Project Silence – One Way To Hell

PS

    Project Silence is a sonic and invasive scourge from Finland which ignited a lasting passion and hunger in us for their presence through the album 424 which unleashed its extreme toxicity last year. The album was brawl of intense promise which shared a brutality and bewitchment that overwhelmed and seduced the passions. The band now return on December Friday 13th with new single One Way To Hell, a two track creative fury which confirms all of the intensive promise and stature of the previous release whilst stretching the band’s imagination and abrasive qualities even further.

Hailing from Kuopio, the band was formed in 2008 as initially a solo project of Delacroix (vocals, programming, keyboards),  who began brewing up a distinct dark aggressive design from ferocious essences bred in the likes of industrial metal, dark electro, trance, aggrotech, and black metal. A demo emerged soon after the project was unveiled followed to relative success by the single Voices the following year. 2012 saw the line-up of Mr. Sanderz (guitar), J (guitar), Silve R (drums), and Sturmpanzerjäger (bass) alongside Delacroix before debut album 424 was uncaged on the world to strong responses from fans backed by equally enthused critical acclaim from within the underground press alongside radio play on shows like The Bone Orchard at Audioburger.com. The experimental muscular confrontation of the new single takes the heights set by the album not maybe to new plateaus but certainly to intriguingly different and just as impressive corrosive adventures.

One Way to Hell emerges from an enveloping sonic mist; one soaked in menace and brewing industrial toxicity speared by one way to hell coverincreasingly intimidating beats and an asylum bred laugh. As soon as it has comfortably coaxed attention and intrigue from its recipient the band expels a squall of heavy duty rhythms and equally muscular riffs stalked magnetically by the shadow dwelling keys and malevolent vocal growls bred in even darker places. The track does not go for the jugular but instead bears its full weight upon the senses to immerse the whole of the listener and thoughts within a bruising and merciless yet seductive pestilence. With a deceptively contagious chorus and a just as virulently tempting swagger to its stride, the song initially does not make the same immediate impression as many tracks on the album did but with startling imagination and twists, like the excellent full stringed almost folky lure crafted by the guitars, the encounter evolves and increases its persuasion through its first and definitely across multiple returns. It is a slow burner in many ways but soon finds the flint to spark an enthusiastically hungry appetite for its bold adventure.

The track is accompanied by Death and Madness, an onslaught which carves a swifter impact on and submission from the passions to reinforce the thrilling potential and striking evolution of sound as presented in One Way To Hell. Production is less precise and clean on the second track which only adds to the throaty lure offered by the bass and mutually predacious guitar riffs punctured by just as threatening rhythms. Coursing with infection dripping grooves and rabid hooks, as well as dangerously alluring melodic seducing from the keys, the track is an epidemic of incendiary pestilence and destructive enterprise woven with threads of wanton beauty and classical elegance. Masterful and creating an even greater creative alchemy than its impressive co-provocateur, the song is a towering predator and excuse for all newcomers to check out the uncompromising might of Project Silence.

https://www.facebook.com/projectsilenceband

8.5/10

RingMaster 11/12/2013

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The Black Ink – Tangerine

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There is a sublime essence to Tangerine the new single from UK rock pop band The Black Keys which continues to seduce long after the song has left the senses, a spellbinding breath that lingers as it engulfs thoughts and emotions. It is a potent weapon for any song to have and within a track as impressively sculpted as this from the London quintet it is a mesmeric enticement matching the equally riveting sounds.

Consisting of the elegant falsetto vocals of Nik Ledgard and the darker tones of Matt Lintott, the band instantly captures the imagination as the two balances and immerses their voices within a sound with more flavours and textures than one of the capital’s Michelin starred restaurants. The recipe is expanded by blues guitarist Mark Thorne (ex-Hares, Babeshadow), bassist Dave Wademan, and drummer Pete Bembridge, the five piece conjuring a presence and caress which leaves a hunger and lustful want for much more, certainly on the evidence of Tangerine.

The single tantalises from its opening note, the guitar teasing as it beckons the listener into an emerging stroll framed by sturdy rhythms and a great dark sexy bassline. The vocals instantly take a hold, both deliveries living up to the build-up on the accompanying promo sheet and then laying down an even greater persuasion as the song wraps its tender yet sinewy arms around ears and imagination. There is a definite Queens of the Stone Age feel to the song but also at certain moments it inspires thoughts of Spirits of the Dead and Beck amongst others within a sound ultimately unique to the band.

