Jingo – Belong To You / When You Want Me

jingo pic

Keeping up with the single releasing of UK band Jingo is like trying to keep up with Usain Bolt on the track but much more fun. This past Monday the band set loose the first of a quartet of singles which will be released over four weeks. Being firm fans of the band and their so far rewarding and impressive songs we thought we should look at the new release as well as previous single When You Want Me which came out last month. It was a good move as Belong To You and its predecessordances over ears and imagination with uniquely diverse and feverishly flavoured designs, emulating the band’s previous releases with ease.

Since the release of their first trio of tracks just over a year ago, the songs also released within a short time of each other to awaken a wealth of eager appetites and passion, Jingo has gone from strength to strength and just when you think they may have reached their creative peak they come up with further ingenious twists in their sound and creativity. The quartet of Jack Buckett (guitars/vocals), his American wife Katie (vocals/keys/guitar), Joseph Reeves (drums), and Sahil Batra (keys/bass/guitar/vocals) continue to grow creatively and seduce with greater virulence. Certain tracks are bound to become favourites but there is not disguising the evolution and heights bred since the revealing of those first tracks. Each of their offerings has come with an eclectic mix of sound and adventure, one by one exploring new avenues and depths within the band’s songwriting and imagination as proven by tracks like Black Flowers and, Wake Up in the latter half of 2013. Just as potent and constantly vivacious live, Jingo has ensured this year is going to follow in vein and potency as shown by the two singles already unveiled and no doubt their swiftly following successors.

Released in March When You Want Me emerges from a sonic mist, an almost sinister ambience which has an air of portent about its lips. As aural drama and evocative keys add to the texture of the climate, soon followed by an intriguing vocal coaxing, the song envelops ears and sense like a seductive tempest. Rhythms equally grow in size and weight, framing the colourful brewing maelstrom with poise and incitement. The expected storm does not materialise though instead the song swerves into a magnetic funk dressed romp of fiery melodies, vociferous keys, and boisterous rhythms all under the spell of the excellent vocal union. With feet just as submissively under the spell of the melodic rock stomp as emotions, the psychedelic teasing providing further captivation, the song easily gains full control of body and heart.10154940_501119716661215_4734239148929790224_n

   Belong To You leans against ears with a riveting bass croon initially, its resonance and smooth voice mesmeric within a smattering of percussion. It is not long before the new single spreads into a hot melodic flame which in turn settles back into the opening breath around the easy to indulge in tones of Katie and even paced rhythmic snaps. As a tangle of guitar begins playing with the imagination, the song brings sixties pop spice to its provocative aural melodrama as well as a persistent sprinkling of unexpected pokes of sound sounds and inventive twists, all within the main course of the contagious engagement. Assisting the rich expression and bewitching venture there are also essences of eighties pop punk and psychedelic rock caressing the masterful mix. As now accustomed with Jingo it is a multi-flavoured and diversely textured song, maybe not as immediate in its potential and success as others of their creations but ultimately just as impressive and mouthwatering.

Personally Black Flowers has always held our fullest ardour but it is being constantly challenged by the band as certainly with this pair of singles and most likely will be again by the three upcoming encounters. We will soon find out and enjoy that is for sure.

Stream and Download all of the Jingo singles @ https://soundcloud.com/jingomusic

Belong To You 8.5

When You Want Me 8.5

https://www.facebook.com/jingomusic

RingMaster 23/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

By The Rivers – Vulture/This Love

By The Rivers Field July 2013_1

Re-igniting the impressive and exhilarating presence and success of their self-titled debut album last year, UK reggae band By The Rivers release new double A-sided single Vulture/This Love. Taken from the album, the songs tell you all you need to know about the melodic beauty and vibrant creativity of the band and their mouthwatering sound. It is another irresistible call for those yet to discover the splendour of the Leicester sextet and another reason for us in the know to let feet blaze over the ground with one of Britain’s most exciting bands.

