Steamrollering the senses with a tsunami of ravenous riffery and adrenaline charged predation, Indian thrashers Chaos reinforce the fact that the band’s homeland metal scene is one of the most exciting adventures to be explored with debut album Violent Redemption. Eleven tracks of insatiable high octane thrash metal brought with hungry craft and contagious energy, the Trivandrum, Kerala hailing quintet ignite the ears and passions with a blaze of old school/Bay Area thrash ferocity. Whether there is much new going on with their first full-length can be debated but for full-on impressive and exhilarating metal, band and release are simply scintillating incitement.
Rampaging around India for around a decade without finding that opening to wider recognition beyond their home borders, Chaos has earned a strong reputation and following in their underground scene. Their first demo EP in 2009, also called Violent Redemption marked the band out as an intensive force but with their album you feel, with that bit of luck and fortune all bands need, a widespread awareness is poised to envelop their thrilling confrontation. The double award winning band cast their sound with a thick influence from the likes of Slayer, Kreator, Pantera, Megadeth, Metallica, Iron Maiden, Motherjane, Anthrax, and Testament in its voracious hunger and intensity. You can hear much of those flavours throughout the album which raises the lack of originality question to proceedings but used as a broad and inventive swipe in their enterprise, Chaos turns the familiarity into an addiction forging weapon in their creative armoury.
The opening atmospheric intro Ungodly Hour is a haunting and sinister embrace giving little away to newcomers of what is to be unleashed. The wait to find out is minimal though as barely a minute later Torn thrusts its muscular presence through the ears, riffs gnawing waspishly on the senses whilst rhythms punch and jab with precision and controlled rabidity. It is an immediately tempting assault, one soon energised further by the excellent vocals and melodic sonic endeavour searing the walls of the rapacious provocation. Neck muscles do not take long to start aching from the intensive response to the song’s virulent lures whilst emotions are enflamed by the anthemic call and unbridled contagion of the track.
The immense start is instantly backed up by both Game and War Crime, the first a snarling beast of a track with explosive rhythmic jaws clamping down hard on the senses for the riffs and sonic adventure which breaks out to savage and score the imagination respectively. Three hungry minutes of prime energised thrash stalking, the song is a mouthwatering tsunami of intent and intensity matched by the equally raucous and infectiously fuelled second of the two. The almost whining essence to the grooves and riffs licks the passions into a feverish appetite whilst rhythmically and vocally the band just incites further greed for more of the same. As with most songs the solo design is striking and unpredictable whilst at times testing the limits of its place in the larger scheme of the track. Chaos though has the intelligence and ingenuity to merge it all into a narrative which rips attention and affirmation from the emotions its way each and every time.
Saint pounds and stalks the ears with a low swinging swagger littered with irrepressible grooves and uncompromising beats. The group calls behind the again excellent delivery of vocalist JK soak the track in another almost call-to-arms temptation whilst the bass groan is a wonderful dark menace within a weave of melodic flames and sonic invention. As across all songs though it is the thrash sculpted stomping which steals an unreserved submission to what is on offer, a potent bait replicated throughout Violent Redemption in individual incendiary guises such as that of Heaven’s Gate, a song which steals the passions with an enthralling blend of Anthrax like revelry and Rob Zombie bred devilry with more than a whisper of Motherjane to the melodic craft and elegance which has its say too.
Blacklash and Merchant of Death keep the dosage of high quality and intensively persuasive thrash enterprise hectically consuming the senses, the first with a breath-taking Metallica meets Down vivacity and the second through a creative maelstrom which seduces and gnaws the ears simultaneously whilst twisting in some of the most imaginative ideas and exploits on the album. Both leave that early hunger slavering whilst the esuriently riffing Self Deliverance and the outstanding and blistering imaginative storm of Cyanide Salvation send it and passions into a new lustful satisfaction.
Completed by its title track, a furious unbridled juggernaut of thrash antagonism, Violent Redemption is an unashamed and exhaustive furnace of old school thrash. Putting aside the very slight issue of not offering anything truly new, Chaos has unleashed an album which does everything right and to the most virulently contagious levels. It is up there with the best genre releases over the past twelve months or so but we would suggest leads the way in providing the strongest pleasure and thrills. It is exceptional stuff with go check it and Chaos out our parting recommendation.
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