Zeroking: Kings Of Self Destruction

Enthusiastic and unfussy yet openly addictive is the only way to describe the latest album from US hard rock band Zeroking.  With an obvious intent to have and give the fullest of best times Kings Of Self Destruction simply leads the ear and emotions on a boisterous and mischievous rampage through insatiable riffs and fully loaded melodic enterprise. It is not the most inventive or ground shaking of releases but it sure is one of the more eagerly enjoyable.

Formed in 2005, the Huntington West Virginia quartet of vocalist Andy Haught, guitarist Shane Day, alongside Paul First and Chris Webb on bass and drums respectively, took no time in garnering strong attention and growing acclaimed from their debut EP Sweet Sale Of Excess in 2006 and the sharing of stages with the likes of Anthrax, Twisted Sister, Bobaflex, Jackyl, Dope, Black Stone Cherry, and Airbourne, as well as impressive appearance at various festivals. Listening to their album it is no surprise, the impossible to ignore songs a feast of infectious melodic imagination and feisty addictive riffs and honest rock sounds. As mentioned there is not anything particularly startling or unique to the release but do not mistake that for it being flat or boring. Kings Of Self Destruction is a thrilling ride from first song to last, a familiar but inventive party to fully engage with from beginning to end.

The recording of the album began with producer and engineer Steve Riley mid 2009 and last year saw Zeroking release the EP A Taste Of Self Destruction which featured three tracks from the album as a teaser and followed previous single Stone Cold Bitch/Girls of California, the pair of songs also appearing on the release. Both garnered impressive acclaim and marked the album, as one to eagerly or impatiently wait for.

From the opening Dead Rock Star the band unleash a riot of sounds and songs which recall a brew of flavours from the likes of Guns N’ Roses Motley Crue, Saliva, Seether, and Buckcherry to name a few. Anthemic and rife with the best rock/metal tendencies, the album pulls you to your feet from the off and leaves it breathing heavily and sweating satisfaction. The opener incites only enthused responses to its familiar and compulsive sounds. It might play like an old friend but it is a fresh and vibrant returning buddy which lights up the senses and invites full union, something you can tag the whole release as.

The following Forget Vegas with its breezy swagger and flashy horns immediately is evidence to the diversity across the album soon backed by She Said with its twisting riffs and brooding bass sounds of First. It is a more reserved saunter through the ear than previous songs though still has the impetuosity which endears across Kings Of Self Destruction.

Showtime Revolution is an immediate highlight as soon as it entraps the ear with addictive hooks and a melodic infection to ignite inner fires. The guitar of Day is an electrified bristling delight whilst the rhythms of Webb jab and punch with the precision of a middleweight to drive the song home wonderfully. Vocalist Haught as on every song is an impressive focal point without distracting from the quality the rest of the band offer every time.

Songs like the sexy blues bar room joy Southern Lady, Ex-Godiva, the mesmeric Love Is Dead featuring the fine emotive voice of Stacee Laswson, and the aural contagion that is the title track, lead the senses into more devilment with a varied and wicked glint in their individual eyes. Again the music is uncomplicated, immediately your best friend, and completely infectious. To be honest hard rock has never been our favourite flavour at the RR but when it comes with such vitality and pleasure as that brought by Zeroking there is not a whisper of complaint to be heard.

The excitable metal veined treat which is Girls Of California leads the climax of the album to be ably supported by songs such as the teasing and incendiary stomp Black Friday and the majestic emotive ballad Valentine, the release continuing the strong and open diversity it started and persisted with.

    Kings Of Self Destruction is an excellent riot of rock n roll sure to find a home in every rock and metal heart. Honest and without pretensions the release is nothing but enjoyment and Zeroking a band who deserves more than a minute of any ones time.

https://www.facebook.com/Zerokingfans

Ringmaster 04/07/2012

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