Formed in 2010 by friends, Nile Barrow (lead vocals/guitar) and Jordan Birtles (drums/vocals), By The Rivers has mesmerised fans and media alike with their unique fusion of reggae/ska/soul/and afro-beat. With a line-up completed by Matt Willars (bass), Sam Read (keys/guitar/vocals), Will Todd (Tenor Saxophone), and Leo May (Trumpet), the band from their first steps were soon gracing stages with the likes of Dawn Kinnard, Neville Staples, Fun Lovin’ Criminals, and Toploader. Their swiftly growing reputation only accelerated as the six-piece continued to play with the likes of the Buzzcocks, Maxi Priest, Musical Youth, Dawn Penn, Saxon Sound, and The Specials whilst released eagerly received EPs and singles. Last year’s album through Kompyla Records thrust the band into an even more intensive spotlight with festival demand and appearances a plenty following its release.

The new single is the next dart of contagious persuasion by the band, one to have lips licked and passions romping. Vulture opens with a Graphic1 glorious wash of vocal harmonies, their touch a seductive caress before the song opens up its entrancing arms into an elegant sway and magnetic swagger. Guitars and bass dance and tease across the length of the song giving a base contagion to fall into, then once enslaved brass flames aligned to anthemic vocal and melodic lures bind the passions even tighter. It is an energetic but respectful romp leading imagination and emotions by the hand into a seductive and vivacious dance.

The musical and lyrical provocation of the song is emulated in its own distinct design by This Love, the song an evocative affair with ears and thoughts which gentle strolls as melodic tendrils and expressive passion drifts off every note and harmonious syllable. It is too easy and maybe lazy to provide UB40 as a reference to the sound of By The Rivers but it is unavoidably suitable for this flowing summer wind of a song. The heat of brass and magnetic touch of the guitars make the initial steal of the heart but as is very often the case with their songs, it is the vocals and melodies which bring the virulent infection to which there is no known cure.

With an instrumental version of Vulture completing the tracks offered, the single is another riveting triumph from By The Rivers, inescapable bait for feet, heart, and soul. Released April 21st alongside a Tom Swindell (Shy FX, Jamie Woon and Die & Breaks) directed video the same day for Vulture, the single and the band’s irresistible blend of catchy songwriting and powerful lyricism make another potent statement for one of the very best new bands here in the UK.

Vulture/This Love is available via Kompyla Records now!

https://www.facebook.com/bytherivers

10/10

RingMaster 21/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

Witching Waves – Concrete/Chain Of Command

WW Concrete Cover Art

Duos especially within the ranks of garage rock and punk are becoming a real source of imaginatively flavoured treats this year, the likes of the garage punk blessed album Ghost World from The Creeping Ivies and the sixties garage pop punk glory of the self-titled Kristy And The Kraks EP just two examples currently igniting the passions. Now we have a further mesmeric abrasing triumph from UK band Witching Waves to enthusiastically drool over.

Hailing from London, the band is the creation of Emma Wigham (Weird Menace) and Mark Jasper (Sound Savers Recording Studio), two musicians bringing the maybe now expected union of guitar and drums for a fevered grip of noise. What does not feed expectations is the imaginative caustic beauty of the two songs making up the limited cassette single, Concrete and Chain Of Command simultaneously seductive and rapacious as well as strikingly dramatic. Sound wise the band brew up a raucous and evocative mix of garage punk and post punk, but also a healthy melodic acidity which teases and captures the imagination even further. It is an abrasive encounter but one with incendiary tempting to fire up ears, thoughts, and passions.

Witching Waves began in the April of 2013 and since forming has bred a strong reputation for themselves through their stripped down attention grabbing sound and their appetite to share it across as many shows as they are able. There is a definite ’77 independent feel to the sound and presence of the band, in their approach to music and a DIY attitude. The new Soft Power Records release follows the band’s self-titled release on Suplex Cassettes last year and threatens to cast Witching Waves into a whole new intensive spotlight.

