The Slow Readers Club – Start Again

Slow Readers Club

Ahead of their new single this coming September, UK band The Slow Readers Club have re-released their track Start Again, a colourful and potent little number to seductively tease ears and emotions ready for the impending encounter. The song is one of those propositions which refuse to leave even after its last note is a distant haze in the ear; a persistent temptress who lays down insatiable infectious bait to which submission is full and anticipation for another slice of aural suggestiveness impatient.

Hailing from Manchester and featuring three former members of Omerta, The Slow Readers Club has been garnering rich support from fans and media alike since forming. Comparisons to the likes of Interpol, The Killers, and Arcade Fire have fallen upon them whilst their self-titled debut album of 2012 drew critical acclaim with certain tracks finding a potent stretch of airplay across radio and TV. 2014 alone has seen the quartet continue to excite and inspire, Peter Hook describing them as his new favourite band in a recent NME New Music Special. Start Again is the perfect song to thrill and induce new ears alongside those already enamoured with the band, its second thrust the perfect reason to check out that upcoming release alone.

The song’s first breath soaks ears in a heavy electronic suggestiveness, the keys of Aaron Starkie suggesting an eighties synth pop essence which is reinforced by the involvement of the great heavily toned bass of James Ryan alongside the Picture 47crisply enticing beats of drummer David Whitworth. The guitar of Kurtis Starkie holds its tongue for the moment, expelling shafts of sonic enticing once in a while as the song establishes its premise. Soon jagged riffs and hooks are also bringing their distinctive bait to the party whilst the vocals from one of the Starkie pair, hard to know which of the two vocalists leads the song, gloriously glides over the whole riveting adventure. As it croons and blossoms with evocative beauty and melodic richness, the song brings thoughts of seventies/eighties bands like B-Movie and A Flock Of Seagulls as well as the modern flavours of Interpol and Silhouettes, yet still sculpts its own openly unique presence with those spices.

Grown up pop music also does not come any more maturely infectious than Start Again, every aspect and tempting as poised and resourcefully layers as they are ridiculously contagious. The single is our introduction to The Slow Readers Club as we are sure it will be for many others, and the first seed to a long term lust for a band set to ignite the British indie pop scene.

Start Again is available now

For info where to get it and more http://www.theslowreadersclub.co.uk

9/10

RingMaster 28/07/2014

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Khaøs – After The Silence

Khaos Band 5 (9365 copy4)

Almost two years after the release of their critically acclaimed debut EP Rising, and ahead of new album Risen, Swiss/American melodic/hard rock band Khaøs unveil new single After The Silence. Pushing their accomplished blend of sinew sculpted rock and metal to new evocative expression, the single is a potent and intriguing teaser for the band’s first full-length. It is not a proposition which lit a fire in our belly but definitely offered enough to breed an inquisitive nature for the album.

Consisting of vocalist Chandler Mogel, guitarist Mark Rossi, bassist Nic Angileri, and drummer Trevor Franklin, the band is making its introduction to our ears with their new single, a track which admittedly initially wrong foots expectations and what they were assuming to hear from a name like Khaøs. There is certainly a raw beauty to the Rolf Munkes recorded song but not the aggressive bleakness certainly in sound expected to accost ears. Lyrically the track embraces the premise of “finding one’s self in a war-torn world and bonding together with like-minded people in order to start a peaceful revolution.” This brings cloudy shadows and fiery tension to the heart of the track, a potency which grips attention as much as the equally heated sounds crafted by the band and adds much to the thought evoking presence of the release.

The song opens with a lone guitar casting its evocative narrative around ears before welcoming a slow pulse of rhythms and the shadowed tones of the bass. It is a strong coaxing added to by the fine vocals of Mogel assisted by similarly After the Silence Cover Singleimpressive harmonies. With flames of intensity and melodic endeavour throughout the provocative canvas of the song, it swirls emotionally and creatively across the senses with resourceful imagination and tenacious passion, the guitar of Rossi especially engrossing when given clear scenery to colour.

For personal preferences, After The Silence fails to find the spark which ignites a hungry appetite and over enthused reactions, but as mentioned does have a certain success in raising an interest in the new album. For fans of Khaøs and of imposing passion drenched hard rock, the single with its skilled design and flavour is sure to make Risen a highly anticipated and excitedly awaited proposition.