Tangerine is an exceptional seducing of the emotions from a band on a definite accelerated rise. With The Black Ink providing two songs for the soundtrack of new British comedy Almost Married which is due for release early 2014 and features Emily Atack (The Inbetweeners) and Philip McGinley (Game of Thrones, Prometheus), as well as the video for Tangerine to be on the credits of the film, this band is swiftly earning vibrant and keen attention from a great many which you suspect will continue for a long time to come.

https://www.facebook.com/TheBlackInk

9/10

RingMaster 02/12/2013

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Jet Pack – Heat Of The Moment

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Reinforcing the success and presence of their recently released Chasing Sunsets EP, UK alternative rock band Jet Pack have added to its impressive persuasion with new single Heat Of The Moment. The second to be taken from their acclaimed EP, the track even away from the wrapping of its initial very potent appearance, leaves appetite and expectations for the band’s presence and future high and eager.

The Cheltenham quartet of vocalist/guitarist Dennis Cook, lead guitarist Paul Roberts, bassist Richard Beattie, and drummer Sam Haskins, came together in university and took little time but plenty of energy in sharing their melodic rock invention, shows alongside bands such as Hype Theory, General Fiasco, Attention Thieves, and Hildamay marking the way as well as acoustic slots supporting Blink 182, City and Colour, and Biffy Clyro. Chasing Sunsets has certainly taken awareness of the band to another level countrywide which you can only assume the single will give another dose of adrenaline to.

Heat Of The Moment makes a restrained yet fiery entrance, guitars coaxing out evocative melodies whilst the beats of Haskins punctuate their narrative with firm punches. The vocals of Cook make a smooth and expressive narrator for the lyrical emotion and with the great throaty tone of Beattie’s bass tempering the elegance and flaming invention of Roberts, it all combines for a smouldering slice of emotive pop which impresses and grows stronger with each impacting caress. Soaked in hungry but respectful intensity and melodic enterprise, the Matt O’Grady [You Me At Six, Deaf Havana] produced song is an appealing simmering temptation.

Accompanied by a directed Ant Thornton video and followed by a string of dates with Conduit, The Heat of the Moment confirms Jet Pack as one of the more promising and exciting melodic rock/pop bands to have emerged in recent times. We await the next unveiling from the band with keen anticipation.

https://www.facebook.com/wearejetpack

8/10

RingMaster 28/11/2013

Jet Pack Gig dates in December 2013

Thurs 5th – The Grapes, Stafford

Fri 6th – The Abbey Inn, Oldham

Sat 7th – The Derby, Barrow-in-Furness

Sun 8th – The Asylum 2, Birmingham

Mon 9th – The Golden Cross, Coventry

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Silhouettes – Gold Tag

Silhouettes

Silhouettes

Ahead of their debut album release early next year, UK indie electronic band Silhouettes unveil their new single Gold Tag. A rich magnetic call, the release easily tickles the taste buds and lights a smouldering fire of anticipation for the band’s upcoming debut album Ever Moving Happiness Machines, a teaser which suggests the upcoming full-length will be one to pay close attention to.

Silhouettes consists of Nathan Till (vocals, guitars), Jay Cuthill (samples, keyboards, production), Ben Blewitt (keyboards), and Xander Roberts (bass, vocals), the line-up expanding to a sextet for live shows. Formed in 2008 the band has earned a strong reputation for their live performances building a potent fanbase around home town of Wolverhampton and Birmingham. Their two previous EPs also drew good attention to the band but as their sound has evolved and shifted focus to a more enthralling electronic premise, the suspicion that Gold Tag and the subsequent album will take the band to greater recognition is unavoidable.

    Gold Tag opens with a sample of a child before guitars begin casting the air with simmering melodic drizzle, the crystalline rain mesmerising around electronic beats which punctuate their effect. It is a tantalising lure taken up numerous levels by the outstanding bass dance provided by Roberts, its tone throaty, bulbous, and contagious. As keys add their flavoursome potency the vocals of Till bring an expressive emotive spice which only goes to increase the temptation of the song. With the strong bass and rhythmic bait amidst melodies and hooks which infect the passions, there is a big feel of eighties indie pop band The Farmers Boys to the track, a suggestive spice that adds to the immense contagion. It is a masterful slice of electro and guitar pop merged into something attention seeking and winning.

