Oh Captive – Advance Creature EP

Oh Captive Online Promo Shot

Disregarding the deceptive label of post punk seemingly placed upon them, certainly on the accompanying promo sheet, what UK’s Oh Captive actually cast is a magnetic brew of pop punk and alternative rock around a rigorous spine of muscular melodic rock. Presented on their debut EP Advance Creature, the band’s sound it’s an exciting blend of passion and sonic textures drenched in striking craft and undeniable potential. It is a release which sparks fires in the emotions though not always retaining the same intensity, but from start to finish provides a fuse to the imagination and ignites a keen appetite for Oh Captive now and in the future.

The Bristol quartet emerged in 2012 and took little time is awakening an eager following locally before last year striking out around the country with bands such as Sonic Boom Six, UK Subs, Straight Lines, Max Raptor, Sharks, Blitz Kids, I Divide, Fighting With Wire, and Scholars. Comparisons to the likes of Coheed & Cambria and Twin Atlantic have fallen upon the band over time, comparisons relatively easy to understand listening to their four track debut.

The release opens with Beds Of Many Ghosts and immediately has ears entangled with enticing melodies, crisp rhythms, and a coaxing Oh Captive Cover Artworkhook which lays down the first seductive bait. Settling into its confident stride, the track relaxes around the vocals of guitarist Tim Kelly but all the time is creating a virulence of hooks courted by an emerging groove. It is a striking narrative coloured further by thirsty shadows provided by bassist Tom Hitchins and the guitars of Kelly and Curtis King which weave a provocative and contagious web of enterprise. The song is an irresistible encounter, one which has a familiar air to it in many ways but steps beyond that security with bold imagination and a thoughtful swinging design from the impressive rhythms of drummer Chris Hill.

The excellent start is swiftly supported and matched by Terrible Lives. The track again shows no restraint in unleashing contagious hooks and evocative melodies around a persistent rhythmic beckoning which frames the fine tones of Kelly ably supported by those of King. The song teases with guitar and rhythms alone at times; the bass held in reserve but once involved in the suasion opens up the depths and darker textures of songs and songwriting. Like the first track, it creates a tapestry of smart twists and turns employing a skilful persistently changing gait evolving the face of the song whilst brewing an almost toxic groove to wrap the track and subsequently steal the show in a quite scintillating climax. Both songs are strongly memorable but the second really gets under the skin with that deviously addictive groove most of all.

The remaining two songs do not reach the stature of their predecessors though both only cement an impressive introduction to the band. The title track steps up next, its tender melodic start courted by a sonic mist before it expands into a rich and evocative blaze of passionate sounds and lyrical reflections. Perfectly balanced and vibrantly poised, the track courts the senses with a masterfully woven venture of dark rhythms and radiant melodies aligned to similarly captivating vocals, and though it does not entrench itself in the memory as those before, its presence only enhances the promise of the band.

The closing Retreat Being reasserts punchy rhythms and almost rapacious sinews to the skeleton of another track which is just at ease crooning at and seducing ears as it is forging a sturdier imposing persuasion. The bass of Hitchins is especially vocal and melancholic in the track to lead thoughts deep into an emotional intensity but as excellent as the song is again it lacks the spark to impact beyond its departure.

Overall Advance Creature is an EP which potently grips thoughts and emotions throughout. It is a striking entrance by Oh Captives, one soaked in a promise which suggests the band is going to have a rosy future whilst providing plenty of exciting investigations ahead.

The self-released Advanced Creature EP is available digitally from April 28th

www.facebook.com/ohcaptive

8/10

RingMaster 27/04/12014

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Manhattan Coast – This One’s For You

Photo Sofa B&W

    Self-released on February 17th, expectations and suspicions are ripe with only one thought, that the This One’s For You EP will be the trigger to a countrywide awakening and passion for UK alternative rock/pop band Manhattan Coast. The evidence is bouncy and vibrant through the five irrepressible slices of revelry making up the release, and though the Bridgend quartet is not exactly carving out brand new adventures they are casting an enticement which is potent and rigorously enjoyable. The EP is an encounter which easily catches the imagination and breath with its big contagious choruses and almost spitefully effective hooks, a release showing Manhattan Coast as another in the long line of satisfaction fattening bands from South Wales.

