Naked Lunch – Glow

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UK electric rock provocateurs Naked Lunch continue their impressive return with another delicious temptation of electronic enterprise and electro punk seduction through new single Glow. Since reforming in 2012, the band renowned as one of the most influential and provocative founders of UK’s electronic rock scene even in their relatively short presence originally, has already stirred up keen nostalgia and ravenous new adventure with their previous singles Alone and Slipping Again, Again earlier this year but Glow takes things up another step as the band’s most potent moment yet.

Consisting of band founder vocalist Tony Mayo with original members Mick Clark and Cliff Chapman alongside Paul Davies who was in one of the band’s earlier line-ups, and newest members Mark Irvine and Jet Noir, Naked Lunch have easily fitted in with the deeper wealth of electronic bred sounds and genres flirting with the ears today. Having been one of the original starting sparks to the scene way back in 1979, it is not unfair to wonder if the London sextet would struggle to rise above the constant flood of bands and numerous deviations spawned from that original eighties seed of electronic imagination. Their first pair of singles certainly dispelled any doubts whilst Glow shows and suggests there is real potential for the band again to inspire thoughts and sounds of those to come after their shadow.

The single opens with a dazzle of electronic spotlights sparkling within a brewing melodic ambience, an opening caress soon joined by pulsating beats and the grizzled tones of Mayo. It is an absorbing collusion of melodic beauty and the sinister menace of vocal expression, an instant recruitment of the imagination which is licked further into life by the seductive backing support of Jet Noir and the expanding exploratory keys and guitar. The song is a web of enticements and enterprise, never veering from its course but colouring the landscape with magnetic and smouldering creative radiance. The scything strokes of guitar and resourceful synth invention entwine to also enslave the senses from start to finish and with loud whispers of Yello and more so Landscape to the unique voice of the song, it is pure addiction making contagion.

The single also comes with two remixes, the first a riveting interpretation from Farmacia bringing a darkly flowing sinister breath to the track and the second an expansive techno version provided by Technomancer. Though neither matches the original, both and the first of the two especially, crafts a new pleasing facet to the songwriting and composition of the song.

Glow is Naked Lunch on a pinnacle, debatably their loftiest since day one many decades ago and another reason why it is easy to assume the band will be again leading new bands and artists into musical temptations to embrace and help fuel their own invention.

http://nakedlunch.org.uk/

9/10

RingMaster

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Sawsound – Dreamcatcher

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If Sawsound is a band yet to cross your radar then there is no better time to discover their intriguing and compelling inventive intent and sound than by launching yourself at their latest single Dreamcatcher. The track is a breath-taking blaze of experimentation within an imposing heavy rock frame which captures the imagination from its first breath and leads it on a heady blaze of invigorating and inciting intensive alchemy. Released digitally this past September but with an impending re-release according to close sources in January (with one suspects a physical option), this is a release no one with a passion for bold ingenuity and exhausting imagination would be foolish to ignore.

Formed in 2009, the Leeds quartet brings eclectic influences through its individual members into their ever searching invention. Brothers Simon (guitar/vocals) and Johnny Whitton (drums) infuse a love of heavy hitting sounds from the likes of Mastodon, Tool, and Metallica to the mix whilst Adam Greenhead (bass) offers spicery from his funk/groove style inspired by bands such as Radiohead, Primus, and Red Hot Chili Peppers. Add the Celtic seduction brought through the violin of Hana Piranha and you have as Dreamcatcher potently proves, a release which tantalises and incites the imagination as well as the passions with voracious charm.

The single in its first bare second is coaxing out eager attention as a singular guitar stroking is joined by a dramatically SawsoundDreamcatcherCoverevocative violin croon, it’s delicious melancholic bait extended into pure addictive temptation by the joining thunderous rhythms and continually swerving and teasing guitar enterprise. The vocals have a northern lilt which adds expression to every syllable whilst the passionate delivery skirted by great band harmonies at times, only coaches thoughts to delve deeper into the narrative and magnetic textures of sound. The track brings a sublime tempest of heavy melodic rock, persuasive folk, and alternative metal, to really simplify all the flavours at work, into an arresting expanse of unpredictable imagination and mouth-watering adventure. As fluid in shifting gait and attack as it is in merging a colour box of styles into its spellbinding sinewed body, the song is a towering suasion of songwriting and craft, as well as spectacular inventiveness.