The release comes with a longer version of the single, its added tail a hypnotic rhythmic fascination which does not bring anything majorly extra to the single but neither leaves it a lesser enticement, and an acoustic version of Creaking Universe, a song which shows the skilled craft of songwriting and presentation of Silhouettes. With references to the likes of M83, John Grant, Massive Attack, Bon Iver, Sigur Ros, and Radiohead placed around the band and that of Bukowski, Nick Cave, and Matt Berninger of The National to the lyrical side of the band, Silhouettes is a rising presence and attraction which has taken another potent step through the Integrity Records released Gold Tag, a single well worth investing time in.

http://silhouettesmusic.net/

8/10

RingMaster 25/11/2013

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The Vitamins – El Santo Vs. Los Vitaminas / Look After Me

The Vitamins pic

With the release of debut single Keys To The Limousine, UK rockers The Vitamins introduced themselves in fine style and as one rather boisterously potent emerging force. The two track release was an eager and feisty blaze of primal rock ‘n’ roll, a pair of songs which brewed a heady exciting mix of blues, garage rock, and muscle. Proving it was no flash in the pan the Bury St. Edmunds trio return with the AA sided single El Santo Vs. Los Vitaminas / Look After Me, a pair of riots sure to accelerate the growing fanbase seeded by its predecessor.

Formed in 2011 and consisting of vocalist/guitarist Dick Phillips, bassist Ollie Swift, and drummer Neil Baldwin, The Vitamins continue their enterprising arrival on British rock with another couple of heavyweight and flame driven sonic endeavours. The 

644114_474853499280476_448366875_nsingle takes little prompting to seize ears and attention as El Santo Vs. Los Vitaminas flies at the imagination with its Mexican wrestling tale and challenge, the bruising intensive bass of Swift instantly pressurising the senses alongside the coarse and acidic riffs of Phillips. It is an incendiary engagement from the first note spiked by the punchy raps of Baldwin which has little difficulty in exciting ears and emotions. The vocals of Phillips backed by great band garage punk harmonies are as equally discord and scuzz coated as the sounds around them , the result a song which has a Stooges like punk blaze to its breath and Led Zeppelin seeded sinew to its hunger.

Look After Me is a different beast from the same inventive litter of thought and intent. It opens with a stomping keys crafted incitement soon joined by a glorious glam rock like burst of guitar. It offers a seventies rock spice which lingers throughout the track as the vocals jog keenly with their narrative and persistent rhythms forge an almost metronomic heartbeat and lure for the song. The guitar of Phillips also fires up its imagination across the expanding stroll of the song whilst the ridiculously infectious presence of the track provides slavery for the passions. It is a delicious stomp of pop rock and blues kissed garage punk and the best thing the band has conjured yet.

You sense there is no stopping The Vitamins as both El Santo Vs. Los Vitaminas and Look After Me make a compelling and irresistible persuasion and that it is just the appetiser to greater things ahead. Anticipation is already breeding impatience…

http://www.thevitaminsband.co.uk

9/10

RingMaster 21/11/2013

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The Creeping Ivies – What Would Joey Ramone Do? /Ramona Wolf

The Creeping Ivies

Continuing to provide a raw pleasure and sound which no-one else seems able to come near, Scottish garage rockers The Creeping Ivies unleash their next seductive persuasion with the double-A-sided single What Would Joey Ramone Do?/Ramona Wolf. The duo from Dundee of vocalist/guitarist Becca Bomb and drummer Duncan Destruction create a brew seeded in fifties rock ‘n’ roll, sixties garage rock, and seventies punk which they force through a scuzz lined filter of noise rock to make one of the most challenging and refreshing encounters around. This alchemy has already recruited a legion of ardour driven fans through the Ghost Train EP and debut album Stay Wild, and with the ever evolving sound and potency found on the new single The Creeping Ivies has set another deliciously scarring marker and plateau for themselves to erupt from.

What Would Joey Ramone Do? is an irresistible conjuration of Gene Vincent, The Ramones, and The Cramps with Becca a2278793946_2producing her finest Wanda Jackson strength and charm. Her guitar strokes equally spark an always eager appetite for the band into the usual hungry reaction, a want increased by her raw Cochran/ Poison Ivy Rorschach like guitar sound which rubs the senses and emotions into a delirious expulsion of emotions whilst the crisp thumping beats of Duncan lead the body into a kinetic dance. The groove of the song is out of the Road To Ruin songbook but with its caustic kisses and sonic intrusiveness it is a temptation unique to the pair.

