.5/10

RingMaster 23/05/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Yugal – Enter The Madness

yugal

Though the dark intrusive provocation unleashed by French metallers Yugal upon their new EP Enter The Madness may not be carving out a dramatically original bedlam, its raw and uncompromising attitude and skilled enterprise makes it an encounter which rigorously infests the imagination and passions. The five track tempest of sound and aggression is an easily accessible and demandingly intensive affair. It holds no major surprises but rewards attendance with a predatory fusion of thrash, death, and groove metal which captivates imagination and appetite alike with its riveting raw sound and invention.

Hailing from Vannes in Brittany, Yugal formed in 2010 with their first demo From Pain to Pleasure emerging the following year. It was the striking six track EP Illusion of Time in 2013 which drew a certain concentrated attention upon the quintet but it is easy to predict that Enter The Madness will be the most potent trigger in thrusting the band into a greater deserved spotlight. Infused with supposedly oriental spices, though we suggest they are more Middle Eastern seeded, the new EP reveals a band which has impressively matured in songwriting and sound whilst retaining the passion and superbly sculpted hostility which marked its predecessor. Arguably the release lacks the unique character to set itself apart from the busy crowd but you can easily feel the potential of that realisation lying in wait within the extremely pleasing proposition.

The release opens with an instant lure of Spanish bred guitar as Mindless Fool edges into view. It is an enchanting entrance which a3390718700_2immediately has thoughts grouping around its emotive texture. The gentle coaxing is soon submerged in a tempestuous roar of thumping rhythms and intensive riffing, a furious but deliberately shaped storm which tenderises the senses ready for the irresistible grooves which begin veining through the thick fury. Those Eastern kissed grooves come with a mischievous swagger, a relish which also permeates the coarse rapacious vocals at times, both sauntering through ears with a confident contagion and magnetic toxicity. The track is a scintillating incitement, setting the release off on a major pinnacle which truthfully is worried but never matched again.

The following Free Jail though gives it a more than valid go, its opening bluster of causticity through again rampant rhythms and coarsely grazing riffs a formidable invitation into mystique clad grooves and refreshing hooks. Group vocals behind the lead provocation also add to the fullness of sound and narrative as the song evolves into something comparable in many ways to Bloodsimple meets Sepultura with extra fuel from Cryptopsy. The guitars weave an enthralling suggestiveness upon the compelling canvas built by the brutal rhythms and predatory basslines, whilst vocally the band reaches deep into its malevolence and anger to bruise the senses just as voraciously though they equally come with an intrigue and swing which makes addictive bait. It is an absorbing antagonist soon matched by the title track, its entrance upon a barbarous flurry of rhythmic intent another viciously catchy beckoning. That infectiousness continues across the whole track as the guitars once again cast woven grooves and melodic acidity into the annihilatory riffery prowling thoughts alongside the dark hearted bass. The song proceeds to ravage and seduce with increasing success and strength, building to a fiery finale which leaves ears ringing and appetite greedy.

Psychotic wraps the ears initially in a reserved sonic ambience though one with a portentous air to its touch; a menacing feeling which soon intensifies with the entrance of intimidating guitar hues and eventually a ravenous assault of drums within similarly rapacious but inviting sonic twists and colour. Though the music does not match its title initially, there is a brewing bedlam behind the driving drums and scarring riffing which without ever truly exploding ensures the track is a constant skittish and evocative antagonist for the psyche. Vocals and guitars again impress with their unpredictable and fluent shifts in attack and designs respectively, whilst the wall of sinews built by drums and the at times bestial tones of the excellent bass work, create an inescapable cage you only want to be confined within.

Another scarring crescendo sees the track make way for the closing Fearless Pride, its appearance also coming upon an intimidating sonic mist which is subsequently speared and stretched by the citric sonic craft and adventure of the guitars. Arguably the most corrosive and raw track on the release, its body a more ‘messy’ and undefined ferocity which only adds to the enjoyment, the song bruises like a wounded bear yet captures the imagination like a gladiatorial warrior. It makes for an intensive and highly satisfying conclusion to the release even without matching earlier successes. With a great and skilled evocative instrumental hidden in its shadows, Enter the Madness feeds ears and passions with a highly accomplished and exciting incitement where to be honest only a major lack of originality is its only issue. You feel listening to the EP that Yugal is still in evolution in sound and distinctiveness but that it is only a matter of time and we for one cannot wait.

The self-released Enter The Madness is available now @ http://yugal.bandcamp.com

https://www.facebook.com/Yugalofficial

8.5/10

RingMaster 9/05/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

 

Kayser – Read Your Enemy

 

photo2

    With a sound as cantankerous as it is compelling, Swedish metallers Kayser unleash their third album, Read Your Enemy, an encounter primed to ignite the imagination and emotions. Sculpting a tempest of modern metal with a thrash/heavy metal breeding, the band reaffirms their presence in a land of generally more blackened and deathly exploits. Released via Listenable Records, the album is a thoroughly riveting blaze of rapacious energy and invention which simultaneously sounds familiar and new as it stirs up the passions.