After The Silence is available via MRRecords digitally worldwide through iTunes, Amazon, Spotify and on all other digital platforms.

www.facebook.com/khaos2012

7/10

RingMaster 14/07/2014

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Latimer House – Birdcage Walk

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The make-up of Latimer House is a diverse mix which makes their new single and its sound a bit of a surprise as our introduction to the band. Made up of guitarist Joe Cook from London and drummer/ percussionist Jiří Kominek from Toronto, who set the seeds for the band in 2010 when linking up and playing together, alongside bassist Michael Jetton from Virginia and Baku hailing keyboardist Anar Yusufov, the Prague based band have a sound as English as it comes. New single Birdcage Walk has an eccentric and quaint air which plays like a mix of Ian Dury meets Cockney Rebel with a rich spice of The Kinks and Tankus The Henge in its creative toxin. From the varied globe covering line-up it is an unexpected proposition but one which engages with an irrepressible charm.

Birdcage Walk is an edited version of a track from the recently released Latimer House album All The Rage. Following and along with first single This Is Pop, the new release makes a potent and intriguing temptation for their debut album, one easy to expect a whole new wave of appetite for the band’s sound to be woken up by. Consisting of a collection of tracks recorded in 2012 with engineer Derek Saxenmeyer, the February unveiled All The Rage brought an eager spotlight upon the band with others, one set to one increased by the new pop folk tempting of Birdcage Walk.

Guitars and rhythms immediately enchant ears as the song opens up its melodic caress. It is right away a gentle and endearing stroll which sways with enterprise and quaintly jangling suasion. The vocals of Cook go much towards bringing that British feel but musically there are elements of XTC with whispers of The Divine Comedy to the song which only add to the distinct caress. Cook’s voice has a dulled yet vibrant monotony which increases the charm offensive of the song whilst matching the earthier lyrical narrative, writing which itself brings a Squeeze like essence to the whole persuasion. With keys colouring the more singular stroll of the track and its shuffling dance, Birdcage Walk makes for a captivating encounter. It does not ignite a fire in the belly it is fair to say but as a summer breeze certainly hits the sweet spot.

The song is accompanied by Until Then, an openly rawer and dirtier stomp with blazes of horns and melodic tantalising which themselves have a rough edge and fiery touch. Within that appealing almost teasing scenery a jazzy air and indie rock intrigue plays with thoughts whilst the guitars cast a sonic flaming which brings its own distinctive hue to the spicily varied landscape. Longer to convince but eventually just as persuasive and enjoyable as its companion, it along with Birdcage Walk just infests the imagination and makes an exploration of All The Rage a must and attention on Latimer House ahead inevitable.

Birdcage Walk is out on Honk Records now digitally, CD, and on ltd Ed vinyl @ http://latimerhouse.bandcamp.com/track/birdcage-walk

http://latimerhouse.com/

8/10

RingMaster 07/07/2014

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Inlaze – Shallow

Inlaze

Still fresh around the gills, having formed in the last weeks off 2013, UK rock band Inlaze lay down a rather compelling introduction with new single Shallow. A feisty stomp of alternative rock and grunge with a just as healthy dose of punk and fuzz revelry, the song is a virulently contagious and riotously addictive brawl of sound with a temptress like seduction at its core. Like a cross between Feud and early Foo Fighters with a veining of Reuben-esque aggression and sultry Allusondrugs temptation, the band’s sound flames voraciously around ears on the single, sparking a just as keen fire in the passions.

Hailing from Wakefield in West Yorkshire, Inlaze consists of vocalist/guitarist Cauley Pritchard, guitarist Ollie O’Brien, bassist Joe Tabz, and Tom Whiting on drums. March this year saw the release of their debut two-track release Waste​/​Fall, a pair of songs which explored a more shoegaze mesmerism upon the band’s firmer rock canvas of sound. Both songs made a potent attention coaxing declaration to spark intrigued interest but it is Shallow which really ignites a hungry appetite for itself and the band ahead.

Riffs and rhythms cascade down on ears within the song’s first breath, jangling over and jabbing the senses for a feisty opening. The bass of Tabz is an instant lure too, its throaty growl contagious bait over which the chords and a3560078570_2melodies of Pritchard and O’Brien cast their acidic yet richly appetising colour. Pritchard’s smooth and energetic vocals equally flourish over the commanding rhythmic spine with the whole riveting mix forming a virulent persuasion for feet and emotions to climb upon. The song also has a raw breath to not only its production but its scuzz spiced touch which only accentuates the infectiousness of its presence, especially within the incendiary finale, it a riot of call to arms vocals and voracious urgency.

Shallow suggests that Inlaze is a band we should all be paying attention to, and we for one are not going to deny its insistence as we wait impatiently for the band’s next foray into ears.