First track Concrete wraps itself around the ears with a scuzz kissed lure of guitars and belting rhythmic incitement, the track teasing whilst demanding attention. The opening hook has a definite Buzzcocks lilt to its grazing potency, an enticing call coaxing in the similarly pleasingly honest vocals of Jasper. The song manages to be melancholic and vibrant at the same time, never favouring either trait but giving both a healthy voice to intrigue and involve thoughts. The entrance of Wigham’s equally unfussy voice sparks a small urgency in the beats though the song never breaks a sweat across its enthralling body. For just a two piece there is plenty of variation and adventure within the encounter, the outcome bringing the idea that if the Yeah Yeah Yeahs became The Cramps it would sound like this.

The song is a masterful persuasion and skilled provocation of emotions but only an appetiser for the outstanding Chain Of Command. The song is glorious and outshines its companion with ease. An opening croon of guitar with its slight surf rock twang steals full attention first before an additional citric groove weaves its way around the senses. Both provide a sultry suggestiveness to cling tightly too, rhythms only caging their potency until the song erupts into a thumping stomp of flaming dishevelled sonics, coarse melodic toxicity, and anthemic rhythmic and vocal seducing. The track scorches the senses with its sonic fire, at times meandering and exploring barely connected pastures before reeling it all in for ridiculously infectious and insatiably addictive choruses, maybe better described as orgies of seductive brawls. The song alone will make you develop a stalker like appetite for Witching Waves and in companionship with Concrete provides evidence that this is potentially a boundary pushing band of the future.

The single is a very limited proposition so it is suggested to act fast, its 25 blue cassette option already sold out leaving 75 baby pink versions to be snapped up, though there is a 12” vinyl EP planned for the summer also on Soft Power.

Concrete/ Chain of Command is out on April 21 via Soft Power Records.

http://softpowerrecords.bandcamp.com/album/concrete-cassette-single

http://witchingwaves.tumblr.com/

9/10

RingMaster 20/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

Concrete – Subculture Street Troopers

concrete

Hailing out of Austin, Texas, caustic punks Concrete unleashed one of the prize joints of Oi! punk last year with their debut release, the 12″ EP We Are All Reapers Here. Its acclaimed provocation is now backed by the release of the 7” single Subculture Street Troopers via Rebellion Records and Rebel Sound Records. Consisting of two confrontational contagious brawls to get your teeth deeply into, the single reinforces the emergence of a new roar and force in modern punk with more than a healthy seeding in old school voracity.

     Subculture Street Trooper is pure aural addictiveness from its opening anthemic whine of guitar onwards, riffs and bass adding their rich bait alongside the crisp drum pokes.  It is one of those instantly virulent songs which enslave imagination, passions, and memory with impossible ease, a potency only increased by the gruff vocal growls and united band chants around them. The song swaggers and strolls with a consummate persuasion before lighting a fire and exploding into a voracious charge of abrasive riffs and barbed hooks.  Bringing an essence of Angelic Upstarts to its grazing enticement, the track closes as it started with the rapacious stroll and an insatiably contagious grip Concrete-singleon the heart.

Second song Born To Never Lose does not have the same dramatic and intensive temptation as its companion but still bruises with a primal expulsion of hardcore aligned punk rock which allows no escape from its raw incitement. The production on the song is a little cloudy but it does little to prevent the thorough enslavement of the listener, in fact it only enhances the raw and uncompromising onslaught which embraces led by the great equally aggressive and unpolished vocals.

If their previous EP escaped your attention, Subculture Street Troopers is the perfect way to discover Concrete, a band with a sound which lives up to its name and a storm punk rock will be hearing a lot more of.

Subculture Street Trooper is available through Rebel Sound and Rebellion Records now on 100 Black Vinyl, 100 Gold Vinyl, and 100 Transparent Red Vinyl with heavy gold splatter.

https://www.facebook.com/CONCRETENATION

http://rebelsoundrecords.com

http://www.rebellionrecords.nl/

8.5/10

RingMaster 16/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Narcs – Coast To Coast/Souvenir

NARCS Blur Faces

UK alternative rock band Narcs give one last reminder of the potency of their eagerly received debut album Two Birds, One Stone Later of last year with the release of a new double A-sided single. Consisting of the tracks Coast To Coast and Souvenir, it reinforces the strong emergence of a band which is brewing up a rather healthy buzz around itself. Completed by three live cuts from a live session at Leeds College of Music, the release shows all the potential which has marked the band out and made their album a thoroughly engaging proposition.