   Kayser was formed in 2004 by vocalist Christian “Spice” Sjöstrand (ex-Spiritual Beggars, ex-The Mushroom River Band), guitarist Mattias Svensson (also The Defaced), drummer Bob Ruben (ex The Mushroom River Band), and guitarist Fredrik Finnander, and were soon grabbing attention with their raucous live performances and equally muscular sound. Their second year saw debut album Kaiserhof followed in 2006 by The Good Citizen EP and second album Frame The World…Hang It On The Wall, all well-received and bringing greater attention upon the band in a time which also saw a change in personnel. With a line-up of guitarist Jokke Pettersson (ex-Poseidon) and bassist Emil “Ewil” Sandin alongside Sjöstrand, Svensson, and Ruben, the Helsingborg quintet has continued to build and expand their reputation and sound, shows with the likes of Volbeat, Blinded Collony and Ektomorph across countries such as Germany, Belgium, Italy, Netherlands, Switzerland, and Czech Republic increasing the intensity of the spotlight growing upon them. Read your Enemy is the next formidable venture in their strong ascent, a proposition which cements the band as one exciting provocateur of intensive metal.

    The album takes little time in seizing control of ears and attention, the entrance of opener Bark and Bow an enticing single KayserCoverguitar beckoning soon immersed in a brewing ominous atmosphere. Whilst it is taking hold riffs are revving up their engines to strike from within the embrace in tandem with firm rhythms. Now into its forceful yet restrained stride the track is soon graced by the great grizzled clean tones of Sjöstrand, his delivery expressive and intimidating to complement the similar attentive sounds. This eager charge is insatiable until wonderfully tempered by a breath taking melodic moment wrapped in acidic flames before reasserting its full fire again to mesh with the distinct skill of the guitars. There are many comparisons laid alongside the band but as this and subsequent tracks toy with the imagination thoughts of Bloodsimple are the strongest.

   The excellent start is soon surpassed by the brilliant Bring Out the Clown, an insatiable rampage of thrash and heavy metal with a plethora of groove metal temptation. With rhythms taking chunks out of the senses whilst again Pettersson and Svensson savage and seduce with every note expelled, the encounter ignites body and soul with its contagious toxicity, a virulence shared by the following I’ll Deny You. Again its presence is a towering pressure and presence which baits its weight with infectious grooves, bold hooks, and submission stealing rhythms, all under the leadership of the continuing to impress narrative of Sjöstrand. Unafraid to twist its body with a feminine wantonness, the track easily sets a new plateau for the album from its already lofty heights.

    Dreams Bent Clockwise steps up next, immediately chewing the ear with its hungry riffs and crisp rhythms. A core groove soon has its claw into the psyche and passions, the band using its drilling to wrap melodic endeavour and fiery sonic spite around the imagination and though the track is unable to match its predecessor, it still leaves an awakened appetite for the album hungrier. The mid-way slip into a tender melodic passage does cause eye brows to rise; it is a surprising and accomplished move as well as very enjoyable but the transition does not quite work to leave uncertainties which the song admittedly overcomes with ease.

     The tile track thrusts the album back to its highest peak straight after, its predacious rabidity in riffs and rhythms matched by the vocal assault and the emerging carnivorous throatiness of the guitars and their ravenous presence. The diversity within songs and the eagerness of the band to raise a middle finger to predictability ignites the imagination as well as the songs themselves, this track one prime example as it excels and bloats satisfaction with every scything chord and fascinating idea. It is an enthralling trait which Almost Home employs next to the full too, the blend of melodic flames and bestial intimidation a senses and thought engulfing tempestuous adventure.

      It is unfair to say that Read Your Enemy is an album of two halves but certainly from here on in the release fails to live up to what came before though much is down to the quality of the earlier songs and not the lack of invention and craft in the latter stages, as shown by Where I Belong and He Knows Your Secrets. The first of the pair seduces and plagues the ears alternatively with skilled suasion and animosity but lacks the spark to really turn on the passions whilst its successor lays down appealing grooves and heavy duty aggressive riffery but again is unable to spark the same greedy desires.

    Nevertheless the album continues to feed and hold a keen attentiveness as the likes of the combative Forever in Doubts and the similarly feisty Carve the Stone expel their particular contentious. Using these two as an example, the uniqueness which marks out the earlier songs seems missing whilst the tracks have a relatively similar presence, certainly on the surface layers of their presence. The final two captivating tracks, Roll the Dice and The Fake Rose, are much the same but as all still provide a stormy treat which suffices the hunger, the skill of the band individually and united mouthwatering. To put the difference into context, every part of the album leaves most other recent releases from heavy metal cored bands pale in comparison, just some songs more potently than others.