Shallow is available now as a buy now name your price release @ http://inlaze.bandcamp.com/track/shallow

https://www.facebook.com/Inlaze

8.5/10

RingMaster 02/07/2014

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Juggling Wolves – Mercury

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Ahead of their debut album, UK rock band Juggling Wolves unveil first single Mercury to spice up a definite anticipation for its full-length source. A merger of alternative and progressive rock with experimental hues and striking ambient colours, the track is a captivating proposition which alone ensures that How To Salvage A Failing Butterfly upon its release in October will get keen attention.

Hailing from Ireland, Juggling Wolves is the creative alternative experimental adventure of Jimmy Deface from folk/blues rockers Rufus Coates & the Blackened Trees and Johno Leader of acoustic indie rock band The Radioactive Grandma. It is a very different proposition from the pair’s other exploits but just as rich with earthy melodies and organic breath. In late 2012, the duo united in The Beast-Suite Studios in Co Cavan, combining their skills and ideas for what would become How to Salvage a Failing Butterfly. One track does not make an album but taking Mercury as evidence and a potent teaser, the album is destined to be a provocateur for the imagination and seduction to the ears.

The single opens with a distant caress of keys and radiant yet fiery harmonies, the song drifting in keenly but with restraint as a guitar circles ears with its resourceful coaxing. It is not long though before rigorous stabs of sound break through, sinew crafted rhythms and sturdy strokes of guitar splicing the air. The union of both calm and fire entwine as an atmospheric wind of melodic expression and percussive agitation unite for a milder but no less pungent flight of endeavour. With keys bringing an emotive drama as bass shadows surround the slow vocals tones with a melancholic hug, the song evocatively glides across senses and thoughts. It is a masterful incitement, a waltz which seamlessly either flirts with emotional intensity or dances with vivacious appetite whilst leading the imagination into a poetic landscape of suggestion and reflection.

As unpredictable as it is enthrallingly mesmeric, Mercury is a thick yet smoothly flowing sunset of emotions and sound. The track constantly surprises as it relentlessly wraps inspirationally textured ingenuity around ears. If this is a hint to what we should expect with the band’s first album then roll on the short weeks to its arrival.

The self-released How to Salvage a Failing Butterfly is available worldwide from mid-October and Mercury on August 7th.

http://jugglingwolves.com

https://www.facebook.com/jugglingwolves/

9/10

RingMaster 02/07/2014

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Visualise/Colours/Stop – Projected Thoughts

visualise_colours_stop - Projected Thoughts cover

If the first single from UK trio Visualise/Colours/Stop is an indicator of things to come, then imagination and emotions are in for some thrilling and impacting incitements to come with the band. Projected Thoughts is a glorious evocation of expressive rhythms and sultry melodies aligned to compelling vocals amidst a climactic atmosphere. It embraces the senses with a tender caress initially before evolving into an almost tempestuous landscape of emotive tenacity and evocative flames. It is a formidable introduction to the band, one instantly raising keen anticipation for their horizons.

Hailing from Lincoln, Visualise/Colours/Stop consists of vocalist/guitarist Alan Kissane, bassist Gaz Bailey, and drummer Dale Hagger. Initially called Fabonacci, the trio took on the name Visualise/Colours/Stop from a friend’s defunct band, who released an album in 2011.Things are a little hazy here as to the extent of the link between the two but we suggest members maybe are shared as the accompanying promo piece suggests the new single is the band’s first yet they have a link to the older version’s album on their Facebook page. Most importantly though is the strength and stature of Projected Thoughts, a song ‘reflecting on the demise of a relationship and questioning the world with that in mind.’ Mixed live by the band on old analogue recording equipment, the single is an evolving confrontation which simultaneously serenades and wakes up thoughts as it immerses ears in a rich drama of sound.

The song opens with the melancholic groan of bass within a slight but crispy percussive coaxing. It is a slow minimalistic kiss which presses closer through the dark tones of Kissane’s vocals against small but emotive eruptions of melodic radiance. As the track slowly begins to unveil its narrative and aural canvas thoughts of Black offer comparisons whilst as the rhythmic bait of Hagger brings an unpredictable and magnetic lure aside the growing suasion of guitar and vocals, references turn to Comsat Angels and to a lesser degrees Modern English, all offering a slight eighties hint. The track is mesmeric, a tender seduction which captivates ears and attention with irresistible majesty, never losing its grip as it eventually shrugs off its restraint for a still shadowed blaze of sonic intrigue and provocative melodic hues. At this point you can add the likes of Doves to the spicing veining potently through the now dramatic stride and tenacity of the increasingly contagious song.

Leading to a fiery finale which is as riveting and tirelessly compelling as the gentle almost sombre start of the proposition, Projected Thoughts provides a dark alchemy of sound and emotion which broods longingly from its first note right through to its explosive final breath. The single is scintillating and whatever the questions about the bands past, makes their future and an impending EP something to keenly anticipate.