Hailing from Leeds, Narcs makes an immediately tasty provocation with their adventurously feisty yet relatively undemanding sound, Coast To Coast proving the point with its coaxing entrance and rasping melodic endeavour. It opens with a welcoming rhythmic incitement soon joined by fuzz kissed flames of guitar and expressive vocals. There is a slight stoner lilt to the sonic enterprise within the track but merely a choice spice as the song settles into a heads down rampant stroll before raising its elegant creative weaves again around the never deviating lure of the drums. It is not a forceful song, nor one which explodes within the ears, but it is a constant persuasion which seduces without restraint, especially when the group vocalise together before the more intensive if still reined in climax of the song.

It is a strong temptation of a song which you cannot escape making an Arctic Monkeys comparison to but as shown by the excellent NARCS Coast To Coast Clue RecordsSouvenir, the best track on the pair with ease, there is much more at play within the band. A distant scrub of guitar is soon boldly enticing the senses as a more psychotic breath wraps the song, the predatory bass and manically flirting backing vocals courting just as much attention. The song is a totally different beast in sound and intent to the first, the bass alone a leading protagonist whereas it was held in check in the first track. Yes that comparison offered by its predecessor has a place in this song but more so there is a richer essence of the demised Welsh band My Red Cell, the track snarling and brewing up a maelstrom of invention and psyched causticity to ignite imagination and passions in song and listener.  The track is quite glorious and with its companion has all the reasons why Narcs is highly thought of.

As mentioned the single comes with a trip of live session cuts, the raw sonic schizophrenic might of Sandchild impressing potently though matched as powerfully by the dramatic Collisions, and the long meandering captivation of Tall Grass; all three showing that Narcs is a band to be engaged live at least once.

Though Souvenir outshines Coast To Coast with ease, the pair of songs confirm Narcs as one of the exciting emerging propositions within British rock whilst breeding eager anticipation for their future endeavours.

Coast To Coast/Souvenir is available now through Clue Records

http://narcsband.com/

http://cluerecords.bandcamp.com/album/coast-to-coast

8/10

RingMaster 16/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

Mothertone – Got It Memorized

 

Mothertone 2

On the evidence of their new single Got It Memorized, Scottish band Mothertone has a rather accomplished handle on merging various flavours for one highly appealing brew. Our first introduction to the Edinburgh quartet is a feisty and contagious exploit which shows why there has been a keen buzz brewing up around the band from their previous EPs, Four Stars and IV, from which the song is taken. Creating a not exactly unique but definitely attention catching form of heavy rock from a multitude of essences including heavy metal, classic rock, punk, and grunge, the band’s new single entices and lures the imagination with a robust stomp of thumping rhythms, mischievously inciting riffs, and blues kissed melodies. It is an urgently captivating slice of rock ‘n’ roll which ensures that better late than never is continued to be proven.

Formed in the middle of 2012, Mothertone as many went through a number of line-ups before finding the right potent mix with vocalist Eric Mothertone cd babyBrock, guitarist Kieran Gallagher, bassist Dean Gordon, and drummer Rikki Smith. Across their time they have also have built a strong reputation for their live performances, lighting up venues around Scotland such as the Liquid Rooms, Classic Grand, King Tuts, and Cabaret Voltaire. Their next aim is to infiltrate the rest of the country and with the likes of Got It Memorized in their armoury you feel it should be a done deal in stretching their presence and fanbase.