     Wrapped in fine artwork from Timo Wuerz, Read Your Enemy is a transfixing adventure feeding any wants and though arguably it could have been even better, maybe a modern classic, it is close enough to thrust Kayser to the frontline of modern metal with a traditional heart.

http://www.kaysertheband.com/

https://www.facebook.com/Kaysertheband

8.5/10

RingMaster 04/03/2014

 Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Sapiency – Tomorrow

36_1

Having already been released on CD this past march, Tomorrow the latest album from German metallers Sapiency gets a deserved digital release and distribution through Eclipse Records this month, and thankful we should all be as it is a rather flavoursome and contagious little gem which may have escaped attention otherwise. Not exactly stretching boundaries but having that little indefinable something which sets it apart from the crowd, the eleven track storm of accomplished and passion soaked invention leaves hunger for more and fat satisfaction mutually potent responses to its voracious enterprise and energy.

Hailing from Frankfurt and formed in 2008, Sapiency was soon drawing attention locally and further afield. Their acclaimed debut album Fate’s End in 2010 was just the start of a growing stature and reputation, their own tours as well as support slots to the likes of Sonic Syndicate, W.A.S.P., Dead By April, Tito & Tarantula, Deathstars, Vader, Engel, Onkel Tom (Angelripper), Power Quest, Pathfinder, and many more earning the band greater recognition as has successful performances at festivals such as 70.000 Tons Of Metal 2012 and Metalfest Open Air 2012. It is hard not to develop an eager appetite for the sextet’s sound as shown by second album Tomorrow, and with a wider network for it to spring from you suspect that Sapiency is on a rapid ascendency.

The band is tagged as melodic death metal yet that is only a fraction of the picture, or sound with the band employing a wealth of sapiency_tomorrow_cover_72dpi_rgb_900pixinspirations across the metal spectrum so that within the new album they can bring essences of In Flames or Lamb Of God to bear and at other times Bloodsimple or Livarkahil. It makes for a strikingly resourceful and thrilling encounter which from the opener Prayer For The Pain captures the imagination. From its first breath the track careers through the ear with riffs and grooves carving out their insistent presence whilst the bone splintering rhythms of drummer Kai Voss-Fels cage the tempest raging within their framework. It is a mouth-watering confrontation which never relinquishes its grip on the awoken passions right through to its final strike. The outstanding dual vocal attack of the cleaner grouchy delivery of Lars Bittner and the bestial scowls of Krsto Balic is a forceful magnetism across the whole album and strapped to the carnivorous craft of guitarists René Ritzmann and Holger Wenck, as well as the predacious bass prowl of Sebastian Fix, makes for an exhausting, riveting introduction.

Hungry Again keeps the rapacious intent and rabidity at full throttle whilst interspersing it with a seductive coaxing from the keys and a classic metal orientated temptation from the melodic casting of the guitars. The merger of bordering vindictive riffs and virulent groove metal lures to the expansive melodic adventure is impressively crafted and wholly infectious, leaving ears and emotions basking in demanding and rewarding metal at its best. Arguably there is little strikingly new on show but equally Sapiency present it in a unique and compelling way that it is as fresh and invigorating as you could wish and sets the band apart from most.

Through the likes of Free Within with its electronic tantalising seemingly fuelling an even greater aggressive fervour from band and sound as Avenged Sevenfold like sonic sculpting spears the air, and the enslaving mix of melodic enticing and strenuously robust intensity of the title track, Tomorrow continues to seize the imagination and feisty passions whilst tracks such as the crushing Weight Of The World and the slower smouldering Fight On explore deeper appealing avenues and creative corners within the songwriting and its invention.

To be honest there is not a weak moment upon the album, each track a formidable and impacting persuasion and though occasionally a surface similarity rears its attractive head it is a fleeting wrap soon punctuated and lost with keener focus. Further peaks on Tomorrow are provided by firstly the industrialised irresistible might of Turn The Tide, guitars and vocals once again weaving a rapaciously stalking narrative which is pure addiction, and by the towering presence of Torn Apart. The track is another ferocious antagonist but one just as content to let a melodic acidity and harmonic temper vein its furore.

Completed by the absorbing Dying Illusions, a final raging skilled and esurient assault, Tomorrow is a richly satisfying and exciting confrontation which does not carve out new ventures to contemplate but employs existing invention in its own unique and wholly exhilarating way. Sapiency is a band we are destined to hear much more of ahead and undoubtedly enjoy at even greater heights as the promise also burning brightly across the album suggests.

www.facebook.com/sapiency

8/10

RingMaster 26/11/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Sawthis – Youniverse

SAWTHIS (3)

Tagged as modern thrashers and sounding like the exhilarating offspring of Static X meets Bloodsimple, Italian band Sawthis unleash one of the year’s highlights in the corrosive riveting storm of Youniverse. An unrelenting and breath-taking tempest of sonic intensity and exhausting predation, the eleven track release simply leaves the senses and passions raging for its predation.  Not arguably ground-breaking but thoroughly refreshing and explosively incendiary, this is one album that all thrash fans should add to their personal playlists.