Projected Thoughts just might be the start of something major for British rock, it might just be one song but it is hard to imagine Visualise/Colours/Stop making anything less than a gripping impact such the quality and enthralling presence of their single. Time will as ever tell…

https://www.facebook.com/VisualiseColoursStop

9/10

RingMaster 01/07/2014

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The Talks – Radio

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It is never hard to get feet and passions up for a healthy infectious dose of ska punk and it does not come in any finer form of potency than Radio the new single from UK quartet The Talks. An irresistible toe tapping escapade with the vitality of The Selector, the addictive prowess of The Mighty Mighty Bosstones, and the irrepressible invention of The Specials, the single ignites the imagination and passions with sublime efficiency whilst breeding a boisterous hunger for not only itself but the band’s highly anticipated forthcoming album Commoners, Piers, Drunks and Thieves. One song does not make an album but if the rest of the exploits are half as enslaving and potent as Radio than a heady ride is coming our way.

Since forming Hull’s The Talks has built and earned a strong reputation for sound and presence across not only the UK but Europe. Their sharing of stages with the likes of The Specials, Rancid, Madness, The Beat, King Blues, and The Toasters has only put the quartet of Jody Moore, Pat Pretorius, Iain Allen, and Richard “Titch” Lovelock into increasingly intensive spotlights. It has been a recognition reinforced and enhanced by their releases; the 2012 single Can Stand The Rain which featured the legendary Neville Staple easily marking the cards of a great many whilst last year’s West Sinister EP took things to greater levels of attention and support. The band’s last single Don’t look behind you pushed it all on again, its success leading to slots at festivals such as Boomtown and Camden Rocks at home and the Sapi Festival in France and the Fusion Festival in Germany.

The new album is the source of the next great hunger sure to be inspired by the band, greed set to be intensified with the rampant appearance of Radio. The single instantly casts a rhythmic coaxing and melodic bait to be pounced upon with feverish energy, an entrance swiftly exploding into a magnetic canter of irrepressible enticement through keys and guitar stabs under the great anthemic singular and group lure of vocals. As all good ska fuelled emprises, the track holds a riveting swagger which is as anthemic to feet and passions as the punchy rhythms framing the whole dance. Complete with flames of brass and constantly seducing keys, the track is an epidemic stride of sound and melodic magnetism with just that edge of punk belligerence.

Radio is a song for steamy climates and floor quaking dancehalls, a celebration to indulge in time and time again alone or in a crowd as we wait the next rigorously intriguing and sure to be majestic exploit from The Talks.

Radio is available on All Our Own Records now digitally and on LTD Edition 7″ Vinyl.

http://www.thetalks.co.uk/

9/10

RingMaster 30/06/2014

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Pigeon Lake – Confrontation

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Ahead of debut album Tales of a Madman, set to be unleashed on August 15th, Norwegian band Pigeon Lake unleash their new single Confrontation, a track which takes little time in raising a greedy anticipation for its full-length source. To be honest we like so many have a constant state of hunger for the band and its incendiary sound since the release of the I: Mindrape EP of 2012, but thanks to the new incitement there is greater appetite involved ahead of what promises to be a powerful encounter.

Formed in 2011, Pigeon Lake has drawn strong acclaim for their fusion of hard rock and rapacious metal with just as flavoursome essences of pop and blues rock. It is a dramatic combination which from their live performances and the EP alone makes a lingering and richly contagious proposition. Playing over forty shows in two years, the Oslo quartet is a force on the march which on the evidence of Confrontation is ready to raise the ante.

Massive bold rhythms set things off, their weight and hypnotic coaxing instantly bracing and anthemic. It is not long before the thumping beats of Andreas Prestby are courted by a sonic whisper which in turn spreads into an intriguing web of guitar instigated by Magnus Engemoen and Christopher Schackt, the latter’s vocals just as swiftly entering the brewing maelstrom of persuasion. There is a portentous air to the sinewed driven incitement too, one which breeds a more aggressive rapaciousness which flows as the song expands its narrative and presence. Having sculpted walls and intent, melodies seduce from the fingers of Engemoen, their elegant lure matching the constantly expressive and potent vocals of Schackt. It is a union which makes an evocative painting within the formidable rhythmically framed sonic canvas pushed to new threat by bassist Anders Børresen. Emotions continue to croon and rage across the body of the track, the music equally adventurous and unsettled in its predation and beauty. The song also sparks the imagination to suggest that the song is one moment in a challenging and rigorously provocative concept or theme raging through the upcoming Tales of a Madman, another exciting thought.