    Formed in 2011, Manhattan Coast has crafted a fine and impressive presence and reputation locally and across the UK, tours across Britain and the release of their first two EPs, Never Tell Me The Odds and Beg, Borrow and Steal, sparking eager interest amid a constantly growing fanbase. Equally shows with the likes of Kids In Glass Houses, Blitz Kids, and Straight Lines have brought further impressed focus upon the band. Now, supported by a European tour this month and UK dates with Forever After, This One’s For You is the next stirring declaration from Manhattan Coast and a tasty piece of excitable creative persuasion it is too.

     War On The Weekend opens things up and immediately has ears under the spell of an infectious hook and punchy rhythms. MC_EP_Cover_Sml_WebInto its potent stride with the excellent vocals of Nick Lane unveiling the lyrical narrative with smooth melodic tones, the track surrounds him with those continuing firm senses tagging rhythms and additionally teasing riffs whilst a web of inventive and resourceful guitar endeavour from Geraint Rees defeats expectations to inspire even greater adventure in the infection drenched song.

    The band has been compared to bands such as The Wonder Years, Taking Back Sunday, and Man Overboard over past releases and sounds but the one band which stands out as the closest reference, certainly in regard to the contagion and inspired potency of the torrent of hooks across the EP, is Lost Prophets. Rees has mastered the ability to cause addiction with his inventive and often short but razor sharp hooks, their efficiency and potency as irresistible and admittedly at times enjoyably similar to those which littered the other Welsh band’ compositions. Second song Monsoon Season In Machine City like its predecessor offers that prime Lost Prophets like virulence with its first breath. From there the band unleashes a dense brawl of rock ‘n’ roll intensity and pop punk voracity as the song seizes the imagination and appetite as tightly as the first. The band’s songs have that mischievous quality of recruiting the listener’s passions, limbs, and voice in their adrenaline fuelled choruses, not a pretty sight in some of our cases, and this blaze of melodic rioting is no exception.

    The opening pair provides the strongest bait into the release and band for newcomers, but are soon left in a sort of shade by the title track and the following Dreams Are For. The first of the two makes a reserved entrance, vocals and melodies stroking ears as the excellent bass tempting of Adam Jones adds just the right amount of intimidation to egg on the ever forceful yet respectful beats of drummer Dan Ryan. That Lost Prophets thought is probably at its strongest across these two songs but only adds to the admittedly familiar but refreshing stomp of passion and enterprise bursting from the songwriting and its presentation. The second of the two and best song on the release, is an epidemic of melodic toxicity and feverishly presented hooks within a pop punk riot of energy and ingenuity. Constantly unpredictable and swerving into new avenues throughout with Lane providing his most potent and impressive moment yet, though that applies to all members to be fair, the song is the most complete and original track on show and the most potent gateway into the artistic heart of the band.

     Carpe Diem finishes things off in equally immense and winning style, rhythms finding their biggest sinews and guitars their strongest snarling attitude though as always melodies and harmonies aligned to deep infectiousness is the order of the moment. It completes a persistently thrilling and magnetic encounter from a band you sense is on the verge of breaking it big, certainly the This One’s For You EP suggests so. With no real flaws and maybe only a surface similarity in sound to some songs a seeming minor niggle for some i, Manhattan Coast  is set to make 2014 their year.

MANHATTAN COAST EP RELEASE TOUR:

13/02 – De Bliksem, Den Helder (NL)

14/02 – Carpe Diem, Hasselt (BE)

15/02 – De Duycker, Hoofddorp (NL)

16/02 – Blaues Haus, Mönchengladbach (GER)

21/02 – Hobos, Bridgend (UK) w/ Forever After

22/02 – Racehorse, Northampton (UK) w/ Forever After

23/02 – White Horse, Colchester (UK) w/ Forever After

https://www.facebook.com/ManhattanCoast

http://manhattancoast.bandcamp.com/album/this-ones-for-you

9/10

RingMaster 12/02/2014

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Cold Summer – UK Tour

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Post hardcore band Cold Summer have annouced the dates to their upcoming UK tour in support of their debut self-titled album released last year.