Second song Ramona Wolf emerges from a sonic lure, its beckoning leading the ears into a glorious wall of acidic riffs, even paced punchy rhythms, and a cavernous atmosphere speared by an intermittent senses scrubbing causticity of guitar. The vocals of Becca ride the sound with the skill and toxicity of a temptress, a sorceress like enchantment washing every syllable expelled through the chilled ambience of the song. The encounter is a bewitching soundtrack to the sirenesque call of a devil witch from outer space, well the narrative to another ridiculously addictive song from The Creeping Ivies but that is pretty much the same thing right?

The Creeping Ivies just get better and better as What Would Joey Ramone Do? and Ramona Wolf both show and with the band’s second album Ghost World expected early next year anticipation and excitement are already showing some impatience in the wait.

http://thecreepingivies.com/

10/10

RingMaster 14/11/2013

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Allusondrugs – MyCat/Fruit

Allusondrugs

Providing a sultry tease which toys with and triggers the passions, UK alternative rock band Allusondrugs confirm and build upon the promise set by their debut release with the thrilling new double A-side single MyCat/Fruit. Two tracks of riveting fuzz lined vibrancy with a sinewy bass to hang it all upon the release is a further impressive step in the emergence of one refreshingly exciting band.

Hailing from Castleford in West Yorkshire, Allusondrugs formed in the autumn of 2012 and took little time in honing a sound which drew potent attention and acclaim through the quintet’s live performances locally.  Constantly spreading their presence especially through debut single Plasters, the band now stands poised to work upon the rest of the country with the new release and a tour across the north of the UK. Released as its predecessor via Clue Records, MyCat/Fruit is a magnetic feast of mischievous sound, one with a seductive embrace and a steely temptation.

    MyCat opens with a scuzz coated hand on the shoulder of the senses, an almost industrial caress rubbing attention into action a0975362780_2before thumping beats and electronic strikes punctuate its lure. It is a powerful invitation taken into irresistible climes when the track explodes with a stoneresque acidic groove and a heated intense vibrant energy. The harmonic vocals soon after instantly complete the virulent bait of the song as does the brief caustic explosions which equally grip the arisen appetite for the sounds offered; it is a riveting persuasion which has feet and emotions dancing and the imagination soaring. Across its impressive body the song sparks thoughts of Queen Of The Stone Age, The Pixies, and Hot Hot Heat, though there is something wholly distinct to Allusondrugs, a core which sets the song and them enjoyably apart.

The song also holds a shoegaze quality, if one with a want to devilishly bruise simultaneously and that essence makes a stronger tempting on Fruit. The song from a discord kissed single guitar beckoning stretches its arms with a grunge spiced stomp, riffs and rhythms a hungry recruiter of the passions. Settling into a compelling stride the track then taunts assumptions by smoothly slipping into a gentle melodic flight, a candescent passage bringing a mix of My Bloody Valentine and Felt into view before switching back and forth with the previous Foo Fighters like charge. It is a glorious slice of imagination, its persistently twisting and engaging adventure addiction sparking beauty and contagious feistiness united for a thoroughly scintillating encounter.

As the brilliant combination of MyCat and Fruit massages and riles up the passions it is hard not to anticipate Allusondrugs growing into and creating one of the more exciting and spellbinding presences within British rock over the upcoming horizons. We for one cannot wait…

MyCat/Fruit is released as a 100 strong limited edition CD and download

https://www.facebook.com/Allusondrugs

10/10

RingMaster 14/11/2013

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Horse Party – What Do You Need

This year has seen the riveting emergence of and ascending success for UK rock band Horse Party, one which simply continues with their new single What Do You Need. The two track release continues the trio’s capturing of the imagination with a blend of garage blues and indie rock, a sound which easily grabs attention and awakens a keen intrigue in their unique inventiveness. It also shows a different feel and expanse to their creativity to that on previous tracks as it continues the band’s now established presence and sound. Appealing and compelling, the single is another impressing persuasion adding further potent tempting for the band’s debut album Cover Your Eyes due early next year.

Hailing from Bury St Edmunds and formed in the September of 2011, the trio of drummer/vocalist Shannon Hope, guitarist/vocalist Seymour Quigley, and vocalist/guitarist Ellie Langley initially sparked attention with a track they made available for free download. From there support offers from Tunng, Dingus Khan, Vuvuvultures, and Tied To The Mast followed as well as a live broadcast via BBC Introducing from the new John Peel Centre for Creative Arts. Debut single Clarion Call made an even greater dent in the awareness of fans and media whilst its successor Back To Mono and the live Scarlet & Blue EP cemented and increased the stature of the band. What Do You Need is the next slice of persuasive enterprise from Horse Party and a rather convincing argument it makes too.