The release also sees three remixes of the lead song, UK producer DuBoTs creating the Oblivion Mix, the Lucid Dream Mix coming from OnesNzeroS, and Pope offering up the Deadliest Catch Mix. All free pinpoint and focus on individual aspects which paint a new satisfying take on the stunning original with their own adventurous insight though to be honest none come close to the force and potency of the lead track.

Backed by an equally impressive stop-frame animated video created by Michelle Tylicki, a visual artist who Sawsound is helping to raise money for her pledge campaign to enable her to help rejuvenate depleted coral reef that has suffered under man’s impact, Dreamcatcher is an outstanding release from a band which takes creativity and expansive rock to new scintillating plateaus.

http://www.sawsound.co.uk/

10/10

RingMaster 11/12/2013

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Project Silence – One Way To Hell

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    Project Silence is a sonic and invasive scourge from Finland which ignited a lasting passion and hunger in us for their presence through the album 424 which unleashed its extreme toxicity last year. The album was brawl of intense promise which shared a brutality and bewitchment that overwhelmed and seduced the passions. The band now return on December Friday 13th with new single One Way To Hell, a two track creative fury which confirms all of the intensive promise and stature of the previous release whilst stretching the band’s imagination and abrasive qualities even further.

Hailing from Kuopio, the band was formed in 2008 as initially a solo project of Delacroix (vocals, programming, keyboards),  who began brewing up a distinct dark aggressive design from ferocious essences bred in the likes of industrial metal, dark electro, trance, aggrotech, and black metal. A demo emerged soon after the project was unveiled followed to relative success by the single Voices the following year. 2012 saw the line-up of Mr. Sanderz (guitar), J (guitar), Silve R (drums), and Sturmpanzerjäger (bass) alongside Delacroix before debut album 424 was uncaged on the world to strong responses from fans backed by equally enthused critical acclaim from within the underground press alongside radio play on shows like The Bone Orchard at Audioburger.com. The experimental muscular confrontation of the new single takes the heights set by the album not maybe to new plateaus but certainly to intriguingly different and just as impressive corrosive adventures.

One Way to Hell emerges from an enveloping sonic mist; one soaked in menace and brewing industrial toxicity speared by one way to hell coverincreasingly intimidating beats and an asylum bred laugh. As soon as it has comfortably coaxed attention and intrigue from its recipient the band expels a squall of heavy duty rhythms and equally muscular riffs stalked magnetically by the shadow dwelling keys and malevolent vocal growls bred in even darker places. The track does not go for the jugular but instead bears its full weight upon the senses to immerse the whole of the listener and thoughts within a bruising and merciless yet seductive pestilence. With a deceptively contagious chorus and a just as virulently tempting swagger to its stride, the song initially does not make the same immediate impression as many tracks on the album did but with startling imagination and twists, like the excellent full stringed almost folky lure crafted by the guitars, the encounter evolves and increases its persuasion through its first and definitely across multiple returns. It is a slow burner in many ways but soon finds the flint to spark an enthusiastically hungry appetite for its bold adventure.

The track is accompanied by Death and Madness, an onslaught which carves a swifter impact on and submission from the passions to reinforce the thrilling potential and striking evolution of sound as presented in One Way To Hell. Production is less precise and clean on the second track which only adds to the throaty lure offered by the bass and mutually predacious guitar riffs punctured by just as threatening rhythms. Coursing with infection dripping grooves and rabid hooks, as well as dangerously alluring melodic seducing from the keys, the track is an epidemic of incendiary pestilence and destructive enterprise woven with threads of wanton beauty and classical elegance. Masterful and creating an even greater creative alchemy than its impressive co-provocateur, the song is a towering predator and excuse for all newcomers to check out the uncompromising might of Project Silence.

https://www.facebook.com/projectsilenceband

8.5/10

RingMaster 11/12/2013

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The Black Ink – Tangerine

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There is a sublime essence to Tangerine the new single from UK rock pop band The Black Keys which continues to seduce long after the song has left the senses, a spellbinding breath that lingers as it engulfs thoughts and emotions. It is a potent weapon for any song to have and within a track as impressively sculpted as this from the London quintet it is a mesmeric enticement matching the equally riveting sounds.