Cold Summer are fast becoming a critically acclaimed Rock/Post-Hardcore band, reaping the rewards for some fine releases which started with the self release of two EP’s, ‘Transitions’ and ‘Wake’ during 2012, before the Yorkshire band’s
release of their acclaimed debut album album in 2013.
To promote the release the band are heading out on a week long tour of the UK in February 2014. Building on a large and growing fan base across the North of England garnered as Cold Summer played sold out shows alongside well respected bands such as Funeral For A Friend(Distiller Records), Polar (In At The Deep End) Lemuria (Bridge Nine Records), End Of A Year/Self Defense Family (Deathwish Records), Margate (Cybertracks), Blitz Kids (Redbull), Scholars (Banquet), and Aficionado (No Sleep Records) since forming.
Now is the time for more of the country to catch one of the most promising Britsh bands live and with their still passions impressing album.
coldsummertourposter
The dates for the 2014 Cold Summer UK Tour in February:
Saturday 15th – Lounge 41 – Workington
Sunday 16th – The Zombie Hut – Corby
Monday 17th – The Vault Inn – Stockton On-Tees
Tuesday 18th – The Ship Inn – Preston
Wednesday 19th – The Old Blue Last – London 
Thursday 20th – The Hobgoblin – Bath
Friday 21st – Frog & Nightgown – Worksop
 
coldsummerselftitledcover

MY FAVOURITE RUNNER UP unveil debut album,’Crossroads’ 17th February‏

My Favourite Runner Up Online Promo shot
ENERGETIC PUNK ROCKERS RELEASE DEBUT ALBUM!
 
Explosive Brit rocksters ‘My Favourite Runner Up’ drop their eagerly awaited debut album ‘Crossroads’ on 17th February through all digital outlets.
Born in Northern Wales in 2006, My Favourite Runner Up were brought together by their common affection for New Found Glory, Jimmy Eat World, and Mayday Parade. Taking cues from their influences, the band have fashioned their own take, bringing together alluring hooks crossed with cut throat riffery; and the result is sure to win over any modern day rock fan.
Their debut EP, ‘Thoughts, Feelings, Actions’, received coverage from BBC Radio One, Scuzz TV and airplay on Kerrang! Radio, as well as securing widespread acclaim including impressive reviews from Rocksound and Dead Press and a feature interview with Big Cheese Magazine. Singles lifted from the record also gained airplay on all major UK radio stations, and the video for the single ‘Let It Ride’ was play-listed by Kerrang! TV.
In addition to their steady recording output, My Favourite Runner Up have always had a healthy appetite for live shows. To date, they have shared stages with the likes of Madina Lake, Mallory Knox, Kids In Glass Houses, Blitz Kids, Save Your Breath, Bury Tomorrow, The Hype Theory and Neck Deep, and toured with ‘I Spy Strangers’ and ‘Kids Can’t Fly’. Last year was also no different for the band as they relentlessly toured throughout the UK and Europe, further cementing their place as one of the new bands to see live. After a hectic touring schedule, the quartet bedded down in the recording studio with well-regarded producer Romesh Dodangoda (Motorhead, Funeral For A Friend, Kids In Glass Houses, Twin Atlantic) at the controls once again. MFRU now release their full length debut album ‘Crossroads’ which features eleven tracks stacked with thoughtful arrangements and concise and twisted riffs that entwine perfectly with contagious vocal lines. Look out for the anthemic ‘Poison’, which is set to be released as their first video single, and keep your ears to the ground for extensive tour dates as the MFRU boys plan to further stamp their name on the UK scene.
= MY FAVOURITE RUNNER UP RELEASE ‘CROSSROADS’ ON MONDAY 17th FEBRUARY
AND NEW SINGLE ‘POISON’ ON FRIDAY 17th JANUARY=
CDBO06.pdf
 

Wolves: Cycles EP

If you were fortunate to have been assaulted by previous EP Alpha Beta Omega from UK band Wolves, then steel yourself or run for cover as they unleash the destruction that is new EP Cycles. Whereas before they tested and brought down the senses with an aggression borne of their namesakes this times Wolves go on to gnaw and corrupt the carcass with even greater and imaginative violent eagerness.