Slamming beats and rigorously swiping riffs open up the encounter, their jagged provocation sparking an instant appetite which the song exploits with a subsequent stroll of flaming guitar enticement alongside those still commanding rhythms and an irresistible growling bass lure. A virulent groove also adds its potency, the song building heavy rock bait with contagion in full throttle from its start. Intensity and urgency adds its say to the encounter soon after as the clean vocals join the affair, their entrance sparking a punk breath to the antagonism of the imagination infecting song. Vocally Brock is impressive but without a real snarl to his tones the production of the song leaves him a little adrift at times though it makes no ultimate impact on the success of the song and his enjoyable lead.

Throughout the song twists and swerves with invention and craft whilst the guitar solo towards the impending climax of the song flames brightly with skill and poise. With a final beefy stab to end its show, Got It Memorized leaves you wanting more and though as mentioned the band is not setting new templates for rock music with it, the single proves that they definitely give it another tasty choice for fans to devour eagerly. Expect to hear a lot more of Mothertone as they invade the rest of the British Isles, to which no one will be disappointed we suggest.

Got It Memorized is released via Coffee Jingle Records (www.coffeejinglerecords.com) on 17th March.

https://www.facebook.com/mothertoneband

8/10

RingMaster 13/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

Morass Of Molasses – Ashtabula

MofM

Following the success of their debut single Rotten Teeth, its equally devoured video, and an acclaimed BBC Introducing headline slot at The Oakford Social in Reading, UK riff sculptors Morass of Molasses unleash their second single Ashtabula. The track shows another side to the Reading based trio, exploring a livelier swagger and expressive energy, not forgetting sonic intrigue compared to the heavy predatory weight and stance of its predecessor. The song also equals the potent temptation and impressive creativity of the first single before taking it to new infectious levels easily showing why the track has become a fan favourite in the band’s live shows.

Approaching the end of its first year of existence, Morass of Molasses has become one of the most highly anticipated and intensively imposing rock bands to emerge in the UK, their sludge fuelled, stoner coloured dirty rock ‘n’ roll garnering praise and fevered attention from fans and the critical media alike. The threesome of baritone guitarist/vocalist Bones, guitarist Phil, and drummer Chris, have become an eagerly sought after focus for a growing horde of passions which the new single can only fuel further. As mentioned it offers a distinct new character to their sound; band founder Bones commenting on the track recently saying, “This song has seen many evolutions, but now rests as a firm favourite with the crowd during our live set “, also revealing that “For those who like to delve deeper we will be releasing a studio-shot video to accompany this very soon

Ashtabula initially lays down a sonic mist where from within firstly the guitar of Phil begins casting a precise and intriguing design soon joined by the crisp rhythms of Chris and the dark throaty tones of Bones’ strings. It is an imposing and engaging start which the band, with the same unpredictability which marks their first single, takes into a magnetically unexpected stance of expressive vocals over a restrained and earthy ambience. A mighty stab of drums sparks intensively weighted riffing to show their persuasion, speared and entwined by delicious and skilfully sculpted sonic flames. Yet again it is only one movement in the journey of the song, searing melodic toxicity and sonic rapaciousness spellbinding senses and imagination subsequently whilst the expressive growls of Bones push the dark lyrical shadows and investigation deeper.

The track is a scintillating fire with contagious sinews and addictively grooved temptation, another aspect to the face of the band’s songwriting and invention and a leap forward in sound and craft from their outstanding debut.

Available as a ‘Pay what you want’ Download from http://morassofmolasses.bandcamp.com/track/ashtabula the single is the next mighty and striking step in the rise of Morass Of Molasses, a band with the potential to bring British heavy rock dramatic and new inspirational adventures.

Upcoming gig dates for Morass Of Molasses

Wednesday 9th April – The Boileroom, Guildford

Saturday 12th April – Upstairs At The Garage, London

Sunday 13th April – The Facebar, Reading

Thursday 1st May – The Registry, Portsmouth Friday

http://www.facebook.com/morassofmolasses

9/10

RingMaster 03/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

 

The Love Barons – Happy Together

The Love Barons Live

Formed last year, UK alternative indie band The Love Barons has already been making a stir with their live shows and vibrant sound. With the release of their first single Happy Together, the London quintet will be waking up much more of the country you can only feel as the song dances on the ears and lights up the imagination. It is not a loud trumpet call which will have passions falling over themselves to shout from the rooftops but definitely a rich temptation able to spark an eager appetite for band and their horizons.