Consisting of the elegant falsetto vocals of Nik Ledgard and the darker tones of Matt Lintott, the band instantly captures the imagination as the two balances and immerses their voices within a sound with more flavours and textures than one of the capital’s Michelin starred restaurants. The recipe is expanded by blues guitarist Mark Thorne (ex-Hares, Babeshadow), bassist Dave Wademan, and drummer Pete Bembridge, the five piece conjuring a presence and caress which leaves a hunger and lustful want for much more, certainly on the evidence of Tangerine.

The single tantalises from its opening note, the guitar teasing as it beckons the listener into an emerging stroll framed by sturdy rhythms and a great dark sexy bassline. The vocals instantly take a hold, both deliveries living up to the build-up on the accompanying promo sheet and then laying down an even greater persuasion as the song wraps its tender yet sinewy arms around ears and imagination. There is a definite Queens of the Stone Age feel to the song but also at certain moments it inspires thoughts of Spirits of the Dead and Beck amongst others within a sound ultimately unique to the band.

Tangerine is an exceptional seducing of the emotions from a band on a definite accelerated rise. With The Black Ink providing two songs for the soundtrack of new British comedy Almost Married which is due for release early 2014 and features Emily Atack (The Inbetweeners) and Philip McGinley (Game of Thrones, Prometheus), as well as the video for Tangerine to be on the credits of the film, this band is swiftly earning vibrant and keen attention from a great many which you suspect will continue for a long time to come.

https://www.facebook.com/TheBlackInk

9/10

RingMaster 02/12/2013

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Jet Pack – Heat Of The Moment

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Reinforcing the success and presence of their recently released Chasing Sunsets EP, UK alternative rock band Jet Pack have added to its impressive persuasion with new single Heat Of The Moment. The second to be taken from their acclaimed EP, the track even away from the wrapping of its initial very potent appearance, leaves appetite and expectations for the band’s presence and future high and eager.

The Cheltenham quartet of vocalist/guitarist Dennis Cook, lead guitarist Paul Roberts, bassist Richard Beattie, and drummer Sam Haskins, came together in university and took little time but plenty of energy in sharing their melodic rock invention, shows alongside bands such as Hype Theory, General Fiasco, Attention Thieves, and Hildamay marking the way as well as acoustic slots supporting Blink 182, City and Colour, and Biffy Clyro. Chasing Sunsets has certainly taken awareness of the band to another level countrywide which you can only assume the single will give another dose of adrenaline to.

Heat Of The Moment makes a restrained yet fiery entrance, guitars coaxing out evocative melodies whilst the beats of Haskins punctuate their narrative with firm punches. The vocals of Cook make a smooth and expressive narrator for the lyrical emotion and with the great throaty tone of Beattie’s bass tempering the elegance and flaming invention of Roberts, it all combines for a smouldering slice of emotive pop which impresses and grows stronger with each impacting caress. Soaked in hungry but respectful intensity and melodic enterprise, the Matt O’Grady [You Me At Six, Deaf Havana] produced song is an appealing simmering temptation.

Accompanied by a directed Ant Thornton video and followed by a string of dates with Conduit, The Heat of the Moment confirms Jet Pack as one of the more promising and exciting melodic rock/pop bands to have emerged in recent times. We await the next unveiling from the band with keen anticipation.

https://www.facebook.com/wearejetpack

8/10

RingMaster 28/11/2013

Jet Pack Gig dates in December 2013

Thurs 5th – The Grapes, Stafford

Fri 6th – The Abbey Inn, Oldham

Sat 7th – The Derby, Barrow-in-Furness

Sun 8th – The Asylum 2, Birmingham

Mon 9th – The Golden Cross, Coventry

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Silhouettes – Gold Tag

Silhouettes

Silhouettes

Ahead of their debut album release early next year, UK indie electronic band Silhouettes unveil their new single Gold Tag. A rich magnetic call, the release easily tickles the taste buds and lights a smouldering fire of anticipation for the band’s upcoming debut album Ever Moving Happiness Machines, a teaser which suggests the upcoming full-length will be one to pay close attention to.