The quartet from North Wales are no strangers to acclaim, their appearances during their still relatively short life alongside the likes of The Blackout, William Control, Fei Comodo, Shadows Chasing Ghosts, Polar, Evita and Blitz Kids let alone their previous release bringing strong and positive responses their way. Wolves are a band you do not forget in a hurry or want to. They do not make it an easy experience at times to share their company but always it is a fully intriguing and ultimately rewarding one. Releasing the Alpha Beta Omega EP in February the band took no time in writing and working on its successor Cycles. With four songs in the words of drummer Tom Williams which are ‘…based on the concept of human issues and struggles’, the band entered Orange Sound Studios in Penmaenmawr at the end of May to record in just two days the EP in its entirety. That drive is openly found on not only this release but the previous one too, the band determined yet controlled in forging their intent whether in ideas, sound, or its realisation for us.

The track Divide opens up the fury and is instantly a wonderful collision of crushing riffs, antagonistic rhythms, and vocals steeped in an even deeper well of venom, spite, and angst than seen before from the band. The song has a sheer hardcore punk attack which offers something different straight away from the band, the song rampaging like an aural rioter fuelled by rage and despair upon the senses. The track in mid torrent suddenly moves into a crawl of thick emotive energy which not quite doom or sludge sounds offers some of their tendencies before once more returning a storm of intensity through the ear. Ad Robinson is as uncompromising as ever but with the added diversity to his vocal attack through the unexpected aside brings something as agreeable and inventive as the coarse assault around him.

As second song Courage Breaker draws up on an excellent heavy steeled bassline from Ben Peers one is drawn like a magnet headlong into the following gale of corrupting riffs and electrified gashes of sound from guitarist Dan Hallows. It is glorious and leaves one breathless within moments allowing the song to permeate every atom with its rape of withering sonic manipulations and relentlessly jabbing beats. By this point one realises the band has sent the melodic side of their sound to its room like a naughty school boy. It is there toning the atmosphere of the songs but in a more inspiring than direct way, the tracks almost bruising the still defined emotive and evocative side of their music into realisation. It is an outstanding new approach and shows that whether their sound works for you or not, Wolves is extremely adept in their songwriting and for a band so young that only inspires greater anticipation for where they can evolve to.

Third song has the very apt title of Linger, its crawling venom and intense black breath remaining within past the song departure. Opening on a pulsating bassline accompanied at times by drums coming to the boil it is a haunting and ominous beginning. As the near desperate vocals of Robinson scour the ears with unbridled passion in a corruptive and clean delivery, the song winds its way through the ear igniting thoughts and feelings before its emotional collapse and heart given nightmare. A song to challenge deeper than ever and one to reawaken shadows within each and every individual it is a masterful violation and malignant intrusion which rewards more and more with each play.

Cycles ends on the equally senses staggering Dead Weight, its initial serpentine stalking a scarring and dehabilitating pleasure which explodes into another punk outrage of violence given birth from the blackest resentment and energy. The evolving air to the song is again like Linger, fully immersive, venomous and just as irresistibly dangerous to sanity.

As much as the last EP left only acclaim on the breath Cycles almost makes it look lightweight in quality and power, it is that good. Wolves are still a secret to most but surely now the country will awake to their monstrous quality.

Cycles is released July 9th and will be available for free on http://wolvesuk.bandcamp.com

http://www.facebook.com/wolvesuk

RingMaster 06/07/2012

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Fly This For Me: Making Shadows EP

Bringing a much needed muscular invention to the genre of pop punk /melodic punk, UK band Fly This For Me unleash their debut Making Shadows EP to excite and enthuse the ear. Well crafted the four track release is brought with a punk hunger driven by an expansive rock energy and intelligence to incite not only an immediate strong impression but also formidable promise for the future.