The Integrity Records released single takes a mere moment to awaken thoughts and eager anticipation as a single guitar laid bait HFwh1ETUc38L5egjrbheXeX6IPPYOPFw0yk9-2vkFo-lis soon punctuated with heavy beats and another equally alluring melodic guitar call. The vocals of Langley also do not wait long before adding their pleasing temptation to the easily engaging and enthralling lure of the song whilst a fiery glaze coats the raw crescendo of sound which surrounds the chorus, though it’s superb intensity and texture shows restraint around the verses for similar effect and success. There is a grungy feel to the track which arguably is less pronounced on previous songs but as it progresses towards its caustic but melodically seeded finale it provides a magnetic squall of scuzzy pleasure.

The song is accompanied by See Wider, an acoustic embrace upon the ear with a delicate breath to its sound and the great vocal charm. The song simply smoulders with melodic beauty, its depth and craft an increasingly irresistible enchantment the more time spent in its brief but warm arms. It is a glorious seduction, a tantalising persuasion which in many ways is a stronger ignition for the passions than the lead song.

What Do You Need does not reach the levels of certainly Back To Mono but still shows Horse Party as one of the more exciting and adventurous bands to emerge over recent months. Their album simply cannot come soon enough.

www.horsepartyparty.co.uk

http://horsepartyparty.bandcamp.com/

7/10

RingMaster 09/11/2013

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Haarts- Article Way

Haarts pic

Making their debut with first single Article Way, UK indie rock band Haarts present themselves as a rather enterprising and intriguing proposition, one with a magnetic presence soaked in rich promise. The single is a dramatic entrance though one which seduces rather than demands attention with the result ultimately the same, full persuasion. It is a potent encounter, one which places the band firmly on the radar.

Article Way is the first of a trio of singles to be released and is an impressive start for a band whose founders met at secondary school. Since starting the Lake District hailing quartet has built a strong local reputation for their live performances, shows which has seen the band regularly playing 100 minute live sets in pubs and clubs. Their sound is a dark but vibrant form of indie rock, its brooding tones musically and vocally reminiscent of Editors but fuelled by a refreshing energy which sets the band out from most. Produced by Bryan Wilson, the single leaves a very healthy appetite for the band in its wake and a hunger for their upcoming releases.

The opening sharp shard of guitar instantly brings Article Way into focus especially when the expressive baritone vocals of Phil Hampson join the welcoming embrace. Shadows are soon infiltrating the crystalline breath of the song through the heavy bass and rhythmic caging of the drums but equally as it expands the track unveils an acidic melodic elegance and tempting which fires up the emotions. The body of the song is cavernous, offering a deep expanse of emotive resonance around the thumping heart of its declaration and almost exhausting climactic atmosphere. It is an enthralling provocation of the imagination and an immensely pleasing lure into the band for thoughts and passions.

Though only one song, Article Way suggests that Haarts is an emerging presence with extremely potent horizons ahead of them, roll on the next single…

http://www.haartsofficial.com/

9/10

RingMaster 09/11/2013

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Common Tongues – Beasts

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UK indie folk band Common Tongues continue to impress with their releases and now look at the end of the year with another thoroughly enjoyable single. Beasts is a magnetic little slice of melodic enticement, a song which reinforces all the good work built through previous unveilings and confirms the rising stature of the Brighton band.

From the release of their outstanding debut, the Jumping Ships single of 2011, Common Tongues has grabbed the imagination of fans and media alike across their live performances and releases. 2013 though has been their biggest year to date, the Solitary Thinker single starting it off in impressive style. The band built on that with critically acclaimed performances at the Secret Garden Party and Cambridge Folk Festival, as well their own successful shows and recently playing support for The Villagers. Now Beasts ensures the year comes to a pleasing close for the band and their fans.

An emotive ambience spreads around the ear at first instantly joined by the impressive vocals. It makes a compelling introduction to Beasts, a start which is enhanced by the slow dark call of the bass and gentle vocal harmonies, both eager yet restrained. With keys and guitars stepping forward with a suggestive breeze and country twang respectively, the song is soon filling the imagination and emotions with a mesmeric array of small but distinct twists and musical turns within a folk bred enterprise. The song never erupts into the festivities hinted at but just tenderly coaxes the senses and passions to enlist in its magnetic persuasion.

Beasts is a fully enticing treat, maybe not the strongest release from the band but one which continues with strength the impressive fascination of Common Tongues.

http://www.commontongues.co.uk

7.5/10

RingMaster 09/11/2013

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