Silhouettes consists of Nathan Till (vocals, guitars), Jay Cuthill (samples, keyboards, production), Ben Blewitt (keyboards), and Xander Roberts (bass, vocals), the line-up expanding to a sextet for live shows. Formed in 2008 the band has earned a strong reputation for their live performances building a potent fanbase around home town of Wolverhampton and Birmingham. Their two previous EPs also drew good attention to the band but as their sound has evolved and shifted focus to a more enthralling electronic premise, the suspicion that Gold Tag and the subsequent album will take the band to greater recognition is unavoidable.

    Gold Tag opens with a sample of a child before guitars begin casting the air with simmering melodic drizzle, the crystalline rain mesmerising around electronic beats which punctuate their effect. It is a tantalising lure taken up numerous levels by the outstanding bass dance provided by Roberts, its tone throaty, bulbous, and contagious. As keys add their flavoursome potency the vocals of Till bring an expressive emotive spice which only goes to increase the temptation of the song. With the strong bass and rhythmic bait amidst melodies and hooks which infect the passions, there is a big feel of eighties indie pop band The Farmers Boys to the track, a suggestive spice that adds to the immense contagion. It is a masterful slice of electro and guitar pop merged into something attention seeking and winning.

The release comes with a longer version of the single, its added tail a hypnotic rhythmic fascination which does not bring anything majorly extra to the single but neither leaves it a lesser enticement, and an acoustic version of Creaking Universe, a song which shows the skilled craft of songwriting and presentation of Silhouettes. With references to the likes of M83, John Grant, Massive Attack, Bon Iver, Sigur Ros, and Radiohead placed around the band and that of Bukowski, Nick Cave, and Matt Berninger of The National to the lyrical side of the band, Silhouettes is a rising presence and attraction which has taken another potent step through the Integrity Records released Gold Tag, a single well worth investing time in.

http://silhouettesmusic.net/

8/10

RingMaster 25/11/2013

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The Vitamins – El Santo Vs. Los Vitaminas / Look After Me

The Vitamins pic

With the release of debut single Keys To The Limousine, UK rockers The Vitamins introduced themselves in fine style and as one rather boisterously potent emerging force. The two track release was an eager and feisty blaze of primal rock ‘n’ roll, a pair of songs which brewed a heady exciting mix of blues, garage rock, and muscle. Proving it was no flash in the pan the Bury St. Edmunds trio return with the AA sided single El Santo Vs. Los Vitaminas / Look After Me, a pair of riots sure to accelerate the growing fanbase seeded by its predecessor.

Formed in 2011 and consisting of vocalist/guitarist Dick Phillips, bassist Ollie Swift, and drummer Neil Baldwin, The Vitamins continue their enterprising arrival on British rock with another couple of heavyweight and flame driven sonic endeavours. The 

644114_474853499280476_448366875_nsingle takes little prompting to seize ears and attention as El Santo Vs. Los Vitaminas flies at the imagination with its Mexican wrestling tale and challenge, the bruising intensive bass of Swift instantly pressurising the senses alongside the coarse and acidic riffs of Phillips. It is an incendiary engagement from the first note spiked by the punchy raps of Baldwin which has little difficulty in exciting ears and emotions. The vocals of Phillips backed by great band garage punk harmonies are as equally discord and scuzz coated as the sounds around them , the result a song which has a Stooges like punk blaze to its breath and Led Zeppelin seeded sinew to its hunger.