Formed in 2000, the Teramo hailing quintet bred their sound on the inspirations of the likes of Soilwork, Machine Head, Slipknot, Metallica, Testament, and Pantera. Debut album Fusion emerged in 2003 receiving very positive responses from media and fans. This was followed by an extensive time of shows which saw the band alongside the likes of Destruction, Anathema, Sybreed, Impaled Nazarene, Extrema, Sadist, Necrodeath, and Assassin. Their live performances consistently added to the stature of and acclaim upon the band; further appearances with Lacuna Coil, Entombed, Shaman, and Konkhr to name a few only cementing their reputation. Second album Egod appeared in 2009 via Scarlet Records, again to strong reception and followed by more intensive gigs and tours, this time with bands such as The Haunted, Primal Fear, Bulldozer, Cattle Decapitation, God Dethroned, and Sepultura last year. Released through Bakerteam Records, Youniverse is the next step to world awareness and domination, its aim you suspect destined to success.

A conceptual album focused on the theme of multiple personality disorder, Youniverse immediately tests thoughts and synapses with SAWTHIS_YOUNIVERSE_COPERTINA HDThe Logical Color. Rhythms splinter bone from the opening second with deep drilling riffs a muscular companion. It is an attention gripping entrance which only explodes to greater heights as the two protagonists extend their rabidity to further heights and the vocals of Alessandro Falà scorch the air with his vocal squalling, every syllable intense and malevolently sculpted but forcibly engaging like the sounds around him. Ensuring escape is futile the song relaxes into a tantalising embrace, the guitars of Adriano Quaranta and Janos Murri gnawing the senses whilst offering new mystique to the blistering encounter whilst the vocals also offer a more respectful and mellow if still an intimidating and commanding lilt. The track is a scintillating introduction, varied and adventurous but deliciously predatory from start to finish.

The following fury of The Waking Up is equally rapacious and magnetic, the beats of Michele Melchiorre building an irrepressible trap whilst his vocals slip perfectly and potently alongside those of Falà, their at times dual attack an exceptional driving force for the riveting inventive sounds. The bass of Gaetano Ettorre also creates a sinew clad prowl which menaces and tempts like a stalking beast within the torrent of intensity and energy surrounding its intent. It is another towering song continuing the immense start and soon matched by both The Voice Falls On Me and The Disturbed. The first has an insidious breath and air certainly around the vocals but tempers it with a melodic fire reminding of In Flames whilst its successor which features Rob Cavestany from Death Angel, simultaneously sears and smoulders within the ear whilst weaving melodic and vocal temptation that leaves the passions alight and guitar enterprise which spawns burning tendrils of sonic enterprise to seduce without mercy.

Through all the tracks the album deepens its hook within the emotions breeding a hunger which dares Youniverse to fail their need. No such realisation is forthcoming as the likes of The Indelible, a track which swings seamlessly from carnivorous intensity to seductive melodic flaming, The Impure Soul with its creeping twisting sonic vines of excellence within a ferocious yet carefully trained consumption, and The Spotlight only increase the dramatic strength and torrential imaginative lure of the release. The last of the three finds an extra growl and rawer presence to its caustic provocation, though melodic and harmonic exploration is only a deep breath away and soon merging into the turmoil with enchanting toxicity.

Before departing the album ensures the listener is left a wasted blissful wreck through the corrosively contagious tempest that is The Mad and the hellacious beauty of The Switch, both tracks stretching the passions and boundaries of the album further. Earlier we said that there was debatably nothing unique about Youniverse which was true except that as tracks like this and the closer, The Walking exploit the rapture seeded, it is hard to remember many others stalking the same routes as Sawthis. The final song is no slouch in whipping up the senses and satisfaction either, its rampaging stomp another blaze of sonic venom and melodic adventure wrapped in creative savagery.

Produced by Paolo Ojetti (Infernal Poetry) with the band, Youniverse is a massive war of pleasure and enthrallment, a release which takes Sawthis to the upper echelons of new metal, and without doubt another album to add to the growing pool of serious contenders for album of the year.

www.sawthis.it

9.5/10

RingMaster 30/09/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Until Dawn – Horizon

Until Dawn 2013 promo-1

Containing a fury of passion, aggression, and sheer unbridled power, Horizon the new album from Canadian metallers Until Dawn, is a thrilling riotous introduction of a band with certain craft and unbridled creative energy. Not that the band itself is new on certainly their home metal scene, their debut self-titled album capturing the imagination of a great many in their homeland upon release in 2011, but for most of us on the outside their second full length is the first time the quintet has stepped upon the radar. Going by the quality and strength of the album it will not be the last time either and as they develop into a more distinctly unique presence ahead, you can only feel that Until Dawn will become a potent force of the future.