Guildford based, Fly This For Me officially formed in the closing blinks of 2011, with members which have their seeds across the UK. Already with a sound on the evidence of the EP which is fresh and evolved beyond just infectious easy to swallow hooks and unbridled keen riffs, the quintet has persistently lit up stages shared with the likes of Blitz Kids, Feed the Rhino, Lost Boys, Marines, Eager Teeth, fiN, and POLAR. It has been a constant garnering of positive responses which with the national release of the EP on July 16th can only accelerate to greater heights and recognition. The release has already been preceded by the video/single Making Shadows taken from the EP released in April, the sparks of acclaim it inspired ready to burst into full flame with the unleashing of these four impressive songs.

The release leaps into view with the sparkling She Said, its entrance more subdued than rushed to make a warm invitation which is lined with stirring riffs and provocative melodic beckoning. Vocalist Tim Cowen instantly marks himself as an expressive and powerful aspect of the sound, his emotive lyrical delivery as appealing as the magnetic sounds around him. The guitars of Sean Kelly and George Rockett light the air with skill and invention to bring a full mesmeric body and incendiary atmosphere to the track. Standing somewhere between the likes of Alexisonfire, Mind Museum and a Foo Fighters/Hundred Reasons like combination, the song is a strong trigger to set the senses up for what emerges as even more satisfying pieces of songwriting.

We All Fall Down takes no time in winding the ear around its hard rock veins of power, the drums of Joe Balchin taking charge from the off whilst the bass of Hannah Greenwood ripples with an intensity which though not always as clearly heard as one would wish adds the depth to make the songs impactful and rounded. The song teases and badgers, twisting with further melodic manipulations from the guitars to fire up the emotions whilst the vocals are as earnest as their delivered content.

Title track comes next and amongst the other unmistakably great songs stands as the best. With a discovered urgency to its breath Making Shadows is a controlled riot with the raw and anthemic edge the best punk inspired songs always have. Fully contagious though again without offering the easy infection of simple hooks and easy to consume melodic candy, the track is a feast of energy, invention, and unreserved heart pleasing rock.

The closing Rock Bottom is equally striking with the band returning to a fuller rock body beneath the hungry air of the song. The track evolves within its wall to be as unpredictable as it is siren like, that infectiousness previously mentioned in full reign here though one more without resorting to the easy pick up lines of other less able bands and songs.

Making Shadows EP is a real pleasure which from its initial impressive introduction grows into a real gem the more one engages their time with it. The release also marks Fly This For Me as a band offering not only a bright and promising future for themselves but for UK rock music too.

www.facebook.com/FlyThisForMeUK

RingMaster 06/07/2012

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Interview with Tom Williams and Ben Peers of Wolves

In what has been an impressive wave of young extreme metal bands emerging recently one has stood out over most others. Welsh band Wolves since forming two years ago have lit up stages supporting some notable names as well as announcing themselves to a wider audience with an impressive two track release  and their excellent brand new EP Alpha Beta Omega. Wanting to know more about the band we had the pleasure of having drummer Tom Williams aided by bassist/vocalist Ben Peers answer some questions about Wolves and their new EP.

Hi Guys many thanks for talking to us.

Firstly can you tell our readers about Wolves and its members?

Wolves are Ad Robinson (vocals), Ben Peers (bass, vocals), Dan Hallows (guitar) and Tom Williams (drums)

How and when did the band begin?

Tom: I met the guys at the end of 2009 through knowing the same people, but really we got the ball rolling last year.

Is Wolves your first band or is there a musical history for you before this?

Tom: We’d all been in local bands before, but nothing that had really taken off. Wolves is pretty much the first thing any of us have done that’s actually moved from just playing at home to our mates

Coming from North Wales there is a strong pedigree before you to contend with, is this as much a negative as a positive with people making assumptions about you and your sound before hearing you?

Tom: There’s tons of great music around here, but it doesn’t really feel like we’re contending with anyone. We tend to get on with most bands we play with actually. I’m not sure what people assume before they see us, but we’ve had such a positive reaction away from home.

You sit in the post hardcore camp musically but have a definite depth and power plus an invention that leaves you spanning other genres too, what are the influences that have made the most impact on your music?