Consisting of brothers Ryan (lead vocals) and Sam O’Donovan (guitar / vocals), alongside John Chamberlain (guitar), Jamie Graeme (bass), and Nick Cooper (drums), The Love Barons as mentioned has taken little time making a fine reputation for themselves thrilling the capital’s live music scene through their own headlining shows and sharing stages with the likes of Bleach Blood and The Tricks, as well as joining Hatcham Socials on their recent UK tour. Produced by Toby Kidd of the Hatcham Social, Happy Together is the next step in the band’s pretty certain ascent, and a fine wider introduction it is too.

The single is instantly filling the ears with glowing melodies aligned to an irresistible hook and a tempting heavy bassline courted by equallyHappy Together artwork attention grabbing rhythms. It is a potent start which soon has senses and imagination in the band’s hands ready for the distinctively expressive tones of Ryan. Once he unveils the narrative the song relaxes its urgency just a touch to embrace his delivery, dancing with the passions as it takes its infectiousness into a stronger flame in the masterful chorus. There is an essence which brings thoughts to the late eighties indie scene if without offering a definite reason or band comparison, its feel only adding to the virulent bait of the song. Like all the best lures, Happy Together just increases its temptation and power the more it plays on the surface of the passions, proving not a dramatic encounter but a certain long term and lingering one.

As the single rigorously seduces and  charms it is easy to expect to hear and enjoy a lot more of The Love Barons ahead and see the band rise to impressive and commanding heights. Anticipation is on the march already here.

Grab Happy Together for free @ https://soundcloud.com/the-love-barons/happy-together-1/s-j9hlo

https://www.facebook.com/pages/The-Love-Barons/231124567014670

8.5/10

RingMaster 29/03/2104

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

I Am Duckeye – Double Riff Action

1528526_626846877363094_1062398823_n

The base morality of the world is always open to a new lesson and our favourite Australian reprobates I Am Duckeye has given it another welcome swipe to the balls with another infuriatingly addictive riff fisting through their new single. After the release of their exceptional album Husband last year; where riffs, rhythms and testicular examinations were wantonly encouraged, it was easy to wonder how the band could improve on its irrepressible delights. The Double Riff Action single provides an instant answer, its double A-sided suasion featuring the first temptation to the band’s upcoming full-length Commando Too, an anthemic bait of riotous proportions. Consisting of nine tracks running around fifty minutes and also featuring live cuts, remixes, and interview, the release is a chunky slab of Duckeye goodness bursting with honest depravity and juicy hilarity.

Formed in 2008 and consisting of brothers Sam (Sydonia, Afterwhite) and Classic Matt Haycroft (Chico Flash), bassist Jules (Dirty F, Afterwhite), and drummer Sean (Sydonia), I Am Duckeye has begun to solicit passions far beyond their already submissive state, especially hometown Melbourne. Their sounds are being voraciously grabbed in the US, France, UK and further afield with almost lecherous attention. It is early days but an appetite is ripe for their merging of comedy and the heaviest riff infused rock available. They provide an encounter which equally feeds of the ripeness of punk and metal, and helps create a rising force to give parents the shivers and grannies tingles.

Double Riff Action as mentioned comprises of an array of tracks led by the two A-sided singles. First up is Son Of A Riff, the lead single double-riff-action-coverfrom the upcoming album. From its first breath guitars are scraping at ears and senses with a scramble of riffs as the vocals introduce the premise of the narrative. With rumbling rhythms carrying more weight than a sumo wrestling team and the bass growling like a bear with crabs, the track erupts into a juggernaut of voracious endeavour and carnivorous intent. Lyrically as expected the band does not leave the funny bone unsatisfied either, the opening presentation….