Hailing from Fort McMurray, Alberta, the line-up of brothers Deke (guitar) and Luke Worrell (drums), Adam Macleod (vocals), Steve White (guitar), and Darren Ehler (bass), forge a tight and hungry mix of melodic and intensive metal with the flames of heavy rock, the result an often bruising and always thoroughly compelling brawl of a sound with fiery depths which has led the band to be compared to the likes of Killswitch Engage, In Flames, and Trivium. The years since forming has seen the band shares stages impressively alongside the likes of Kiss, Korn, Volbeat, Billy Talent, Kiss, A Day To Remember, Hell Yeah, All Else Fails, Fozzy, Ill Scarlett, 3 Inches of Blood and many more, but as their new album steps into view with a flare and confident swagger which oozes promise and maturity you sense the widest recognition is beginning to stir. Their sound, one suspects, is still in evolution as they look to create a distinct space within metal and though the release has not achieved that it suggests it is on the way.

The self-released album stands face to face with the ear from its opening seconds as Roamers And Lurkers prods the senses into Horizon Booklet Coveralertness with scythes of resonating guitar punches cutting across a niggling beckoning of riffs. With bass and drums casting their sinew woven net around the invitation the track charges into an attention grabbing blaze of energy and feisty sound, the excellent vocals of Macleod which fall somewhere between gravelly and clean, offering an expressive rage of narrative and urgency to the equally energetic sound now in full flow. Though those references earlier mentioned are understandable the bands that immediately make an suggestive comparison are Bloodsimple and UK band I-Def-I, the expertly blended mix of styles and imposing intensity a familiar and potent weapon between all three impressive artists.

The following Strings Of The Dammed is less stressful in its attack though no less fierce of heart and presence, the guitars carving out a provocative sonic strewed wash of enterprise aligned to the again tempting varied vocal enticement. It is a formidable slice of inventive persuasion, a virulent contagion to its adventure and cultivated skill to its presentation securing the hunger of the passions early on and only gripping tighter across the expanse of the track, the same attribute you can lie at the feet of both The Red Sun Rises This Day and Third Knee, two lethally addictive tracks which only add greater irresistible toxicity to the release as their compelling barbed offerings continue their creative persistence. It is fair to say that there is a surface similarity which has its say at times, especially between the first two of this trio, but it is never a strong issue though maybe in the future the band will be picked up on it.

The towering This Fallen Fortress ignites further depths of pleasure next; the opening bass crawl over pungent imagination a spark to the unleashing of the most savage premise of the album yet, though equally it merges it with a smouldering melodic entrapment rife with allurement and intrigue. This certain pinnacle of the album seemingly plays like a trigger as Horizon unveils a new wealth of striking and explosively evocative songs to match its opening. The fervent passion of A Conjurer Of Cheap Tricks and the exceptional predatory Time Tested Fortune snatch greater hunger and lust from the body whilst The Trial continues the rapacious greed with another stirring expulsion of uncompromising creative sway and bait to cement the album’s place in the passions, even if amongst them DNR is a weak link in the inspired aural slavery.

Completed by Polar Parallels and its title track, two more fertile canvases for thoughts and passions to immerse within, plus the bonus tracks WM3 and Richard, the first of the two another self-asserting treat on the release, Horizon is a thrilling and imperious assault from a band with a tremendous future. It may not be the most original album this year but with its fire and distinct craft it is undoubtedly one of the most enjoyable and refreshing.

http://www.untildawn.ca/

8.5/10

RingMaster 06/08/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Blunt Force Trauma: Beyond

 319432_10151979301855467_1547747228_n

    From the first abrasive riff to its very last raptorial note the Beyond EP from Australian metallers Blunt Force Trauma allows no time for the listener to take a breath or seek refuse in any less intensive opportunities. The release is a furnace of aggressive passion unleashed through a torrent of exhausting enterprise and bruising confrontation and one thrilling adrenaline soaked encounter.

From Perth, the 2009 formed band has garnered a towering reputation for their performances and music, its sound bringing them the tag of “Thor’s love children.” The past few years has seen the quartet leave audiences wasted from performances alongside the likes of Macabre, The Amenta, Truth Corroded, 4arm, Desecrator, and Grotesque and with the release of their new debut EP and tours confirmed in India, Asia, and North America over the year ahead, 2013 is looking a breakthrough period for the band, something which would be a shock if it did not come to pass such the might of their release.