Tom: We all have different tastes, so I think there’s probably the old cliché of a “melting pot” of influences. I’m still not really sure if we’re “post-hardcore”, to be honest. We do love bands like Alexisonfire, Underoath and Thrice though. They’ve definitely worked their way into our sound.

There has been an abundance of similar veined bands appearing in the UK over the past 12 months or so, what is it in your music that makes you stand out do you believe over most others?

Tom: I think we’re probably the least equipped to answer that, haha! I’d like to think we keep enough distance from trends; there are quite a few standards which I think we don’t really fit in. Our aim is still the same though – we just want to write noisy emotive music.

You have just released your excellent Alpha Beta Omega EP; a release we said was not an easy ride for the senses and emotions but a deeply rewarding and satisfying violation at the same time. What is the initial thought when writing a song, to annihilate and make us suffer or to leave us whimpering down on our knees haha?

Tom: Thanks for your support! The aim, really, is to make ears bleed. We want to be responsible for more A+E visits. The NHS hates us.

Seriously though what fuels your songwriting initially?

There isn’t really an initial thought or plan, everything just comes together as we jam. The only preparation we make is coming up with a loose theme or concept. That normally leads to the songs being able to connect better, so hopefully it stands as a body of work.

How does the songwriting work within the band generally?

Tom: We’re very collaborative. Nobody really comes in with any ideas ready or preconceptions; we just play, and things develop from there.

Your formidable lyrics are on the whole angry, combative and provocative, what is the main spark and inspiration for them.

Tom: I think people mistake us sometimes for being political; we’re really not. We’re just trying to write about human struggles, things we’re going through as well as things we’re engaged in on a larger scale. There’s definitely some fury directed, but it’s still kinda vague.

You have shared stages with the likes of The Blackout, William Control, Fei Comodo, Shadows Chasing Ghosts, Polar, Evita and Blitz Kids since forming. What has been the highlight gig wise so far and how much does watching other bands like this impact on your stage and song craft?

Tom: For me it’s playing at venues like The Roadhouse in Manchester and The Sugarmill in Stoke, to appreciative audiences. I always see watching other bands as a bonus. We’ve made some amazing friends and been massively inspired along the way.

Any shows that have not gone to plan for you i.e. disasters haha, as these can equally benefits a band in so many ways in the future.

Tom: They happen now and then. No matter how much you prepare, when things go wrong, you’re never ready. Some of our most chaotic gigs have been the messy ones though, so it’s not always a bad thing…

Ben: For me it was the last show at Retro Bar. My bass cut out continuously and by the time we got half way through the set I gave up completely, picked up a mic and screamed my lungs out along with Ad for the remainder.

Tom: It was actually really cool

Back to the EP, is there a moment on it that gives you the biggest pride or glow?

Tom: I can’t even listen to it. I really hope people like it, and I’m happy with the response, but I struggle being enthusiastic about it. The other guys are much better at that. It’s not that I don’t like it; I just think it’s difficult to have a decent perspective on something you’ve been so involved in.

Alpha Beta Omega is the follow-up to Adrienne-Lynn / Tongue Tied of last year and both releases bring your live power and intensity to the fore. How have you managed to do that so successfully where other bands seem to lose that quality?

Tom: I’m still not really convinced we have, to be honest. That’s always the goal though.

On the new EP the vocals of Ad are a wonderfully mighty growling and at times gruelling venomous attack on the senses which is a perfect companion to your sounds but on the song Collapse you add clean vocals too, is this aspect one you are looking at bringing in more often in the future?

Tom: I don’t think so. If there’s a place for it then we’ll definitely add it in, but we wouldn’t make a conscious decision to include more. So we may as well wave goodbye to radio.

On a great many similar genre releases the aggression and intensity over powers the individual  spice and skill of band members coming through but Alpha Beta Omega is openly generous and effective in that department. Who is behind the mix and production side of the release and how much input as a band did you have in the final sound?

Tom: Thank you. A guy called Gavin Brady recorded and mixed it for us. We had a say on the sound – there were lots of things he would’ve preferred to do differently, I think. But, to be fair, he followed everything we asked. Can’t ask for more than that.

What is next in the planned domination of the UK by Wolves?