This is a song, a song about cooking riffs
A cooking song!
Not a cooking song, a song about rolling spliffs
Smoking a bong!
No not smoking a bong Matthew, but writing yourself a hit
Hitting is wrong!
Yes hitting is wrong, unless your song is utter shit
Now!

…telling all.

The track carves up air and senses like a herd of kamikaze first time weightwatchers, though it also throws in a few respites and a My Sharona like hook which we will forgive them for. The song offers more than enough to spark a girly anticipation for Commando Too whilst the following track reminds just how immense the last album was.

The Riff the delivers an even greater cantankerous attitude and predation with its opening riffs, they snarling with bestial intent to provide exactly what it says on its label whilst unearthing a carnal enticement  for which mass mutilation seems a fair price. With sonic repetition and heavy duty oppressiveness an intimidating pleasure, the song is a glorious predator; almost a normal song at times, ok washing my mouth out with soap right now guys.

The rest of the single is made up of firstly acoustic live performances of Tuesday I Go the Blues Way, The Riff, and the should be world anthem Punching Dicks, all thoroughly enjoyable with pipes, violins and more in tow, but it is the verbal antics of the band before and during songs which steals the show more often than not.

The full live track of The Riff recorded at The Cherry Bar, Melbourne last year is a hungry gem whilst the remixes End Of The Riff and Punching McVomit, a squalling version of Punching Dicks hit the right spot before a hilarious interview with the band closes up shop.

Double Riff Action is another great intrusion by the band, its two lead songs sheer I Am Duckeye alchemy and the band as contagious and unstoppable as ever. The hunger for the new album is destined to be impatient and demanding after this…in fact hurry up with it you taunting teabaggers. ;)

http://iamduckeye.com

9/10

RingMaster 27/03/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

Titans & Kings – Set Fire To The Night

titans and kings

Creating a feisty and energetic blend of eighties hard and modern alternative rock with extra pleasing spices, UK rock band Titans & Kings is an encounter impossible not to develop an eager appetite for, especially taking new single Set Fire To The Night as the doorway into their fiery sound. The band has been earning strong praise and attention over recent months and it is not hard to see why using the single as evidence. The song does suggest that the London quartet is still defining their musical voice and uniqueness but that just adds that little bit more spice to the promise within the already accomplished and engaging encounter.

Set Fire To The Night follows the well-received recent release of the Hold Your Tongue EP as well as the success of the band’s first Titans & Kings - Set Fire to The Night (iTunes Artwork) (1)UK tour they have just completed. Recorded at Freefall Studios, the single leaves no riff bred beckoning and melodic enticement at home, the song from its first moments a riotous and agreeably anthemic proposition. It plays like Jimmy Eats World meets Black Stone Cherry with the fire of Buckcherry involved, though there is more to it than that. The song emerges from a distant blaze of guitar on a drum thumping before relaxing with muscles still flexed into an embrace of melodic endeavour and sonic enterprise. Once the vocals begin their narrative, aligned to the great throaty bass skirting, an eighties rock essence washes over the imagination. It is a pleasing if undemanding coaxing which recruits full attention; jagged riffs and entwining melodies adding to the bait of the song.

There is a definite familiarity to the track too which makes it simply over friendly rather than a replica of something else but it is the constantly evolving and emerging imagination of the band which steals the spotlight, twists in ideas, gait, and energy an exciting unpredictable enticement. That recognisable element of the song fuels the thought that Titans & Kings is still searching for their distinctive flavour but equally with its inventive exploration the single provides proof that something individual to the band is coming to push a sound which is already a mouthwatering suasion on ears and emotions.

It is fair to say that Set Fire To The Night will not be the song that sets your year alight but it certainly given the chance will warm it up quite nicely as Titans & Kings continue their increasingly impressive way to that incendiary event they seemingly have the potential to create. For vivacious rock ‘n’ roll Set Fire To The Night is well worth romping with.

www.titansandkings.com

7.5/10

RingMaster 24/03/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com