Opening track Whore of Eden gravitates into view with industrial hydraulics before exposing firstly coarse riffs and then an engrossing spine entwining groove. Blunt Force Trauma brings a fusion of groove metal and metalcore with rich veins of numerous other rewarding unique genre inventions and the first track is an immediate explosion the resulting impressive corrosive excellence. As riffs rip flesh with their muscular snarl and sonic sabre cuts the ravenous caustic vocals brawl upon the senses with purpose, viciousness, and contagious effect. Clean vocals add a compelling lure alongside the rabid growls whilst the rhythms of drums and bass prey on the wounds caused with pack like militancy and ferocity. The track is a tempest of confrontation fervour and outstanding craft with loud whispers of Bloodsimple and Killswitch Enagage. It is hard to say the song is offering anything toweringly new sound wise but few bands recently have found the depth and power let alone primal pleasure instigated here.

Closing off its capture of imagination and passions with a sirenesque groove and equally tempting predatory bass flirtation the track is an immense start matched by the following Meat Puzzle. The song initially grazes the ear as if waiting for a reaction before breaking into a stomp equipped with a tight slightly wanton groove and hungry eager heavy riffs. Clean metal vocals burst from the core of the song to instantly bring variation to the whole release, something which each subsequent song reinforces with skill and imagination. Though not the riotous onslaught of its predecessor the track still rampages with an energy and intent which leaves the senses eagerly agitated whilst with its classic metal overtones within the guitar teasing and expressive vocals, a feverish greed is soon driving the appetite for more.

Defiance instantly caresses the ear with a mellow yet sinewy melodic guitar cascade of fiery sound and invention with the again formidable rhythms and muscular bass coaxing its flames higher for further pleasure. It is not long though before the song is charging with the drums calling, the march of their insatiable rapid punches evolved into a rumbling pulse framing another insidious groove manipulation firing the senses with devilish efficiency. The track is a maelstrom of passion, aggression, and thought plundered by superb moments of melodic and emotive clarity, vocally and musically. For the main though it ravages with impossibly infectious enticement from riffs and rhythms, it is not over complicated or dramatically ground breaking but oh it is irresistible.

The closing Eulogy is an explosion of unrestrained metallic revelry, thrash, and punk dished up in an insatiable storm of mayhem and sonic lust. Equipped with waspish grooves, bone splintering rhythms, and savage energy the track is simply rock n roll at its very best…and most inflammatory.

With The Beyond EP, Blunt Force Trauma shows with a vengeance why they are one of the loudest names on the lips of the underground scene and simultaneously declares their intent to infest and enflame the wider world with their towering sound, something it needs and deserves..

http://www.facebook.com/BluntForceTrauma.au

9/10

RingMaster 07/03/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

www.audioburger.com

Cancrena: Hidden Depravity

Cancrena

    Recent months have seen numerous impressive thrash metal assaults unleashed to which Italian metallers Cancrena have added another formidable release with their thunderous predator Hidden Depravity. Whilst the album uses well mined sounds and ventures it turns them into one of the most powerful, destructive, and downright thrilling records to ravage the passions. The album is a brute of an encounter and thoroughly irresistible.

From Bari, Cancrena formed in 2000 reaping essences from influences such as Pantera, Testament, and Sepultura. Loaded with heavy merciless riffs and an even hungrier energy the band became a recognised force on the local live scene spreading outwards across southern Italy through further gigs and festivals. From a two track self-titled demo in 2003 and the self-produced seven track Fears demo of 2005, which included that first duo of songs, Cancrena grew their reputation further to inspire mounting acclaim through their shows and the new EP. Another demo Underneath emerged the following year leading to a signing with Vision Metal Records in 2008 who gave the demo distribution in the US and UK. Shows with the likes of Obituary, Extrema, Pino Scotto (ex-Vanadium), Finntroll, Vomitory, Malevolent Creations, Paw Power and many more followed over the next three years before the band ventured in the studio last year to record Hidden Depravity, a powerhouse of southern thrash metal.

Released through Logic(il)Logic Records, Hidden Depravity takes no prisoners as immediately evident by the beginning of Cover Hidden Depravity - lightopener Serpent Skin. Emerging from within senses gnawing carnal mists, the song steps forward through a bassline with the most compelling snarl and a torrent of tight destructive rhythms and ravenous riffs linked by a groove which scythes through the ear like a sonic sabre.  Soon the vocals of Francesco Morgese unleash passionate scowls with skill and enterprise to match the already riveting guitar play of Francis Farinola. Well into its stride the song is openly soaked in the aggressive malice of Pantera and driven by an insatiable rich creative craft comparable to a Sepultura or Metallica. It is an explosive start to the album which never lets up through to the end.

The following tempest of hungry energy and senses corroding intensity brought by The Pessimist is equally contagious and demanding. At times there is a Dez Fafara venom and growl to the vocals which lay a deeper abrasion upon the listener whilst musically the track fuses annihilatory intent and smouldering melodic flames together for a full on torrent of voracious invention. Nearing its end the song stops as if over then returns with a furnace of a climax which leaves one breathless and delirious.