Look After Me is a different beast from the same inventive litter of thought and intent. It opens with a stomping keys crafted incitement soon joined by a glorious glam rock like burst of guitar. It offers a seventies rock spice which lingers throughout the track as the vocals jog keenly with their narrative and persistent rhythms forge an almost metronomic heartbeat and lure for the song. The guitar of Phillips also fires up its imagination across the expanding stroll of the song whilst the ridiculously infectious presence of the track provides slavery for the passions. It is a delicious stomp of pop rock and blues kissed garage punk and the best thing the band has conjured yet.

You sense there is no stopping The Vitamins as both El Santo Vs. Los Vitaminas and Look After Me make a compelling and irresistible persuasion and that it is just the appetiser to greater things ahead. Anticipation is already breeding impatience…

http://www.thevitaminsband.co.uk

9/10

RingMaster 21/11/2013

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The Creeping Ivies – What Would Joey Ramone Do? /Ramona Wolf

The Creeping Ivies

Continuing to provide a raw pleasure and sound which no-one else seems able to come near, Scottish garage rockers The Creeping Ivies unleash their next seductive persuasion with the double-A-sided single What Would Joey Ramone Do?/Ramona Wolf. The duo from Dundee of vocalist/guitarist Becca Bomb and drummer Duncan Destruction create a brew seeded in fifties rock ‘n’ roll, sixties garage rock, and seventies punk which they force through a scuzz lined filter of noise rock to make one of the most challenging and refreshing encounters around. This alchemy has already recruited a legion of ardour driven fans through the Ghost Train EP and debut album Stay Wild, and with the ever evolving sound and potency found on the new single The Creeping Ivies has set another deliciously scarring marker and plateau for themselves to erupt from.

What Would Joey Ramone Do? is an irresistible conjuration of Gene Vincent, The Ramones, and The Cramps with Becca a2278793946_2producing her finest Wanda Jackson strength and charm. Her guitar strokes equally spark an always eager appetite for the band into the usual hungry reaction, a want increased by her raw Cochran/ Poison Ivy Rorschach like guitar sound which rubs the senses and emotions into a delirious expulsion of emotions whilst the crisp thumping beats of Duncan lead the body into a kinetic dance. The groove of the song is out of the Road To Ruin songbook but with its caustic kisses and sonic intrusiveness it is a temptation unique to the pair.

Second song Ramona Wolf emerges from a sonic lure, its beckoning leading the ears into a glorious wall of acidic riffs, even paced punchy rhythms, and a cavernous atmosphere speared by an intermittent senses scrubbing causticity of guitar. The vocals of Becca ride the sound with the skill and toxicity of a temptress, a sorceress like enchantment washing every syllable expelled through the chilled ambience of the song. The encounter is a bewitching soundtrack to the sirenesque call of a devil witch from outer space, well the narrative to another ridiculously addictive song from The Creeping Ivies but that is pretty much the same thing right?

The Creeping Ivies just get better and better as What Would Joey Ramone Do? and Ramona Wolf both show and with the band’s second album Ghost World expected early next year anticipation and excitement are already showing some impatience in the wait.

http://thecreepingivies.com/

10/10

RingMaster 14/11/2013

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Allusondrugs – MyCat/Fruit

Allusondrugs

Providing a sultry tease which toys with and triggers the passions, UK alternative rock band Allusondrugs confirm and build upon the promise set by their debut release with the thrilling new double A-side single MyCat/Fruit. Two tracks of riveting fuzz lined vibrancy with a sinewy bass to hang it all upon the release is a further impressive step in the emergence of one refreshingly exciting band.

Hailing from Castleford in West Yorkshire, Allusondrugs formed in the autumn of 2012 and took little time in honing a sound which drew potent attention and acclaim through the quintet’s live performances locally.  Constantly spreading their presence especially through debut single Plasters, the band now stands poised to work upon the rest of the country with the new release and a tour across the north of the UK. Released as its predecessor via Clue Records, MyCat/Fruit is a magnetic feast of mischievous sound, one with a seductive embrace and a steely temptation.