Band and song continue to push and seduce senses and thoughts across its intensive landscape, a distinct invention and rabidity peculiar to Pigeon Lake raising further the power and riveting captivation of the single. Though just one song to go by, there also feels like a darker intensity and voracity is soaking the band’s evolving sound yet not enough to defuse the virulence of the grooves and the infectious magnetism the band so skilfully conjure. Pigeon Lake is growing into a real force within metal/rock bred exploration whilst Confrontation is an enthralling bruising and seducing which just makes the impending Tales of a Madman an even more highly anticipated prospect. In a few weeks will see if it lives up to these new expectations, it is already hard to doubt its success though.

Confrontation is available on Friday 20th June

www.facebook.com/PigeonLakeMusic

9/10

RingMaster 18/06/2014

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We Are Hex – W.D.M.R.S/Tongues 7”

Photo  Gregthemayor

Photo Gregthemayor

Providing two tracks which would soundtrack any occultist or pagan ritualistic dance with a toxicity even the exponents of those dark arts would fear, Indianapolis quartet We Are Hex unleash their new 7” single W.D.M.R.S./Tongues. The release is a glorious ravaging of the psyche and calling of the primal predator in us all, and one of the most virulently addictive and seductive releases in a long time.

We Are Hex has never been slow in ripping up the rulebook and infiltrating the senses with an infestation of their sonic irreverence and rhythmic antagonism, as shown by the likes of Gloom Bloom (2009), Hail The Goer (2010), and the Jon Spencer produced single Lewd Nudie Animals / Real Waco Lot Lizard of last year; just three of their uncompromising manipulative adventures. The band creates a gothic drenched death rock which just seems to get darker and thicker in its causticity and brilliance, but the new pair of songs has found a depth and plateau which leaves everything before it in varying degrees of shade. Both tracks are simple glorious, rapacious stalking of senses and emotions which leave the longest lingering and most deeply entrenched alchemy from the band yet. Ahead of a new full-length and continuing the striking legacy of their 7” unleashes, which includes the Jack White recorded Twist the Witch’s Titty, the new single is pure salacious joy and the reason the devil loves rock music.

W.D.M.R.S leads the persuasion, emerging from a sinister sonic mist of intrigue and menace as a portentous declaration marks our We Are Hex - W.D.M.R.S covercards. Named after sixties band Coven’s Witchcraft Destroys Minds and Reaps Souls, and featuring the guest tones of Jinx Dawson from the band, the song entangles ears and senses in a web of guitar temptation aligned to calls of torturous souls. It is intimidating bait which the rich throaty voice of the bass and a percussive flirting only accentuates before the body of the song leaps from the tempest to immediately grip the passions. Rhythms unleash their heaviest thumping suasion right then too as guitars entwine and score ears with minimalistic but resourcefully precise melodic toxicity. It is a gorgeous swamp of sound, a Siouxsie Sioux element touching the vocals of Jill whilst moonshine like whiffs of The Slits soaks beats and their imposing agitation. The song transports the imagination into the heart of sultry satanic scenery, a sonic clawing and rhythm driven hypnotism inescapable bonds holding thoughts and emotions, not forgetting swiftly ardour wrapped passions tight. With seventies bred garage pop and psychedelic whispers also adding their coating to the recipe, the song is pure aural venom and quite delicious.

Its success and immense seduction is swiftly thrown up another level or three with Tongues, the track two minutes of addiction causing ingenuity driven by rhythmic irritation and sonic nagging. It is simply brilliant, a carnivorous tsunami of tenacious melodic scorching and sonic animosity strapped to a rhythmic hostility and persistence which draws the deepest insatiable lust in return for its rampant enticement. Imagine Alien Sex Fiend and the Sex Gang Children in an illicit union with Stolen Babies and Morning Wood and you get an idea of the sheer ingenuity and virulent compulsion that is Tongues. Arguably the best song heard this year and last, it is a musical bitch with all the charm and voracity of a rabid burlesque dancer, something which applies to the sound of We Are Hex full stop really.

Sometimes you come across a band which consistently sculpts templates for others which in turn subsequently breed new depths of subservient allegiance towards them; We Are Hex is one of the most masterful and deviously riveting bands and if you have doubts we give the W.D.M.R.S/Tongues 7” as our proof and recommendation to go be infected.

W.D.M.R.S/Tongues is available via Latest Flame Records now @ http://wearehex.bandcamp.com/album/w-d-m-r-s-tongues

https://www.facebook.com/wearehex

10/10

RingMaster 17/06/2014

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