The bass of Fab Chiarazzo is a perpetual hypnotic joy across the whole album, his deeply rapacious lines as devastating as they are dangerously seductive whilst the rhythms of drummer Ruggiero Ricco feel like a torrent of unpredictable donkey punches upon the senses. Through the tremendous assaults of songs like Pervert Priest, Dark Torment, and Backdraft, the pair unleash a heavy persuasion and brutality which alone leaves the passions aflame but once lock ‘n’ loaded into primal shotguns of songs alongside the burning craft and rich potency of the guitars and vocals, a willing submission is only a matter of crossing the ’i’s and dotting the ‘t’s.

The further in the release one is thrust the more the intensity and pleasure escalates, tracks such as Black Underground with its twisting vehement structure and crushing union of rhythmic ruination and rabidly greedy riffs, the Bloodsimple toned ravaging Ancient Strength, and the staggering title track, all finely honed storms of savagery and sonic mastery. The last of these three is a mighty metallic wrath which consumes and devours the senses with rich rage and violent authority but as across the album, the band tempering it slightly with a wonderful skilful and imaginative melodic warm.

From first note to last the release is a snarling ravager though it unexpectedly and beautifully gives respite nearing its end through the magnetic instrumental To Nerve Oneself, the piece showing the band as able to create colourful melodic pictures as skilfully and easily as they can grievously decimate. Of course it is only a moment of relief as the band end the album with another staggering riot of murderous rampage in the intensive Under The Law. With sonic fires flaming with melodic brilliance within the ferocity it is a mighty end to an outstanding album. Many will suggest there is nothing new going on upon Hidden Depravity and arguably they are right but when it sounds this sensational who cares. Cancrena makes thrash metal which matters and far better than most.

www.facebook/cancrena

8.5/10

RingMaster 08/02/2013

Copyright RingMaster: MyFreeCopyright

Infernal Poetry: Paraphiliac

band_pic_new_EDIT

Bakerteam Records has started off the year with a blinding unleashing of irresistible extreme metal. In a twin upper cut of aggressive magnificence the label has released the newest assault of deathcore malice from Straight On Target and on the same day this week let loose the new corruption from Italian psyche grooved death metallers Infernal Poetry. Paraphiliac, their fourth album and first with Bakerteam, is a masterful outpouring of venomous destructive passion through a caustic tempest of contagious compulsion. Like the release from their label mates, the new album does not worry the heart of uncharted territories preferring to use the weaponry available but again like their compatriots has turned it into a sensational and invigorating assault for ear and heart.

With the roar of bands such as Devildriver, Cryptopsy, and Bloodsimple amongst others to its presence, Paraphiliac is an explosive violation of exhausting intensity, impressive technical malefaction, and infection causing imagination. It immediately takes charge of the senses and passions with no thought for subtlety or gentle persuasion, instead ripping the flesh from the ear and force feeding its delicious and virulent energy not to forget enterprise through to the core. Having been formed in 1996 it is surprising and disappointing this is the first time the band has come to our notice but now they have come into view and infected, they and their album hold a tight grip.

Following on from their acclaimed album Nervous System Failure of 2009, Infernal Poetry has forged a release which devours cover_webjpgthe soul. As mentioned it storms paths arguably well-trodden by other bands but turns them into turbulent and erosive journeys newly heard and felt. The album fuses to its sound everything from groove metal and grind to at times a bedlamic melodic teasing which almost touches avant-garde. The album within a recognisable and thrilling tempest of sound and energy is unpredictable and enthralling, each song an incessant maelstrom of intensity and anger which leaves one in lust for the new yet familiar overwhelming brutality.

Off the brief coarse ambience of intro Preliminaries, the album ignites with Stumps, a track which claws at the ear before turning into an insidious brawl of intensive abuse and invention. The vocals of Paolo Ojetti squall and crawl all over the senses with malevolent provocation whilst the rhythms of drummer Alessandro Vagnoni and the ravenous bass of Alessandro Infusini lay aggressive shadows and weight upon the under sieged ear. It is an intimidating presence veined by an impressive melodic intrigue offered by guitarists Daniele Galassi and Christian Morbidoni from within their constant blaze of unforgiving riffs. By mid-way the Ancona hailing quintet has seduced the passions with their turbulent onslaught and from there on in through the rest of the album just work deeper into the psyche and heart.

The irresistible rage continues unrelentingly through the likes of the outstanding In Glorious Orgy and Everything Means “I”. The first is an erosive rub with a sonic groove as persistent and nasty as a swarm of hornets and the continuing great deeply grazing vocals of Ojetti. The song sweeps into less intrusive winds at times, an almost progressive lilt adding potent whispers to the simmering fire of the moment though for the main the track is a flaming furnace of intense and raw intent. The second of the two also takes one on a varied and shifting trip of burning invention and twisted experiences. A feisty inviting groove flares from within the bruising course of the track with a wanton teasing at times to offer extra irresistible invitations to the enveloping abrasion. The track also adds a magnetic sonic aside which lights bolder fires within for its craft and imagination but like its companion both songs as excellent as they are pale against the song which splits them.