Tom: We’re going to become MPs. Failing that, we’ll start the next riot.

Really though, we’re working on our second EP at the minute, then we’ll be back playing as many shows as possible again.

Thanks so much for sharing time to answer our questions and good luck with the EP.

Would you like to end with some words for your fans and all of those sure to become such after listening to Alpha Beta Omega?

Tom: Thanks for listening, we really appreciate it and hope you get something out of it.

And finally give us a song or band that you have a keenness for which one would not expect from listening to you music.

Tom: We’re all massive Celine Dion fans.

Ben: Imogen Heap. No joke…

 

Read the  Alpha Beta Omega EP review @ http://ringmasterreviewintroduces.wordpress.com/2012/03/29/wolves-alpha-beta-omega/

The RingMaster Review 06/04/2012

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Wolves: Alpha Beta Omega

The new EP from UK post hardcore band Wolves smacks one right between the eyes with a devilment and aggression that is to be admired if not feared. They hold nothing back in their determination to leave senses buckling and gasping for life beneath their intensive testing and blistering aural manipulations. Alpha Beta Omega is no easy ride, it gives or shows no mercy in its thunderous violation but stand tall before its might and look within the coarse intensity and the rewards are very satisfying.

Formed in 2010, the quartet from North Wales have shared stages with the likes of The Blackout, William Control, Fei Comodo, Shadows Chasing Ghosts, Polar, Evita and Blitz Kids, impressing along the way with their far reaching intrusive sounds. So far our words give the impression it is all destructive intent but within their obliterating creations the band infuse some equally stirring acidic melodic invention, catchy grooves, and thoughtful composing that lies beneath the initial thunderous assault on the ear eagerly waiting to be discovered. Alpha Beta Omega is the follow-up to the 2011 two track release Adrienne-Lynn / Tongue Tied and with the luck all bands need could and should see Wolves becoming the name of the lips of a great many more.

The band are sneaky little tykes, the opening instrumental We Are The 99 % mesmerising the ear with nicely crafted emotive melodies and a subdued power that even with its building crescendo leaves one unprepared for the full onslaught of the following Buried. The song throws clawed riffs at the ear scarring flesh as the rhythms of drummer Tom Williams penetrate around them. The coarse shouts and growls of Ad Robinson fly with venom and great effect adding to the uncomfortable yet compelling consumption. The bass of Ben Peers comes at the listener with meaty paws swiping out with muscular pummelling riffs and belligerence. At its close a quick breath is grabbed before the EP continues the corruption.

Feral dominates just as fully as its predecessor, its tight cutting groove flipping the bird as it twists and stretches its prey with glee. Slowing to a stalking pace the song is as predatory as the band name and soon leaps upon its victim with further high energy and finely crafted unrelenting sounds.

Surviving that leaves one feeling bolder but the best song on the release soon leaves you in no doubt who is in charge. The title track is immense, from its ravenous bass riffs which rub the senses up the wrong way through to the guitars of Dan Hallows and their scorched provocative grooves and acidic melodies which leap like salt onto the open wounds, the song is majestic. The bass is the highlight, a malignant foe for the ear but everything clicks perfectly on the song and it is worth investigation of the release on its own.

When Money Speaks, The Truth Remains Silent offers a formidable challenge for top honours, the song persistently niggling and thrilling. Veering from rampage to simple torrential rage it is a pleasure to fall beneath the maliciously stomping charge of the song.

Alpha Beta Omega closes with Collapse, an emotive part ballad part expulsion of bottled up angst. The song is fine but shows the only less effective part of the release and in a way the band. Robinson is an excellent coarse delivery aggressor and decent semi smooth vocalist but he has yet to find a way to bring a clean vocal that is to the standard of the rest of his and the bands skills. It is a small aspect of what is an excellent release but it is noticeable though one can feel and hear it is something that is being worked on.

Wolves are a band on a quick rise something the impressive Alpha Beta Omega will only accelerate. The time to join the ride is now before there is a queue for the attentions of what could be one of the mightiest post hardcore bands to come out of the UK yet.

http://www.facebook.com/wolvesuk

RingMaster 29/03/2012

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