    MyCat opens with a scuzz coated hand on the shoulder of the senses, an almost industrial caress rubbing attention into action a0975362780_2before thumping beats and electronic strikes punctuate its lure. It is a powerful invitation taken into irresistible climes when the track explodes with a stoneresque acidic groove and a heated intense vibrant energy. The harmonic vocals soon after instantly complete the virulent bait of the song as does the brief caustic explosions which equally grip the arisen appetite for the sounds offered; it is a riveting persuasion which has feet and emotions dancing and the imagination soaring. Across its impressive body the song sparks thoughts of Queen Of The Stone Age, The Pixies, and Hot Hot Heat, though there is something wholly distinct to Allusondrugs, a core which sets the song and them enjoyably apart.

The song also holds a shoegaze quality, if one with a want to devilishly bruise simultaneously and that essence makes a stronger tempting on Fruit. The song from a discord kissed single guitar beckoning stretches its arms with a grunge spiced stomp, riffs and rhythms a hungry recruiter of the passions. Settling into a compelling stride the track then taunts assumptions by smoothly slipping into a gentle melodic flight, a candescent passage bringing a mix of My Bloody Valentine and Felt into view before switching back and forth with the previous Foo Fighters like charge. It is a glorious slice of imagination, its persistently twisting and engaging adventure addiction sparking beauty and contagious feistiness united for a thoroughly scintillating encounter.

As the brilliant combination of MyCat and Fruit massages and riles up the passions it is hard not to anticipate Allusondrugs growing into and creating one of the more exciting and spellbinding presences within British rock over the upcoming horizons. We for one cannot wait…

MyCat/Fruit is released as a 100 strong limited edition CD and download

https://www.facebook.com/Allusondrugs

10/10

RingMaster 14/11/2013

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Horse Party – What Do You Need

This year has seen the riveting emergence of and ascending success for UK rock band Horse Party, one which simply continues with their new single What Do You Need. The two track release continues the trio’s capturing of the imagination with a blend of garage blues and indie rock, a sound which easily grabs attention and awakens a keen intrigue in their unique inventiveness. It also shows a different feel and expanse to their creativity to that on previous tracks as it continues the band’s now established presence and sound. Appealing and compelling, the single is another impressing persuasion adding further potent tempting for the band’s debut album Cover Your Eyes due early next year.

Hailing from Bury St Edmunds and formed in the September of 2011, the trio of drummer/vocalist Shannon Hope, guitarist/vocalist Seymour Quigley, and vocalist/guitarist Ellie Langley initially sparked attention with a track they made available for free download. From there support offers from Tunng, Dingus Khan, Vuvuvultures, and Tied To The Mast followed as well as a live broadcast via BBC Introducing from the new John Peel Centre for Creative Arts. Debut single Clarion Call made an even greater dent in the awareness of fans and media whilst its successor Back To Mono and the live Scarlet & Blue EP cemented and increased the stature of the band. What Do You Need is the next slice of persuasive enterprise from Horse Party and a rather convincing argument it makes too.

The Integrity Records released single takes a mere moment to awaken thoughts and eager anticipation as a single guitar laid bait HFwh1ETUc38L5egjrbheXeX6IPPYOPFw0yk9-2vkFo-lis soon punctuated with heavy beats and another equally alluring melodic guitar call. The vocals of Langley also do not wait long before adding their pleasing temptation to the easily engaging and enthralling lure of the song whilst a fiery glaze coats the raw crescendo of sound which surrounds the chorus, though it’s superb intensity and texture shows restraint around the verses for similar effect and success. There is a grungy feel to the track which arguably is less pronounced on previous songs but as it progresses towards its caustic but melodically seeded finale it provides a magnetic squall of scuzzy pleasure.

The song is accompanied by See Wider, an acoustic embrace upon the ear with a delicate breath to its sound and the great vocal charm. The song simply smoulders with melodic beauty, its depth and craft an increasingly irresistible enchantment the more time spent in its brief but warm arms. It is a glorious seduction, a tantalising persuasion which in many ways is a stronger ignition for the passions than the lead song.

What Do You Need does not reach the levels of certainly Back To Mono but still shows Horse Party as one of the more exciting and adventurous bands to emerge over recent months. Their album simply cannot come soon enough.

www.horsepartyparty.co.uk

http://horsepartyparty.bandcamp.com/

7/10

RingMaster 09/11/2013

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