Hypertrophic Jellyfish is sensational, a track which fingers every lustful demands you could want from a song for the deepest pleasure. It is a stomping encounter of thumping rhythms, acidic discord, and a fury of schizophrenic grooves and insane melodic wantonness, all fuelled by an insane breath which disturbs as much as it excites. One of the best songs to bless our ears in recent times it is the loftiest pinnacle on the album of constant highlights.

Through songs such as the ruinous Cartilages, the distress touching satyric The Miss-Treated, and the grievous Paraphilias to mention just another three, Paraphiliac continually lays rich ravishing rewards and far reaching satisfaction on the senses. Extreme metal is off to a stunning year and Infernal Poetry to the fore of the reason why.

http://www.infernalpoetry.com

RingMaster 15/01/2013

Copyright RingMaster: MyFreeCopyright

Subjektive: Self Titled

Subjektive

If you are aware of Australian rock band Subjektive through their excellent My Perception EP of 2010, then you will have a good idea of what to expect from their debut self-titled album which has just been unleashed upon the world, though saying that you will still be blown over by the force of the storm which drives the excellently crafted songs through the ear. If you are new to the Melbourne trio then you are without doubt in for one muscular treat. Fusing the finest sinews and invention of rock to the strongest aggressive intensity and spite within metal, Subjektive creates a sound which leaves the listener bruised, battered and very satisfied.

The band was formed in 2008 by vocalist/bassist/guitarist and songwriter Aaron ‘AzCORE’ Stevenson, a musician who after playing in many successful and respected band wanted to create his own self termed rock driven metal, bringing the melodic textures and bone crushing might of both genres in a fluid and expressive bulldozer of a sound. The line-up was completed by the addition of drummer Luke ‘MasTemA’ Beltramello in 2009 and guitarist Joel ‘Chamber’ Moriss the following year with the band soon laying waste to audiences with their immense live performances and the release of My Perception. The threesome was soon drawing a rapidly growing legion of loyal fans not only in their homeland but around the world as well as receiving with radio play across the globe on the likes of The Bone Orchard. Their new album shows the band has evolved further since the EP, their sound still a merciless rage against the senses but with a further maturity to its textures and acutely crafted facets. The album is like a brawl between the likes of Machine Head, Mudvayne, Devildriver, Sevendust and Bloodsimple, an excellent fusion of sounds which caresses, charms, and lights up the passions with melodic excellence whilst unrelentingly turning the senses into a grateful staggering victim of explosive rhythms, destructive riffs, and combative intensity.

The release opens on insidious whispers as Veins emerges from the chilled mists. Soon tight highly charged riffs crowd the ear 111458whilst the bass prowls within their scorching touch and the drums cages the whole affair. It is not the most aggressive track on the album it emerges but with the continually licking serpentine sonics and ear lashing growls of Stevenson it is an intimidating pleasure. Into its stride the track herds thoughts and emotions into a blissful place whilst snapping the senses into satisfied slithers of primal engagement.

It is a great start soon slapped into its place by the rampaging R.D.M., a track which stomps on the wounds already incurred with heavy booted riffs and leaden rhythms. Throughout the tempest an infectious groove ignites an additional heated pleasure whilst the fiery solo is a delicious topping to an excellent song. The established quality is unrelenting through the likes of Too Far Gone with its stirring and rampant blaze of rock melodic warmth and corrosive metal abrasiveness, the blistering and intense Mental, and the expressive chewing of the ear masquerading as Watch This Space, all crushing riots of towering energy and attitude with honed weaves of melodic grandeur and imagination pouring from their formidable stances.

Further highlights come with the ever impressive Coward, a track which featured on their earlier EP, as do another pair on the album, and still stands as a classic and fully pleasing confrontation matched by the sensational Split From One Source. The first is a powder keg of adrenaline and anger thrust through the ear with crippling rhythms and unbridled creative energy whilst the second is a track which opens and closes on a wonderful emotive wash of just vocals and guitar within a chilling atmosphere. In between the song is a glorious journey of emotion, passion, and enterprise moving through multiple layers of intensity and sound whilst combining the warmth of melodic rock to the malevolence of extreme metal seamlessly and majestically. It is a song with a completely unique presence to the others showing the depths of the songwriting, imagination, and skill of the band. If you had to muster a slight criticism of the album it would be a similarity between some of the tracks in their breath but certainly not here.

Finishing on another sonic and merciless maelstrom in Shattered (Wasted), the album is an outstanding release which will ignite fires in rock and metal fans alike. Subjektive take no prisoners but they treat you right at the same time with one of the finest albums of 2012.

http://www.subjektive.com

RingMaster 20/12/2012

Copyright RingMaster: MyFreeCopyright